In a brand new interview with Carlos Guimarães of Portugal’s Caminhos Metálicos, ACCEPT guitarist Wolf Hoffmann was requested if he it is troublesome adapting to all of the social media platforms and technological developments which have modified the best way artists create and promote their music. He responded (as transcribed by BLABBERMOUTH.NET): “Yeah, it’s troublesome. But it surely’s the identical in on a regular basis life too, is not it? I imply, we used to get mail and common postcards and issues, and now it is all on this factor [shows his smartphone] and it is all digital and you’ve got to join an app and it’s a must to get a verification code and all that shit all day lengthy. So it isn’t simply within the music enterprise; it is in all places. And I feel we type of reside within the instances which are — it is virtually like a revolution. It is virtually just like the technical revolution that occurred 100 years in the past, and now within the digital type of transformation the place the whole lot turns into digital.
“Simply the opposite day I needed to go to a live performance, and I used to be placed on a visitor record,” he continued. “And I needed to get this e-mail — there was a hyperlink — and I needed to obtain an app and register and [get] a code, and I used to be worn out after 20 minutes. It was a quite simple factor, however nothing is as easy anymore because it was… However sure issues get simpler; different stuff will get tougher. I bear in mind the great outdated days once we had to make use of roadmaps and road metropolis maps and attempt to discover our manner by means of…
“I suppose we’re proper in the midst of all of it,” Hoffmann added. “And, after all, as a musician, it’s a must to consistently adapt to all of the social media and TikTok and this and that, and typically it is a bit a lot for me, however I’ve no alternative. I imply, no one has a alternative, actually. It is, like, keep on it, at the very least to a level, or to fall away. And I do not suppose we will afford to fall away. ‘Trigger some musicians say, ‘Ah, it is all bullshit. I do not wanna take care of it.’ However an increasing number of notice you’ll be able to’t do this. In the event you wanna keep related, should you wanna keep within the enterprise, it’s a must to keep present with what is going on on.”
A month in the past, Hoffmann informed Mark Strigl that longtime ACCEPT producer Andy Sneap will not be concerned with the band’s upcoming Fiftieth-anniversary album, Wolf mentioned: “He is not going to be on this one, as a result of he requested for a yr off from us. I requested him, I begged him to provide his album, however then we discovered a superb buddy of his. His title is Zeuss [Chris Harris]. He is producing it.”
Hoffmann continued: “[Andy is] form of a part of the household now, however he is been touring a lot with [JUDAS] PRIEST [as that band’s touring guitarist], and he is been working a lot within the studio final yr. I feel he did SAXON, he did PRIEST, he additionally did DREAM THEATER — he is performed a bunch of stuff. So after I mentioned, ‘Hey, can we work this yr once more?’ He mentioned, ‘Man, can I please have a yr off?’, which is comprehensible.”
Concerning ACCEPT‘s upcoming Fiftieth-anniversary tour, which is predicted to launch on the finish of the yr, Wolf mentioned: “It is gonna be a retrospective of the entire 50-year profession and, after all, it is gonna characteristic numerous the essential stuff from the ’80s and a few deeper cuts. And we’re gonna carry out with visitor singers and visitor gamers, and it is gonna be tremendous thrilling, like a once-in-a-lifetime factor. You solely have one shot at a 50-year anniversary… I do not suppose we’ll get an opportunity for an additional one.”
Sneap produced ACCEPT‘s final six studio albums: “Blood Of The Nations” (2010),“Stalingrad” (2012),“Blind Rage” (2014),“The Rise Of Chaos” (2017),“Too Imply To Die” (2021) and “Humanoid” (2024).
Zeuss has beforehand labored with ROB ZOMBIE, HATEBREED, QUEENSRŸCHE, SHADOWS FALL, DEMON HUNTER, OVERKILL and REVOCATION, amongst many others.
Over the previous 5 many years, ACCEPT has bought hundreds of thousands of albums and impressed numerous musicians. Their energetic reside performances and iconic albums resembling “Balls To The Wall”, “Stressed And Wild” and “Metallic Coronary heart” have left a long-lasting mark on the heavy steel style. Hoffmann‘s guitar fashion and musical imaginative and prescient have made the band one of the revered on the heavy steel scene.
After a hiatus within the band’s profession, Wolf was launched to New Jersey singer Mark Tornillo in 2009. The chemistry and match between them was so exceptional, ACCEPT reformed and virtually instantly rose to world success with chart-topping albums. ACCEPT continues to be celebrated for every of their new data with Mark, who’s now the longest-reigning frontman of ACCEPT, putting the Hoffmann–Tornillo partnership firmly within the Metallic Corridor Of Fame.
For many years, ACCEPT has been acknowledged as a assure of top quality and every of their albums has reached the highest of the charts, delivering vitality, melodies, killer riffs and an impressively highly effective stage presence for 50 years.
Tornillo joined ACCEPT in 2009 because the alternative for Dirkschneider, who was the band’s unique lead singer. Mark might be heard on ACCEPT‘s final six studio albums.
