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Porcupine Tree, The Pineapple Thief and King Crimson drummer Gavin Harrison first performed with Canadian musician Nick Johnston on the latter’s nice 2016 album Remarkably Human.
The fusion guitarist and keyboardist has carried out with Intervals, Plini, Polyphia and Periphery, and this yr was formally introduced as a touring member of Mastodon.
Such is the pedigree behind Harrison/Johnston’s maiden, all-instrumental outing. Early Mercy is the results of Harrison sending loops and concepts contemporary from his drum room to Johnston, who embellished these ideas along with his personal harmonic thrives.
Allan Holdsworth/Tigran Hamasayan bassist Evan Marien is the third participant right here, and though it’s a trio of terrifying high quality, fortunately the result’s no face-melting noodle-fest.
Opener Sorcerer units the tone with intricate metres, Mellotron textures, meandering modulations and Japanese-inflected scales. Right here and elsewhere, Harrison’s drums drive the association as a lot as Johnston’s guitars and keys.
The report rewards repeated listens, when the intelligent writing and instrumental element actually start to emerge
The pair’s lingua franca is fusion, and though a set sq. and protractor could be required to work out the total extent of the odd time signatures, they at all times appear to stem from a musical thought, relatively than a compelled want to be proggy.
The title monitor opens in 7/8, suiting the music’s stressed, mysterious chromatic diversions (at instances the report appears like a prime rock band deciphering fashionable orchestral film music). Harrison’s nuance and invention draw the listener into his instrument’s sphere right here and on the 9/8-and-beyond groover Flourish And Perish, with its Hammond organ burbles and conga hits. Even for a non-drummer, his equipment – fantastically, spaciously recorded – is just a pleasure to hearken to.

Usually soulful, at all times exact however by no means scientific, Johnston’s guitar type owes a lot to Joe Satriani, significantly in his consideration to scrumptious tone and melody. When The Flesh Was Solid Away has essentially the most memorably lyrical line on right here (with a quick, cheeky nod to In The Court docket Of The Crimson King, perhaps?). He’s sparing with the guitar thrives, so when the widdly moments do come they actually pop.
The report rewards repeated listens, when the intelligent writing and instrumental element actually start to emerge: the comparatively aggressive riffs brilliantly bookending Misericorde; the beautiful cymbal and piano work on Seawater; bassist Marien’s subtly sensational motifs propelling Sorcerer II.
Early Mercy isn’t for everybody, however it’s for everybody excited by Harrison, Johnston, Marien and the artists inside their rarefied orbit. That is unusual, stunning music – clever, measured, immaculately carried out.
Early Mercy is on sale now by way of Remarkably Human.