Toronto’s Continuum Modern Music has launched its forty first Season of daring and modern chamber music. The season for 2025/26 options current commissions and world premieres, together with Canadian and worldwide modern works.
Many will likely be carried out in Toronto for the very first time.
“Our forty first season invitations audiences to expertise music formed by the pure world, whereas persevering with our dedication to spotlighting new voices in Canadian music,” says Inventive Director Ryan Scott. “We’re thrilled to deliver collectively our ensemble, visitor artists, and the following technology of performers, composers, and curators to share this thrilling physique of labor.”
Continuum Modern Music 2025/26
The season launched again in July with the efficiency of Lacking, a Canadian chamber opera by Métis playwright Marie Clements and composer Brian Present, with libretto in English and Gitksan, as a part of Toronto Summer time Music.
The live performance schedule for the season contains:
Highlights of the season
Woven Shores (October 24, 2025, St. George’s Grange Park)
This system contains Anna Thorvaldsdottir (IC), Scape; Ashkan Behzadi (CA), Abyss: Refractive; Nathan Friedman (CA), Barcarolle; Ann Cleare (IR), 93 million miles away; Emilie Lebel (CA), Turning (a World Premiere and Continuum Fee)
Pine Bushes and Blue Sky (December 6, 2025, St. George’s Grange Park)
Curated by Inventive Producer and violinist Roan Ma and that includes harpist Stef Van Vynckt, this program contains Marcos Balter’s Violin Concerto, Canadian composer Haotian Yu’s Ritual III, created as a part of Continuum’s HATCH 2019 mentorship program, a brand new and as but untitled work for violin and harp by Canadian Jessica Ackerley in its World Premiere (a Continuum fee), together with Toshio Hosokawa (JP), Panorama II, and Anna Höstman (CA), Pine Bushes and Blue Sky
Outdoors Hole (April 11, 2026, St. George’s Grange Park)
Guitarist Rob MacDonald joins Continuum for concertos by Francisco Coll (Turia) and Tomi Räisänen (Sea of Tranquility), a solo work by Canadian composer Amy Brandon (Slancio), and ensemble works by Yaz Lancaster (Shed Velvet) and Jesse Plessis (Ishnala). The tenth Teen Composer Award will likely be introduced earlier than the live performance begins.
Along with live performance programming, Continuum continues its Mentorship in Inventive Manufacturing initiative, now in its second 12 months. The initiative affords alternatives for rising artists to create, curate, and current new works.
The group may even proceed Press Play, an online collection that can function greater than 15 new works, and prolong the attain of Canadian new music to worldwide audiences.
- Discover tickets, season particulars, and methods to assist Continuum, [HERE].
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Anya Wassenberg is the Toronto Metropolis Editor at Ludwig Van. Beforehand, she was a contract author with a specialty in tradition and journey for 3 many years, and a inventive writing teacher for Ontariolearn.
