Bartees Unusual speaks to Atwood Journal about his bold and unflinchingly introspective third studio album, ‘Horror’ – an intrepid, genre-blurring odyssey by way of private fears, creative evolution, and the liberating energy of self-definition.
Stream: ‘Horror’ – Bartees Unusual
The monsters are all inside us, and there’s no means out aside from going deeper inside your self.
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Bartees Unusual has by no means been one to paint contained in the strains.
Throughout his first two albums – 2020’s Reside Without end and 2022’s Farm to Desk – he has carved out a singular house in music, one the place style distinctions blur and dissolve in service of one thing deeper, rawer, and more true to his ever-evolving artistry. His newest album, Horror, is his boldest assertion but: An unflinching exploration of non-public fears, creative ambition, and the haunting weight of self-doubt. If Reside Without end was an introduction and Farm to Desk a snapshot of an artist in movement, Horror is the sound of Bartees Unusual totally accountable for his craft – pushing himself to new emotional and sonic extremes.
The title Horror isn’t about ghosts or ghouls; it’s in regards to the specters of insecurity, loneliness, and creative erasure that loom giant in Unusual’s thoughts. Throughout the album’s sprawling soundscape – melding Parliament-Funkadelic grooves with Fleetwood Mac lushness, Isley Brothers riffs with the precision of Steely Dan – he navigates these fears head-on, turning them into one thing highly effective.
“It’s about dealing with your fears and rising to grow to be one thing to be feared,” he tells Atwood Journal. However Horror is greater than only a document about nervousness and uncertainty – it’s an act of self-definition, a testomony to pushing previous doubt and claiming house in an business that so usually tries to categorize and comprise. At its coronary heart, Horror isn’t nearly concern – it’s about transformation, a course of that unfolds in each its lyrics and its sound.

That inside tug-of-war performs out throughout the album in thrilling, unpredictable methods.
Horror is a sonic high-wire act, teetering between crushing vulnerability and defiant swagger, between moments of intimacy and overwhelming scale. “I wished to create actually deep valleys and actually excessive peaks – deeper and better than I’ve ever executed earlier than,” Unusual explains.
Tracks like “Too A lot” explode with stressed vitality, leaping between genres in a means that feels each disorienting and exhilarating. “It’s overwhelming,” he says of the tune. “Individuals say, ‘Oh, he’s a genre-bender,’ and I’m like, okay, cool – let’s do it like this.”
Elsewhere, “Baltimore” captures the existential exhaustion of making an attempt to construct a life in an more and more unforgiving world, whereas “Sober,” a standout monitor and former Atwood Journal Editor’s Choose, provides an aching meditation on emotional entrapment, with Unusual reckoning with a doomed, dying love and its results on his psychological well being. “It’s arduous to be sober, it’s arduous to only sit with all of that and maintain it,” he confesses.
I did a backbend after I noticed you
You had been floating throughout us
You had an entire vibe,
none might have taught it
On the finish of the world
So when you already know
When you already know it’s proper
When a day turns into your entire life
I’m standing right here, in between the strains
Guess I’ve by no means had a guiding gentle
That’s why it’s arduous to be sober
“It’s an actual pandemic love story,” Unusual lately advised Atwood Journal. “You actually can’t get out… you’re in an residence collectively, and also you’re making an attempt to navigate this sense of being caught in one thing you’re making an attempt to get out of, and also you’re then making an attempt to drink by way of it in a means… It’s arduous to be sober, it’s arduous to only sit with all of that and maintain it.” A cinematic anthem for the emotionally distressed, “Sober” is, in some ways, the gateway into Horror, capturing all too relatable emotions of angst and dread with unimaginable finesse.
By way of all of it, Unusual maintains his signature refusal to be boxed in – musically, emotionally, or philosophically.
“Individuals all the time discuss style prefer it’s these arduous partitions,” he says. “However you need to use all of it to inform your story nonetheless you need.”
Horror is proof of that ethos, a document that doesn’t simply problem boundaries however obliterates them. Releasing on Valentine’s Day – a date usually reserved for saccharine love songs – the album as an alternative flips the script, remodeling private reckoning into empowerment.
If concern is the good immobilizer, Horror is its antidote – proof that concern also can set you free.

Sitting down with Atwood Journal, Bartees Unusual opens up in regards to the fears that formed Horror, the artistic dangers that outline his artistry, and the private reckoning that fuels his songwriting.
From the weak self-examination of “17” and the self-actualization of “Backseat Banton” to the sonic ambition behind tracks like “Too A lot” and “Lovers” and the deep introspection of “Baltimore,” “Sober,” the stressed seek for belonging on “Lie 95,” and past, we unpack the emotional highs and lows of his most daring album but. He displays on his genre-defying method, his evolution as each an artist and producer, and what it means to take management of your individual narrative in an business that so usually tries to outline you first.
“The true purpose of my music is by deconstructing style, it’s actually deconstructing limitations that separate all of us,” he concludes. “Nation music, rap music, pop music, jazz, these are all completely different teams of individuals, and I would like all these individuals in the identical room. That’s what I might love. This document is type of making an attempt to do this by way of speaking in regards to the issues that we’re all afraid of.”
By way of all of it, one factor is obvious: Bartees Unusual isn’t simply making music – he’s making house for himself, his fears, and his ever-growing ambitions. Horror is an album of uncertainty, catharsis, interior energy, and the human expertise; of confronting what haunts you and popping out stronger on the opposite aspect.
“Tremendous darkish instances,” Unusual says, distilling the album’s emotional core into three easy phrases – however Horror isn’t about getting misplaced within the darkness; it’s about studying to navigate it, and possibly even discovering gentle alongside the best way.
Learn our interview beneath and step into the world of Horror – the place concern fuels transformation, and the one means ahead is thru.
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:: join with Bartees Unusual right here ::
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“Too A lot” – Bartees Unusual
A CONVERSATION WITH BARTEES STRANGE
Atwood Journal Bartees, we’re speaking solely 13 days into January, so I really feel like the primary place to begin is, do you’ve got any New Yr’s resolutions?
Bartees Unusual: Any New Yr’s resolutions? No, not likely; survive… I imply, I might like to get some extra, you already know I’ve been producing loads within the final yr or so, which has been loads of enjoyable, and I’m excited to maintain doing that and there’s loads of touring that I’ll hopefully do subsequent yr, and each time I’m going into yearly, I’m like, oh, I hope I get a pair cool data, so I’m saying the identical factor this yr, similar to, I ponder what’ll come by way of and what I’ll work on this yr, it’s like, who is aware of at this level.
Horror apart, what had been a few of your favourite data that you simply labored on production-wise final yr?
Bartees Unusual: I can’t discuss a few of them, however I labored on the Bleachers album, which was actually enjoyable, actually, Jack and I grew to become buddies, and I started working on a couple of songs there, there’s simply been like a slew of artists, there’s an area artist named Eyas, who I produced an album for final yr that’s doing nice, and he or she’s actually particular, I feel like a extremely superb vocalist and songwriter and piano participant, and I’m actually trying ahead to seeing what she does, and yeah, and aside from that, simply type of bopping round, simply pulling up and enjoying guitar and urgent document, so it’s been a enjoyable yr. There’s this French artist named Naya, who I feel is basically nice, she was signed to Sony and now she’s doing her personal factor, and I did an EP for her that comes out in a couple of weeks – so yeah, it’s busy and good!
I am going to look out for that and for all the opposite issues which you could’t share in addition to the yr progresses! However after all, we’re right here to speak about your third studio album. Are you able to share a bit of in regards to the story behind Horror?
Bartees Unusual: Yeah, I began engaged on it years in the past, in all probability I might say like 2020, late 2020, early ’21, and on the time I didn’t know if I used to be engaged on my second album, ‘Farm to Desk’, or if I used to be engaged on ‘Horror’, I used to be simply type of recording songs and seeing what got here out, I had a bunch of mates collectively and we had been simply recording. And from these periods I got here up with type of like two buckets of songs. I had ‘Farm to Desk’ songs which had been a bit of bit extra like streamlined and felt very songwritery, after which I had these different songs that felt far more dynamic and on the time I used to be like, these are scary, like scary songs, like massive actions, massive hooks, each tune felt like a single.
I used to be like, this is sort of a bizarre, deeper, extra twisty, turny document, and I additionally don’t know if I’m ok to complete it proper now. I assumed, I don’t know if I’ve the chops, actually, to do every thing I’m listening to with this, so I’m going to place this down and I’m going to complete Farm to Desk. And so I labored on Farm to Desk for that yr, and put it out the next summer time, after which after that I got here again to Horror and I’ve been incrementally plugging away at it since late 2022, early ’23.

It’s so troublesome to place one thing down and say, “I can not end you proper now, I am not able to but,” so I’ve to applaud you for doing that.
Bartees Unusual: Thanks. I hadn’t executed that both. Usually after I write one thing I’m enthusiastic about I’m like, ooh, let’s go! However this time, I keep in mind after I wrote “Sober,” I used to be like, “ooh, that is going to be loads of work, I don’t understand how to do that,” and I additionally, similar to the lyrical content material and what I used to be speaking about, it was stuff that I used to be like, I don’t know if I’m able to sing this tune in entrance of individuals. So it was like, I simply wished to complete Farm to Desk, it felt straightforward in a means, and so I did that earlier than I bought into one thing extra scary.
Nicely, I am glad you got here again to it, placing one thing down like that may be the toughest factor on this planet, however I am glad you returned to it. As soon as you probably did return to it, what was your imaginative and prescient for the document? Did that change over the course of recording and producing and mixing and mastering?
Bartees Unusual: No, I imply, I wished to make one thing that was type of, I really feel like most individuals that know me type of count on me to do sudden issues, like massive swings and songs are completely different and no matter, and I naturally write that means and I like writing that means, and with this document, I type of wished to do one thing that was like a basic Unusual document, however I wished it to be extra targeted and I wished to actually deal with songwriting and manufacturing and make songs that had been considerate and hooky and sticky and massive, and I wished to create actually deep valleys and actually excessive peaks – deeper and better than I’ve ever executed earlier than, and that was type of the purpose.
And I used to be type of portray with these ideas of like I wish to bridge these sounds of genres and worlds of music that I type of grew up on and grew to like, stuff like Parliament-Funkadelic and Brothers Johnson and likewise Fleetwood Mac and Neil Younger and Steely Dan, like stuff that my dad and mom would hearken to and that I might attempt to keep away from however then grew to like and burn holes in these CDs over, for many years now. And when you get into that, you begin making an attempt to, for me, it’s like if I hear a phenomenal Fleetwood Mac tune, I’m like, okay, nicely, how’d they make it? Why do the drums sound that means? Why do the guitars sound that means? What’s the method? And that was type of like what guided me as I recorded this document, was type of getting actually deep into the engineering and the manufacturing as soon as the songs are written, to type of create one thing outdated and new, like basic and new on the identical time, yeah.
You stated earlier that you simply had been trying to make a unusual document, and I could not inform if you happen to had been utilizing unusual as an adjective or Unusual as your final identify.
Bartees Unusual: Oh, my final identify!
I like that. And with regards to massive swings, what do you’re feeling are a few of the greatest swings on this album?
Bartees Unusual: “Too A lot” is a reasonably wild monitor, and I like that it’s the primary monitor ’trigger in my thoughts, it’s type of like, it’s such as you land someplace new and somebody fingers you a map, and is like, that is what it’s essential to, you need to comply with this to get to the tip. And I really feel like that tune is type of just like the sonic thesis or the like, over the course of the document, we type of go deep into every of those type of sounds that occur throughout that tune. It’s virtually like if you may get by way of this, you’ll be advantageous for the remaining.

I had a query saved for later in our dialog, however since you introduced it up – you do open the album with sleazy guitars and affected vocals. What tone is “Too A lot” setting for you?
Bartees Unusual: Nicely, I wished to only shock you. It’s similar to, it’s an excessive amount of. It’s like, it’s overwhelming and I really feel just like the cool components about that tune is rather like, individuals say like, “Oh, he’s a style bender and a form shifter.” And I’m like, okay, cool. Nicely, let’s do it like this. You realize, it’s simply three completely different individuals and the vocal high quality modifications, your complete sonic panorama modifications like on a dime, and it suits and it really works as a result of it’s mine.
And that’s type of the purpose I’m all the time making an attempt to show. Individuals are all the time enjoying, speaking about genres if it’s like these arduous partitions, however it’s like, you need to use all of it to inform your story nonetheless you need. And I really feel like with that tune, it’s simply type of an abuse of manipulation of style and sound decisions. And yeah, it’s an excessive amount of!
The way in which I all the time see my function as a music journalist, as a author, is to make use of genres conservatively, however to assist individuals perceive what they’re listening to. And the unstated settlement with the artist is, we’ll attempt to use packing containers to assist talk what you are saying to others, and you are going to break all these packing containers.
Bartees Unusual: Yeah. And, yeah, that tune, I feel it’s an earworm in a means that loads of the opposite songs aren’t. There’s not likely a hook; the hook is the guitar line and I simply suppose that’s cool, I like that. It jogs my memory of the Isleys or Brothers Johnson or a kind of bands, you already know?
One of many issues I actually do love about this album, and also you as an artist typically, is how fluid you’re with regards to musical types. Overlook the time period style; the best way through which you create feels unpredictable from minute to minute, and that is thrilling for me as a listener. I do not suppose there are lots of artists typically who method what they’re making in that means. One of the best instance I might make for this album was the run from “Baltimore,” to “Lie 95,” to “Desires Wants” and “Lovers.” It type of exemplifies how a lot you have stretched your self on this document. I am curious, how do you personally describe your music?
Bartees Unusual: Ooh, individuals all the time ask me like, nicely, what sort of music does your band make? And I type of similar to, nicely, every thing. I imply, there’s one thing for everybody, however I don’t know, dude, I feel I make pop music. It’s like another pop music. That’s how I see it. It’s like a better of, of particular issues. And I’m all the time, I imply, like after I pay attention to love, I don’t know, I used to be actually simply trying on the Grammy lists and stuff immediately, all of the nominations, and I used to be Beyonce’s document. And I used to be like, I like this, proper?
It’s my favourite Beyonce document she’s ever put out, and other people will say no matter they wish to say about that, however the factor that I like probably the most about it’s that the vary is loopy. It goes from probably the most Americana factor to probably the most sleazy nation factor, to just about a Hosier, hey ho, barn stomper, to a giant Home tune, and I’m like, sure, that’s pop music! It’s like a Quincy Jones manufacturing! And that’s type of how I take into consideration my data. It’s like, every thing’s on the desk, we’re simply making an attempt to make the perfect songs we are able to probably make. And that’s, I might simply name it a pop document.
Why the title ‘Horror’?
Bartees Unusual: Nicely, it’s ’trigger loads of the themes within the document are type of about private horrors, issues that I really feel like hang-out me. Like a sense of loneliness, or like that feeling of it doesn’t matter what you do, it’ll by no means be ok. Or, the place am I going to dwell? Like there’s, every thing’s so costly and I don’t know the place to construct a life or intimacy or, you already know, these are type of just like the themes throughout the document. It’s extra that than like, there’s a monster beneath my mattress. It’s extra just like the monsters are all inside us, and there’s no means out aside from going deeper inside your self. And that’s type of the place this document ends, is with “Backseat Banton.” It’s like, I used to be a backseat lover and now I wish to drive. It’s such as you dwell your entire life unsure of what to do and type of simply driving. And you then hit a sure level the place you’re like, okay, if I’m going to do extra than simply experience, like I’ve to love drive this automotive, and that was like, these are type of the themes of the entire thing.
You’ve got stated that Horror is an album about dealing with your fears and rising to be somebody, to grow to be somebody to be feared, which I used to be fascinated by.The place do you’re feeling these themes manifest within the music on this album?
Bartees Unusual: Yeah. I imply, one clear tune about like, you undergo your life type of being afraid, after which ultimately, you type of conquer these fears and also you develop and also you develop and also you develop and you then grow to be one thing that folks must take significantly. And a tune that I might say is like that’s “Loop Defenders.” A loop defender is a gatekeeper. That’s how I’m classifying that time period. It’s like people who received’t allow you to succeed for no matter purpose. And I opened the tune speaking about issues that will scare me. However after surviving these issues, I grow to be one thing a lot larger and likewise scary. And in order that’s type of what that tune, that’s the manifestation of that concept, is now I’m up on the ceiling, I’m a demon, I’m the factor that you simply placed on a shelf, such as you tried to categorise me and put me in a field, however I’m a lot larger and scarier than that. And now I’m gonna present you.
I like that. I find it irresistible. I did not make the connection after I listened to that tune at first, however the protectors of the established order, that makes a lot extra sense. That makes me excited to return to it.
Bartees Unusual: Yeah. “Desires Wants” is one other tune type of like that, about realizing that you simply want followers. And I feel I wrote it as like a love tune, like I want you too when it’s all stated and executed, however it’s actually it’s like, it’s the primary line within the tune, “I get fearful of erasure ’trigger it simply appear to occur, don’t it?” It’s like, I wish to achieve success, however I can’t do it if individuals don’t like me. So how do I get individuals to love me? I would like it and I want it. It’s like, that’s type of, these are the fears and like how a few of these concepts type of manifest themselves.
Yeah. The artist fan relationship is inherently parasocial, and it must be and it is bizarre. And you then get the 2 spectrums. There’s the artists who’re so all in that they provide followers like a textual content quantity, a cellphone quantity. After which on the opposite aspect, there’s the artists who reject their followers. And I’ve seen some artists play to the band, like standing on stage on the opposite, again to the viewers. And it is fascinating how everyone suits on that scale, on that spectrum. It is only a bizarre actuality to be an artist nowadays, I feel.
Bartees Unusual: It’s a visit. And I feel I’ve realized that I don’t wish to give that a lot of myself away. I’m nonetheless looking for the stability. It’s like, how do you do that with out TikToking on a regular basis? I don’t actually wish to, you already know? I wish to write songs. I wish to write songs and tour. It’s life.
That is your third studio album in 5 years. How do you’re feeling Horror reintroduces you and captures your artistry, particularly in comparison with Farm to Desk and Reside Without end?
Bartees Unusual: Reside Without end, it’s like a basic first album. It’s such as you work on it type of your entire life. After which it comes out and also you’re like, these are the perfect songs I had, interval. After which ‘Farm to Desk’, I simply thank God the songs had been good ’trigger I simply wrote them so quick and put it out so fast. And that is the primary album that now it’s like, okay, I’m means higher at my job. I do know far more about producing and I’ve a means larger community and I’ve songs that I even have some experiences now as a 35 yr outdated man that it’s like, I’m writing from a perspective that isn’t the 27 yr outdated that was writing a document that got here out when he was 32. It’s like, that is me the place I’m at proper now. And it’s like, yeah, and it feels probably the most me, you already know? I felt like after I was enjoying songs from ‘Reside Without end’ I’m like, I used to be 24 after I wrote this tune, however now it’s like these songs are like, that is what’s taking place proper now. And that’s going to be new for me and one thing I sit up for.
Yeah, we are able to unpack our trauma on stage collectively each evening.
Bartees Unusual: Yeah, it’ll be a visit.

I do know you and Jack Antonoff labored collectively on this album; what was your expertise like collaborating with him as a co-producer in your personal music?
Bartees Unusual: It was an honor, ’trigger I, it was not the plan. And I assumed I had completed the document earlier than I met him. And after I met him, we simply type of hit it off. And he invited me over and requested me to deliver my music, and we simply listened to it. And he favored it. He was simply, I used to be like, dude, I can’t afford to work with you. There’s no means, you already know? And he was similar to, no, let’s simply, let’s go. Like, let’s simply determine it out. And I’ve by no means met anybody extra beneficiant or type or proficient and hardworking. The man will get loads of guff for what, as a result of he’s so good, I feel. However it’s like, he’s probably the greatest. And he has a singular means of listening to music, and I like working with people who see issues a bit of in a different way, and he has this coronary heart that’s similar to, it’s like working with a plumber, or somebody that builds homes, he doesn’t care in regards to the titles or any of that shit. He’s similar to, how will we make the perfect tune? Let’s simply do it now and let’s keep till it’s executed. And I’m, I relate to that, he’s an actual employee. And it was superior to be taught from him and work with him.
Talking of people that ought to work much less, dwell extra, the person is only a workhorse. I have been a fan of his because the Metal Practice period!
Bartees Unusual: Oh my God, dude, yeah. My first Instagram identify was Black Antonoff. And I deleted it means earlier than something ever occurred, however I all the time suppose that’s hilarious. I ought to share that with him.
So that you type of manifested it?!
Bartees Unusual: I suppose so. Why? I’ve all the time wished to love, I imply, there are individuals on my record, clearly, that I wish to work with or know, and dude, he’s the perfect.
Who else is on that record, now that you simply type of bought one individual checked off?
Bartees Unusual: James Blake… I imply, I would like that hold dangerous. I’m like an enormous fan of his manufacturing and would love to write down with him. He’s the perfect. There’s various others. Gosh, I don’t know, simply pondering producers. Oh, really, I met one this yr, Mike Elizondo. That man made some data which are a few of the greatest data of my younger life. All these 50 Cent data, f*ing, gosh, what’s her identify? Fiona Apple, simply extraordinarily prime quality musician and is ready to simply transfer between genres. Niles Godrich, one other one, I might do something to fulfill Niles Godrich. Like there are some people who I might similar to what, Raphael Sadiq, I’ll do something. I might additionally do something to write down with Beyonce. So there are undoubtedly individuals. Who is aware of, life is lengthy, we’ll see.
I want all of them for you. You’ve got additionally stated that making this album was working by way of emotions of doom, which is one thing that I feel any 30 one thing, myself included, can relate to. I really feel like I hear that uncooked emotion all through the document. “Baltimore” was the tune that I picked out, which simply to me appears like such a weak and sincere tune about your private life expertise. What kind of doom have you ever felt personally over the previous couple of years, and what did working it out by way of tune appear to be for you?
Bartees Unusual: I imply, I feel loads of artists expertise this. So I do know it’s not distinctive to me, however I feel that ever since I used to be a child, I type of all the time felt this sense that I don’t actually have management over my life and that at any given second, every thing can simply be type of taken away from you, whether or not it’s due to like your colour of your pores and skin or no matter, and also you type of develop up with that actuality. Form of like the place I used to be, I lived in a extremely rural, conservative city in Oklahoma and needed to type of actually masks myself to get by way of that have. And so rising up with that because the backdrop, you type of by no means really feel secure. Like every thing type of feels a bit of fraught, even when issues are going very well. And as quickly as issues go nicely, you’re already, you’re type of like, okay, how am I going to lose this? You suppose you’re going to lose it as quickly as you get it. And I feel that’s a sense that lots of people really feel, and particularly artists.
And I really feel like in songs like “Baltimore,” it’s like, it’s me simply trying throughout the nation like, okay, if I wish to simply have a household and a home and dwell affordably and never must work 80 hours per week and never must make $180,000 to similar to be all proper, the place can I do this? And is it various? Is there a various one? It’s just like the pool will get smaller and smaller and smaller till you’re like, there’s nowhere you’ll be able to dwell, you already know? And in order that’s like, on the query of doom and stuff like that, that’s type of what I might say type of plagues me, however it’s like, you simply maintain going, and I advised myself, I used to have a 9:00 to five:00 and I made good cash at that job. And, however I used to be so, so, so depressing. And I keep in mind telling myself, I used to be like, I might moderately tour and like write songs and go broke than keep at this job and retire after I’m 65 after which go on trip. I used to be like, I wish to have time, not a very long time, if that’s the selection I’ve to make. I wish to dwell it doing stuff I like, you already know? That’s actually the selection that we make.
That is true, and I’m proper there with you. You talked about your expertise rising up in Oklahoma, and now you name Baltimore house. What’s your current expertise like in Maryland?
Bartees Unusual: Love Baltimore. In order that’s the enjoyable half about that tune, each Baltimore this like, I identify all these cities and all these explanation why I’m like, oh, possibly it’s not the perfect transfer. However Baltimore was the perfect transfer. And it’s an incredible metropolis, tremendous various, very reasonably priced, nice housing inventory, worldwide airport, near New York, near DC, near Philly. It’s like, it’s fantastic. I like this metropolis. I will likely be right here for the foreseeable future. It’s like, I might see myself having like a profession as a working musician dwelling right here.
I don’t understand how I might do it if I lived in New York or LA. It’s simply an excessive amount of cash, I don’t know. The Mid-Atlantic is nice, and it’s additionally fairly liberal – Maryland, I might put it proper up there with California when it comes to its legal guidelines and Black governor, Black mayors, ladies in Congress, our senators… it’s very liberal, good jobs, loads of cities, loads of locations to dwell, reasonably priced.
You started introducing songs off this album final spring with “Lie 95,” and that is nonetheless considered one of my favourite songs off the document. Why did you choose to launch that monitor first?
Bartees Unusual: Oh, I don’t know. I favored it! I feel the hook is nice. And I used to be like, it’s quick and actually tight. And I used to be like, oh, this tune is only a nice monitor. I imply, if I used to be gonna put out one thing and type of attempt to get some consideration on it and attempt to reintroduce what I’m doing, I feel this can be a actually good first tune for that. And, yeah, it’s a tune that’s principally about, it’s like a ode to the mid Atlantic, actually. I imply, I-95, and it’s, yeah, so I find it irresistible, regional rock banger.
Then got here “Sober.” That tune is a lightning rod of emotion. The road, “that is why it is arduous to be sober,” rings particularly deep. I am questioning if you happen to might speak a bit of extra about that tune, and what it means to you?
Bartees Unusual: Yeah, I imply, it’s actually a, actually powerful tune. I imply, I’m… Each time, it’s arduous for me to hearken to that tune typically. I imply, it’s principally a tune about being in a relationship too lengthy. And actually simply not feeling such as you’re doing proper by you or by them. And it’s similar to, and you’ll’t get out. And it’s, I wrote it in the course of the pandemic. And it was actual pandemic love story, you actually can’t get out, you’re in an residence collectively, however it was, as you’re making an attempt to navigate this sense of being caught in one thing you’re making an attempt to get out of, you’re then making an attempt to drink by way of it in a means, it’s arduous to be sober, it’s arduous to only sit with all of that and maintain it. Like it is advisable simply type of have a drink and simply have a cigarette and take a stroll. It’s like, it’s extra about that than like, oh, let’s go get hammered ’trigger life is tough. It’s extra like, this shit is hard, man. Like, you’re simply in your individual head on a regular basis, simply have a seat, have a drink, attempt once more.
You actually wrote some good poetry on this one, too. Past the large assertion of the choruses, “I am standing right here in between the strains ‘trigger I’ve by no means had a guiding gentle.” After which later, “I lived life on two planes and most days, they’re each delayed.” That one simply hit to the chest.
Bartees Unusual: Yeah, it’s arduous to dwell two lives while you’re with any person, it doesn’t final lengthy, ultimately, it comes out. It’s simply, you’ll be able to’t, it’s arduous, you’ll be able to’t not be your full self with people who it is advisable be in your life. That’s type of what that’s about. It’s like ultimately, it simply type of runs out, you run out of operating room.
I dwell life on two planes, and most days they’re each delayed
Lacking all of your cellphone calls, I simply wish to go away
While you’re not close to me, each tune’s a throwaway
Jogs my memory of my by way of strains, some curses simply generate
Our distinction is astounding, operating out of issues to say
I’m simply making an attempt to indicate love fearful of being cliché
Generally I miss the boat,
typically I make errors
I’m texting that I’m on my means,
know that you simply don’t wanna wait
So when you already know
When you already know it’s proper
When a day turns into your entire life
I’m standing right here, in between the strains
Guess I’ve by no means had a guiding gentle
That’s why it’s arduous to be sober
It isn’t misplaced on me that this album is popping out on Valentine’s Day. How intentional is that timing? Can we additionally speak in regards to the monitor “Lovers” on the identical time? On the floor, at the least, that tune appears like a Valentine’s reward.
Bartees Unusual: Oh, dude, yeah, it’s a reward. That’s a, I like that tune. So yeah, Valentine’s Day launch, I simply don’t like Valentine’s Day, and I like Halloween, and I like scary stuff. And I used to be like, nicely, let’s simply do Valentine’s Day my means, which might be to place out a document referred to as Horror simply to present me one thing else to do. “Lovers” is a tune about falling in love with somebody you didn’t suppose you’ll, and the way enjoyable that’s. And it’s a bit of ‘I’m harmful’ love tune. It’s enjoyable, I prefer it.
I like home music and I like making beats, and I really feel like individuals consider me as a guitar pushed individual, however I feel most of my mates are in all probability like, oh, yeah, Bartees is simply making beats. I make beats on a regular basis. After which I write a pair songs on guitar, and I’m like, oh, I ought to sing these. Perhaps someday I’ll simply make a mixtape or one thing.
“Lovers” is certainly probably the most down-that-alley tune you have bought on this document. It is a phenomenal slap within the face in the course of the album. Like, hey, you continue to paying consideration? We’re gonna wake you up proper now.
Bartees Unusual: Sure. I imply, that was the purpose of it too. It’s like, the document runs proper into that second in such a, I feel, lovely means. I actually prefer it.
In the meantime, considered one of my private favourite songs on the album, other than what we talked about, is “Norf Gun.” I simply really feel prefer it’s this hypnotic fever dream that retains pushing the listener till its conclusion. Do you’ve got any definitive favorites or private highlights of Horror?
Bartees Unusual: I feel “Backseat Banton” is considered one of my favourite songs on the document, simply because it’s considered one of my favourite endings of a document I’ve ever made. And I simply love the story of Horror and discovering your self and never understanding the place to land, and am I doing life proper? Dot, dot, dot, after which you’ve got this tune, which is so like, I figured it out. It’s a really definitive ending and a fantastic conclusion. I like how the tune ends.
“17,” I feel, is a particular tune to me. I do love that tune. It was actually particular to make. I’ve been enjoying it for a pair years now. And I feel figuring, touchdown on that manufacturing was actually arduous. Took me a extremely very long time to determine how I wished it to sound. There’s loads of variations of it, and I nonetheless don’t know if I prefer it. And I feel that’s why I prefer it.
One among my favourite artists, Leif Vollebekk, put out an album final yr referred to as Revelation. And he launched two further variations of one of many songs on that album as a result of he could not determine which he favored the perfect. It isn’t fairly Lifetime of Pablo degree, the place you are utterly placing out a brand new album, however why be happy simply because ‘that is the model that made the lower’?
Bartees Unusual: Man, I take into consideration that. I’m all the time like, ought to I simply put out the opposite variations? After which typically I’m like, nicely, I type of like that it’s ugly, I like the error. I like it and being like, cool. Nicely, let’s attempt once more subsequent time. It’s good to have an ending. However who is aware of? There’s so many variations of this document, I swear to God, labored on this document for years. There’s so many songs. There are songs on this document that had been 5 seconds of a distinct tune that I favored a lot that I made a full tune of. And the opposite tune I simply threw away, so it’s like, it was insane. It’s like a hack job, simply no matter, it was loopy.
I take into consideration that typically, you’ll be able to both select to be the artist who has a really clear catalog, and this is the definitive model of the album, and it can save you all these extras for the field set in 50 years’ time, if we’re all nonetheless right here. Or let the individuals hear the music, and comply with your intestine!
Bartees Unusual: Yeah, who is aware of? We’ll see. Life is lengthy.
On the identical time, you confirmed a pair favourite songs. The lyrical content material on this document is clearly fairly intense and really private to you. Do you’ve got any favourite lyrics on these songs?
Bartees Unusual: I feel “Baltimore” is my finest lyrically written tune I’ve ever executed, I might say, “Baltimore” and “Sober,” these two songs, I’m like, I used to be like, yeah, I’m getting higher, I’m getting higher at this, thank God, ’trigger writing lyrics is one thing that’s actually arduous for me. I’m very a lot a melody and rhythmic individual. I can give you melodies for days, drums, guitars, productions, I can do this. However when it comes time for me to write down phrases, I’m simply type of freestyling after which discovering issues I like. However this was the primary time that I used to be like, I’m writing a tune about the place I wish to dwell, I’m writing a tune about how arduous this relationship is.
I’m writing, and that’s additionally why it took me so lengthy to complete the document. I actually wished to really say one thing. And so “Baltimore,” I felt like I bought into this. It’s like studying like Philip Roth or one thing, “Yard bluejays so my woman’s not alone and a lake that freezes over,” it’s simply all these pastoral literature type of vibe taking place, Andrew Marvell vibes. In order that was so enjoyable to write down that means and know that I might do this, and it was enjoyable, yeah, and difficult. So I’m actually pleased with these two songs, “Baltimore” and “Sober.”
I had a sense that “Baltimore” is likely to be considered one of them. Stepping again and zooming out, are you able to describe this document in three phrases?
Bartees Unusual: Tremendous darkish instances.
Tremendous darkish instances; I am going to take it. Talking of, what do you hope listeners take away from Horror? And what have you ever taken away from creating it and now placing it out?
Bartees Unusual: I hope that listeners hear it. The true purpose of my music is by deconstructing style, it’s actually deconstructing limitations that separate all of us. It’s like nation music, rap music, pop music, jazz, these are all completely different teams of individuals, and I would like all these individuals in the identical room. That’s what I might love. And so this document is type of making an attempt to do this by way of speaking in regards to the issues that we’re all afraid of. Like these are my private fears, however no two or three persons are that completely different. And I feel that lots of people can relate to a few of the issues that I’m afraid of as nicely. And I feel one thing that makes individuals really feel much less afraid is once they understand everybody else is just too.
And in order that’s what my dream with this document could be, is for individuals to listen to it and really feel like, oh, I’m not the one one which thinks about that on a regular basis, or I’m not the one one that’s making an attempt to determine this massive life query that retains arising each few years that I simply can’t appear to get, it’s like, that will be one thing I’d like to see occur, for positive. And issues that I discovered making the document, it’s like, I’ve, for one, being proper by no means healed a factor. It’s like, you’ll be able to know what’s proper and know what to do and if you happen to don’t do it, it doesn’t matter if you happen to knew it, it’s like, you already know what I’m saying? Like life is so sophisticated, a lot extra sophisticated than a tune. And also you attempt to boil issues down into it however the tune is rather like step one, I needed to do different work to be a greater individual.
And I proceed to do this. After which I feel additionally, it’s like typically you bought to let all of it hang around. Like I attempt to like, you attempt to placed on a face and be like, I’m an artist, I’m like, that is my life and da, da, da. However it’s like, I’m only a individual that’s making an attempt to determine stuff out like everyone else and I’m no higher. And so this document, I really feel like is that, it’s me being extraordinarily human and type of ugly at instances. Going from a sense like “Sober” to a tune like “Norf Gun,” it’s two utterly completely different characters. However I really feel each of these issues. It’s like, they’re going from like “An excessive amount of” to “Lovers.” It’s like, these are emotions I really feel though they’re so removed from one another. And I really feel like everyone seems to be like that in their very own means. So I didn’t wish to restrict it to only one model of me. I wished it to only be like, that is all of it, and I’m sorry.

Within the spirit of paying it ahead, who’re you listening to today that you’d advocate to our readers? Who’s in your 2025 ‘artists to observe’ record?
Bartees Unusual: Oh, dang, I’m actually dangerous at this as a result of like, I imply, I’ll discover a couple data and simply rinse the hell out of them. Like I’ll simply hearken to all of them yr. A type of data was “Tank” by Idols. And it’s not as a result of it’s their finest document, it’s as a result of I feel it’s their bravest. I feel that it’s actually cool that the perfect punk band on this planet determined to make like a, one thing bizarre at a time once they might have simply doubled down. They know what their followers need they usually might have simply gave it to them. However they connected with Nigel Godrich and Kenny Beats and made like artwork, like actual artwork. And I’m like, I don’t even know these guys. I’m like pleased with them. I’m like, wow, so courageous to do this. Individuals don’t… Not everybody likes it. I feel that’s why I find it irresistible. It’s like, they knew that was going to occur and I simply, I like that band, I love them.
One other artist I might advocate is Arooj Aftab. She’s like an experimental jazz artist from New York. I’ve been watching Arooj play for the final 10 years. I imply, I lived in New York. I keep in mind seeing her band play and it was like, I don’t, I’ve by no means even stated the phrase spellbinding, however that shit was completely different. And I used to be like, I really feel like I simply watched Meshell Ndegeocello play or some ethereal creature, like some shit that doesn’t occur, you already know? And to see them get a lot recognition and rise in like their house has simply been so inspiring. And I’ll proceed to hearken to their music. And one other artist that I might say is just like that’s Jeff Parker. He’s somebody that I love so deeply as a musician and a collaborator and a band chief and a songwriter and a participant. And I simply suppose that no one, there are a couple of individuals with a lot intention that write music like him. So massive fan, massive fan of his. Additionally, Arm and Hammer, every thing they do I feel is particular. These guys do music their very own means. I might go on and on, however these are a couple of – I’ll cease there.
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“Backseat Banton” – Bartees Unusual
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© Elizabeth De La Piedra
an album by Bartees Unusual