Opinions – Celestial Dying – BLABBERMOUTH.NET

Again in 2021, CRYPTOSIS launched their debut album into the Covid-stricken void. It was an exhilarating, multi-faceted assertion of intent, the place disparate metallic strains have been woven collectively right into a ceaselessly bewildering tapestry of icy, futuristic extremity. There was lots happening, and if circumstances had been totally different, the Dutch trio’s sheer originality ought to have enabled them to have actual affect. Although hardly an aborted mission, “Bionic Swarm” definitely laid down a fearsome template earlier than receding from well-liked view. CRYPTOSIS are nicely conscious that their sound is fiendishly tough to pin down, and whereas “Celestial Dying” is on no account a radical departure from its predecessor, it plainly marks the second when this band sharpen up and try for a much less scattershot musical identification.

The core of CRYPTOSIS‘s sound continues to be a wild and technical pressure of melodic, blackened demise metallic, however “Celestial Dying” reframes it as one thing way more mysterious and compelling. From its synth-led intro onwards, each second comes shrouded in clouds of microscopic, intergalactic particles. Huge in scope and symphonic by design, songs like opener “Faceless Matter” enjoy disorienting, distorted scree, underpinned by livid musicianship that crackles with electrified zeal. CRYPTOSIS are nonetheless a spiky, hostile metallic band at coronary heart, and as medical and synth-enveloped as “Celestial Dying” often turns into, the band’s chrome-plated anchor is firmly planted within the earthy underground.

If there was any criticism to be levelled at “Bionic Swarm”, it’s that CRYPTOSIS usually sounded in a rush to dump all of their concepts. Right here, the Dutchmen have been extra economical and scrupulous about avoiding pointless riff overkill. “Static Horizon” is a tune constructed from pure aggression, nevertheless it additionally has a number of majestic melodies, spectral keyboard tones, and moments of somber restraint that add depth to the cinematic thrill of all of it. Likewise, “The Silent Name” takes a photon blaster to big-budget black metallic and renders it anew in fluorescent, cosmic splendor, as riffs fireplace in from all angles, and drummer Marco Prij propels the entire caboodle to a jarring finish level, like a runaway juggernaut. In stark distinction, “Ascending” is a chic barrage of melody, energy and refined decorative trimmings.

After instrumental interlude “Immobile Steadiness” additional dismantles the barrier between actual and imagined, “Reign Of Infinite” offers CRYPTOSIS with an genuine, grandstanding second. Densely layered and gleefully dramatic, it mirrors the push of brutal, cosmic winds, constructing in direction of a cataclysmic finale with nice urgency, and filling each sonic crevice with one thing imperious. A last triumvirate of “Absent Presence”, “In Between Realities” and “Cryptosphere” makes this band’s adventurous spirit much more apparent. Specifically, “Cryptosphere” is a tech-death tour-de-force, powered by angular, prog metallic grooves, and is nearly ecstatic in its dedication to sonic overload. In the meantime, unvoiced epilogue “Wander Into The Gentle” makes use of mournful lead guitars and the wayward drones and hisses of an out-of-control modular synth to herald impending oblivion.

The entire promise and potential that was hinted at on their debut has come to fruition second time round. “Celestial Dying” presents CRYPTOSIS as a proudly idiosyncratic different to the black and demise metallic established order, however with greater than sufficient fireplace and fury to maintain heads banging from now till the Earth explodes.