The fantastically brutal alt-electro pop producer and singer-songwriter Kimi Nickerson laced Enemies with an class that masks its deadly affect. Synths swirl like smoke from scorched bridges, strings ache with wounded restraint, and beneath all of it, the sub bass and warfare drums crawl just like the gradual realisation that the folks closest to you have been solely ever biding their time. There’s no softness on this reckoning, solely a scathing refusal to sink to gutter-low ranges, as a result of why kill with kindness when the blade of reciprocity cuts a lot sharper?
Nickerson’s discography is quickly turning into an anthology of cinematic self-reclamation. Anybody who finds the important thing to it’ll unlock an artist whose profound introspection, merged together with her suave synthscapes, offers you the liberty to breathe as an unfuckwithably enlightened entity. In Enemies, she doesn’t play the sport, she turns into it, blurred on the edges however razor-sharp on the core. She’s not preening herself into the proper pop bundle, she’s digging deeper, excavating aural structure that stands tall sufficient to alter the entire panorama of alt-electro pop.
Via KG Data, the label she co-founded, she’s already redefining what autonomy feels like. And if Enemies is something to go by, Nickerson gained’t be shrinking into silence for anybody.
Enemies is now accessible on all main streaming platforms through this hyperlink.
Overview by Amelia Vandergast
