Each Friday, Atwood Journal’s employees share what they’ve been listening to that week – a tune, an album, an artist – no matter’s been having an affect on them, within the second.
This week’s weekly roundup options music by Sabrina Carpenter & Dolly Parton, Remoted Youth, Aistis, Alejandro Aranda, Annie-Rose Maloney, August James, Vivid Gentle Vivid Gentle & Donna Lewis, MARKETPLACE, Blue Slate, charlieeeee & Phoebe Corridor, Dave Curl, Money & Skye, Lola Wild, Ellie Dixon, Lilly Bedard, and younger buddy!
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observe WEEKLY ROUNDUP on Spotify 
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:: “Please Please Please” – Sabrina Carpenter ft. Dolly Parton ::
Bárbara Martínez Campuzano, Mexico
You’ll need to take heed to “Please Please Please” with a style of the nation style. Launched this previous Valentine’s Day, the deluxe version of Sabrina Carpenter’s newest album, Quick ‘n Candy, incorporates a brand new model of its second observe with the legendary nation singer, Dolly Parton. Apart from the nation twist, the tune has undergone lyric adjustments such because the swear phrases that accompanied “Heartbreak is one factor, my ego’s one other, I encourage you, don’t embarrass me just like the others.” This omission was addressed by Parton, saying that she will’t say these phrases for her youngsters.
This tune is well worth the pay attention not solely as a result of it shifted from pop right into a extra nation surroundings, however as a result of two fashionable, praised artists from two completely different generations have proven their expertise in vocals and even within the observe’s new music video, by which Parton takes place as a protagonist. In the direction of the tip of the video, there’s a shock that has stored Carpenter’s followers speaking… particularly those that learn about her latest previous relationship with Barry Keoghan.
:: “Love Locked in a Darkish Room” – Remoted Youth ::
Mitch Mosk, Beacon, New York
A fiery, feverish post-punk haze blankets the senses as Remoted Youth’s first single of the yr roars to life, engulfing the ears in a uncooked, inescapable sonic (and emotional) warmth. Launched January 14th, “Love Locked in a Darkish Room” is a cathartic and charming, charged and churning present of brute power – and memorable expertise – from the Swedish band. The lead single off their forthcoming debut album miserere mei (out April 4th) rages with thrashing drums and brash guitars, concurrently calling to thoughts exhausting rock heavyweights like Muse and post-punk legends like The Treatment, as vocalist Axel Mårdberg spills his soul with dramatic poise and exhilarating vitality.
“‘Love Locked in a Darkish Room’ was the primary tune we wrote for the album Miserere Mei,” Remoted Youth’s William Mårdberg tells Atwood Journal. “Faris Badwan of The Horrors first heard it by a livestream of our efficiency on the Norrtälje Artwork Heart, a distant coastal metropolis exterior of Stockholm, the place we’re from. It sparked the remainder of the album as a result of it gave us the primary clue concerning the course the remaining would take. The observe has a nocturnal aura but an upbeat vibe. ‘Love Locked in a Darkish Room’ options a basic blues sample strumming in the verse, which then breaks into an emotive refrain.”
“The lyrics describe being out on a ‘chilly, darkish, violent night time’ and, to some extent, feeling trapped in nightly environments with out an escape plan. Or maybe like being underwater and searching as much as the floor, discovering another person in this setting, and all of a sudden realizing later the identical night time that there’s one thing vibrant and pure that cuts by the noise and brings you again above the floor. Then, every part else that occurred seems like a nightmarish, unusual dream, and in that second, realizing that you just don’t need the opposite particular person to depart… Like love locked in a darkish room.”
The top result’s an unapologetically intense, darkly romantic, spine-chilling reverie. As boldly unrelenting as it’s completely breathtaking, “Love Locked in a Darkish Room” hits exhausting and leaves an on the spot mark, making certain all ears observe the band within the lead-up to their debut.
Remoted Youth have, in a single tune, made their declare to 2025 – and it’ll be on to different bands to dwell as much as the instance set by “Love Locked in a Darkish Room.”
:: Caviar for Seagulls – Aistis ::
Danielle Holian, Galway, Eire
Aistis’ Caviar For Seagulls is a masterclass in art-folk storytelling, mixing grandiose orchestration with piercing self-examination. Every observe unfurls like a scene from an outdated Hollywood movie, steeped in melancholic magnificence but charged with a stressed, looking out vitality. The luxurious instrumentation – swelling strings, wistful pedal metal, and bursts of brass—frames Aistis’ poetic lyricism, lending a theatrical weight to his introspective musings. That is an album that doesn’t simply ask questions; it wrestles with them, permitting its fragmented vignettes to construct right into a strikingly immersive and deeply private journey. As Aistis navigates the corridors of his previous, his voice – each weak and wry – acts as a information by the shifting landscapes of reminiscence, remorse, and redemption.
But, for all its self-reckoning, Caviar For Seagulls will not be weighed down by despair; reasonably, it finds an odd, shimmering hope inside its introspections. Tracks like “Rejoice” provide cathartic launch, whereas “86/Dove” pays homage to Leonard Cohen’s enduring knowledge, embracing acceptance over resistance. Even at its most self-critical, the album by no means feels indulgent—it’s, as an alternative, a fantastically crafted examine of the human situation, delivered with Aistis’ signature wit and candor. His collaboration with co-producer Niall Mutter and engineer Gilles Castilloux has resulted in a report that’s each expansive and intimate, solidifying Aistis as probably the most compelling voices in up to date people. With Caviar For Seagulls, he proves that one of the best storytelling doesn’t simply reveal the artist – it invitations the listener to see themselves mirrored within the depths.
:: “Dissonant Concord” – Alejandro Aranda ::
Rachel Leong, France
Alejandro Aranda just lately returned below new alias, releasing the one “Dissonant Concord.” Previously often known as Scarypoolparty, Aranda’s new observe marks a brand new starting for the artist. With rhythmic acoustic guitar riffs and easy vocals, “Dissonant Concord” is a bittersweet and vibrant observe steeped in nostalgia.
The observe croons, “Appears like I’m ready, separating from the time zone / Really feel like I’m fading to the gap of the unknown / Really feel like I’m falling, however I’m longing simply to come back house”, posing an anthem for the emotional indicators of that free fall into the long run.
After his success as a finalist on the seventeenth season of American Idol in 2019, Alejandro Aranda grew to become an indie celebrity along with his distinctive mix of different pop, indie, and acoustic kinds mixed with emotional lyrics and his spectacular guitar abilities.
:: “I Run From Ache” – Annie-Rose Maloney ::
Mitch Mosk, Beacon, New York
“I run from ache earlier than it hurts,” sings a unadorned and uncooked Annie-Rose Maloney, their tender voice heavy on the mic alongside a lone, hauntingly naked acoustic guitar. “Earlier than I get the time to suppose and make it worse.” Dwelling in infinitely weak depths of introspection, “I Run From Ache” aches in and out because the Naarm/Melbourne-based singer/songwriter reckons not simply with themself and their very own behaviors, however with the usually merciless ebbs and flows of life itself.
It’s a tune born from a lingering, unavoidable unhappiness inside and with out; a darkish and trustworthy confession sung to, and for, the self.
I run from ache,
Earlier than it hurts,
Earlier than I get the time to suppose
And make it worse.
I’m all the time numb, is that okay?
Or am I shedding out
From not studying find out how to keep?
“I wrote ‘I Run From Ache’ a few years in the past when I was deeply unhappy and disconnected from myself and different individuals,” Maloney tells Atwood Journal. “The tune asks many questions on life and ache. When I wrote it, I was actually making an attempt to know how individuals related with each other, as a result of I by no means felt like I was in a position to do it. I felt like I had an enormous a part of myself lacking and it was fairly harrowing.”
“The phrases to the tune have been written in a short time. In just about lower than half an hour, the entire tune was created. I actually had problem singing ‘I Run From Ache’ in the beginning due to the unhappiness I felt when I sang the phrases. Though it was written a while in the past, the themes are nonetheless related to me at the moment.”
We’re dying off, we’re getting chilly.
I’ll stand alone when I’m outdated.
Then the place will I run, what is going to I do?
What’s the purpose of dwelling with out you?
It doesn’t get rawer than this – and it’s that unflinching, visceral pouring out of the self that makes Annie-Rose Maloney as relatable as “I Run From Ache” is gut-wrenching. In baring their soul to the world, the alt-folk artist has tapped right into a deeper pressure of our shared humanity – the intimate stuff that feels unbearably isolating, but actually, has the facility to carry us all collectively.
Are you an identical,
Or do you damage?
Have you ever liked and misplaced
And acquired what you deserve?
Is there remorse, or is there none?
Do your eyes say
You may have peace with all you’ve executed?
We’re dying off, we’re getting chilly.
I’ll stand alone when I’m outdated.
Then the place will I run, what is going to I do?
What’s the purpose of dwelling with out you?
I’m reminded of Neil Younger’s “My My, Hey Hey” – one other tune that not solely despatched shivers down the backbone, but additionally opened me as much as emotions I had by no means absolutely expressed, or understood, earlier than. Similarly, “I Run From Ache” evokes the unevocable and expresses the inexpressible – placing music to a sense that usually leaves us empty and drained, and at a loss. Unhappy and somber although it might be, this tune is a real present, and one that can certainly be cherished forevermore.
By no means have I ever needed it extra.
You see it in my face,
I’m all misplaced, my love.
And the life I liked to speak about
Is falling by my palms.
Who’s gonna be there
Once we flip it throughout?
:: “Montana Riverbeds” – August James ::
Mitch Mosk, Beacon, New York
Tender, gentle, and haunting, “Montana Riverbeds” is the form of tune that each soothes and stirs the soul directly. The most recent providing from singer/songwriter August James finds the Minnesota-raised, Los Angeles-based artist dipping his toes in each the people and indie worlds directly, using light guitars and synths (and his personal hushed, soul-stirring voice), along with a placing drum loop and tasteful sampling, to create one thing altogether recent, daring, and breathtakingly stunning.
“I wrote ‘Montana Riverbeds’ about feeling like somebody was utilizing me as a distraction from who and what they actually needed,” James tells Atwood Journal. “‘Montana Riverbeds’ is an outdated Hollywood Rom-Western in tune type – I’ve all the time been compelled by the American West as a basic metaphor for craving and escape; these themes and that backdrop match excellent for story of misplaced love I inform within the tune.”
James’ efficiency is romantic, it’s endearing, and it’s finally all-consuming: A blanket of heat for the ears and the guts. An perception into his subsequent EP (particulars TBD), “Montana Riverbeds” is each a wondrous show of human emotion, and a charming present of expertise from an artist filled with promise, potential, and uncooked emotion.
:: “Get pleasure from Youth – Welsh Model” – Vivid Gentle Vivid Gentle, Donna Lewis ::
Grace Holtzclaw, Los Angeles, CA
Bproper Gentle Vivid Gentle and Donna Lewis are two Welsh artists who come collectively on “Get pleasure from Youth – Welsh Model” for a transferring tribute that pays homage to their shared house nation. Donna Lewis lends her legendary voice to the observe, as acknowledged from her platinum-selling profession and groundbreaking single, “I Love You At all times Ceaselessly”. Her vocal paired with Vivid Gentle Vivid Gentle’s eclectic electronics makes for an elevated, uplifting, and actually unforgettable partnership between the 2 artists.
“Get pleasure from Youth” is a transcendent pay attention that notes on the peaks and valleys of life that lead us to the current second. Donna Lewis sings, “It’s been merciless and it’s been form / We’ve stuffed our hearts and stuffed our minds.” Packed to the brim with fleeting electro-pop sonics, glowing synths, and stirring harmonies, “Get pleasure from Youth” units the scene for a reflective journey by our personal recollections.
Produced by Rod Thomas and GRAMMY-nominated producer Jon Shave, “Get pleasure from Youth” is a seamless collision of sheer artistry. For Vivid Gentle Vivid Gentle who grew up listening to Lewis, this single is a cornerstone in his profession as a musician. He feels fortunate and impressed to work along with her and that very same spirit carries by within the music itself.
:: “Ode to Monty” – Market ::
Danielle Holian, Galway, Eire
MARKETPLACE’s “Ode to Monty” is a charmingly offbeat indie-pop gem that seamlessly blends satire with sincerity. With its shimmering synths, punchy guitar riffs, and driving rhythm part, the observe radiates the colourful vitality that has develop into the band’s hallmark. Whereas love songs typically lean into sentimentality, “Ode to Monty” flips the script, humorously centering across the unlikely romantic determine of “Gardeners’ World” host Monty Don. Evie Rhodes’ charismatic lead vocals strike the right stability between playful and heartfelt, wrapping the tongue-in-cheek idea in a genuinely infectious melody. The result’s a tune that feels each refreshing and effortlessly enjoyable, proving MARKETPLACE’s skill to craft music that’s as intelligent as it’s catchy.
Beneath the humor, “Ode to Monty” is a testomony to MARKETPLACE’s evolving sound – one which nods to their influences, from Pulp to Alvvays, whereas remaining distinctly their very own. Chad Rodgers’ manufacturing captures the essence of their dynamic dwell performances, permitting the band’s tight musicianship and plain chemistry to shine. The wealthy interaction of bass, synth, and vocals provides a stage of sophistication to the observe, exhibiting that MARKETPLACE is greater than only a band with a humorousness; they’re a gaggle with severe musical chops. As they proceed to carve out their place within the indie-pop scene, “Ode to Monty” serves as a superb instance of their skill to combine wit with heat, delivering a single that’s as memorable as it’s delightfully sudden.
:: This Is How I Sleep At Night time – Blue Slate ::
Danielle Holian, Galway, Eire
Blue Slate’s debut EP This Is How I Sleep At Night time is a surprising introduction to a band poised for greatness, effortlessly merging New Wave melancholy with shoegaze’s swirling depth. Throughout its tracks, the Irish four-piece crafts a sound each nostalgic and pressing, with uncooked, jangling guitars and piercing lyricism that lower straight to the core. The title observe stands because the EP’s defining second – an alt-rock powerhouse drenched in reverb and distortion, evoking the dreamy attract of DIIV whereas channeling the unfiltered vitality of The Velvet Underground.
With echoes of Manic Avenue Preachers’ fearless lyricism and a dynamic vary that sways between indie introspection and grunge-fueled chaos This Is How I Sleep At Night time cements Blue Slate as a power to be reckoned with in fashionable rock.
:: “KNOW ME” – charlieeeee & Phoebe Corridor ::
Mitch Mosk, Beacon, New York
I will readily admit that the majority hyperpop music has eluded me to this point – however not this observe. I don’t know if it’s the BRATification of every part, my very own altering tastes, or the addition of sure various influences, however charlieeeee and Phoebe Corridor’s new collaboration hit me like a ton of bricks. As infectiously catchy as it’s sonically charged, “KNOW ME” is a technicolor fever dream full of massive, daring sounds and uncooked, visceral feelings. It’s an intimate expression of charlieee’s personal non-binary id – a tune that captures each their private journey to self-knowing and understanding, in addition to their interpersonal frustrations – feeling not seen, heard, and understood by these round them, even these closest to them.
And what will we do when the pent-up feelings develop into an excessive amount of to bear? We let all of them out in dizzying, dazzling tune.
“‘KNOW ME’ is concerning the journey of rising into your self, however out of some individuals near you,” charlieeeee tells Atwood Journal. “For me, the tune is particularly about popping out as non-binary, and a few individuals near me probably not understanding or taking the time to know what it means.”
snap again, your heads within the sand
your face down,
and also you don’t even know who i’m
you want the actual fact i don’t react
actually i don’t wanna go away it like that
you don’t even know me in any respect…
“However in a wider sense, it may be that actually troublesome feeling when there are those that suppose they know you higher than you do, and are making selections in your behalf with out actually wanting and listening to you. It was an actual pleasure working with Phoebe on this observe, as we’ve got had plenty of parallels in our lives.”
To that finish, Phoebe Corridor expresses how working with charlieeeee was not solely an thrilling, but additionally an inspiring course of. “It’s not typically that you just meet an artist who has created such a world round them and their music,” Corridor shares. “From mainly strangers on the web who thought it was humorous we appeared comparable, charlieeeee has develop into considered one of my favorite individuals to work with. It’s allowed me to check out a very new sound and discover themes and concepts with somebody who actually will get it.”
i’d say it’s simpler performing like i don’t care
nevertheless it seems like i’m circling a nightmare
making an attempt to show myself to you
I scale back myself for you
so i take myself out of areas
ignore the methods i’ve been altering
however you continue to stare
inform me what to put on
don’t know why i’m caught up in caring
charlieeeee’s lyrics sting; there’s a brutality to this unflinching stage of honesty. “It seems like I’m circling a nightmare making an attempt to show myself to you; I scale back myself for you.”
Arriving on the heels of final October’s single “HAPPY BIRTHDAY,” “KNOW ME” isn’t only a observe of non-public import to charlieeeee; it’s a universally necessary tune recognizing the necessity for empathy, tolerance, and compassion in our international society. At a time when hate and discrimination are being peddled from the best echelons of energy and political workplace, music and artwork like this isn’t only a technique of self-expression, however a software in opposition to oppression: A way of reinforcing the common want for tolerance, for acceptance, and for love all through the world.
What does it imply to ‘know somebody’? On the floor, it’s a sophisticated query to reply, but when we simply cease and pay attention with open ears, open minds, and open hearts, the reality is that understanding somebody is definitely one of many best issues a human being can ever do.
snap again, your heads within the sand
your face down, and also you don’t even know who i’m
you want the actual fact i don’t react
actually i don’t wanna go away it like that
you don’t even know me in any respect…
really feel it proper down the middle
suppose i’ll be this manner eternally
simply need you to get it proper
take my hand it’s now or by no means
don’t push me away eternally
gained’t waste time making an attempt to get it proper
otherwise you’ll by no means seen me once more!
:: “Idiot in Love” – Dave Curl ::
Danielle Holian, Galway, Eire
Dave Curl’s “Idiot in Love” is a masterful mix of uncooked emotion and infectious melody, a tune that feels each deeply private and universally relatable. Written three a long time in the past however solely now seeing the sunshine of day, the observe carries the burden of time, permitting listeners to step into the guts of Curl’s youthful uncertainty. His soulful vocals glide effortlessly over a cultured pop association, weaving a story of affection’s contradictions – the enjoyment, the confusion, and the aching seek for one thing simply out of attain. The tune’s energy lies in its honesty; it doesn’t provide straightforward resolutions however as an alternative embraces the messy, stunning actuality of human emotion.
Regardless of its introspective origins “Idiot in Love” radiates a hopeful vitality, remodeling self-doubt into an anthem of resilience. The shimmering manufacturing and memorable hooks elevate the tune past mere nostalgia, making it a poignant reflection on development and self-acceptance. Curl’s skill to translate deeply private experiences into music that resonates throughout generations speaks to his artistry. As a part of his increasing discography, this newest single additional cements his repute as a songwriter who isn’t afraid to put naked his soul. Whether or not you’re caught within the throes of affection or wanting again on previous uncertainties, “Idiot in Love” is a reminder that the journey of the guts is as compelling because the vacation spot.
:: “Stranger” – Money & Skye ::
Mitch Mosk, Beacon, New York
It was the dreamy warmth of wealthy, heat vocals and the tender twangs that first pulled me in, and but now the deeper I dive into “Stranger,” the extra I can’t let go. The lead single off Money & Skye’s debut album Only a Stranger (independently launch at the moment) is a cathartic train in reflective reverie and inventive restraint. Musically paying homage to the basic rock/Americana crossovers of the ‘70s, and but undeniably related to at the moment’s social and cultural local weather, “Stranger” is a product of the current, with one foot lovingly previously.
It’s “about the way you by no means know while you’re leaving or the place you’ve left as a result of there’s a fish on each aspect of you and also you’re useless middle of your faculty,” Henri Money – who type one-half of his duo with Sophia Skye – explains. “Understanding you’re dodging nets each day, all of the whereas remembering that at some point you’ll get caught. A aspect of you desires to really feel the splintered wooden of that ship’s deck only for a way of change. You’re smelly and you’ve got itchy scales you possibly can’t scratch, since you’ve acquired fins as an alternative of arms.”
The group’s lyrics evoke a way of isolation and craving – a want to really feel an ever-fleeting connection that too typically really feel out of attain. If solely we may break the boundaries between us, to the purpose the place strangers develop into buddies, and perhaps even one thing extra.
Standing alone
Within the rubbish line
I’m feeling misplaced
However she’s wanting advantageous
I’m only a stranger
Of the unattractive sort
Filth on my garments
Paint on my thumbs
I odor like musk
And im kinda dumb
And I wont speak
‘Trigger I don’t wanna waste your time
“I went to Goal at round 10:30 PM to seize an extension twine for the studio with Tim and Invoice, and the tune thought got here to me whereas we have been ready in line,” Henri Money remembers. “We went again to our basement studio the subsequent morning, and I sat on the drum equipment and sang, Tim was on upright bass, Invoice was enjoying acoustic, and I requested my dad to come back down and he performed some dobro, and we tracked this cool, sluggish dwell model to my Fostex 16 observe.”
“I used to be listening to plenty of Jerry Jeff Walker and The Band on the time, and felt just like the tune actually captured a few of that form of vitality. However then the extra I listened, I assumed that it was truly a fairly cool tune, and that it would get an entire new life to it if Sophia sang it. So we went again to the basement and I sat on the equipment. Tim picked up the Hofner bass, Invoice sat on the pedal metal, and we recorded a brand new model. I overdubbed some guitar and we acquired it feeling fairly good, then we waited just a few weeks for Sophia to get again from New York. Then we tracked our vocals over at 64 Sound, and it simply immediately felt prefer it was gonna be the primary single of the report.”
‘Trigger I’ve stated some phrases earlier than
I’ve tried actual exhausting, simply to get ignored
I’ll be a stanger
At all times strolling on my own
I’ve acquired this tune caught in my head
Concerning the ex-wife I want I had
I’ll be a stranger
Nobody will ever look my method
We’ve all been the stranger numerous instances in our lives; it’s our lot in life to flicker by moments with names and faces we’ll by no means know, whose tales will eternally be a thriller. “Stranger” captures that everlasting impermanence, whereas on the similar time recognizing the universality of that have – how there’ll eternally be two halves to each coin that, just like the faces on bodily cash themselves, won’t ever see each other, and by no means know the opposite aspect even exists.
And to that I say, bravo.
Image him
Strolling in my sneakers
In all probability enjoying to attain
However he’s certain to free
Wont need to stroll
To know the ache I’m in
Since I used to be a boy
I’ve been at sea
I’ve been on their own
Nobody however me
And I can’t let you know
However I suppose I’m gonna attempt
Trigger I’ve stated some phrases earlier than
I’ve tried actual exhausting simply to get ignored
I’ll be a stanger
At all times strolling on my own
I’ve acquired this tune caught in my head
‘Bout the ex-wife I want I had
I’ll be a stranger
Nobody will ever know my identify
:: “Bounce the Gun” – Lola Wild ::
Danielle Holian, Galway, Eire
Lola Wild’s extremely anticipated new single “Bounce the Gun” gives a mesmerizing glimpse into her forthcoming EP, Misplaced Sign. A slow-burning ballad steeped in melancholy, the observe echoes the heartbreak of unmet expectations and the emotional turbulence of impulsive selections. Infused with a shimmering 80s manufacturing aesthetic, the tune is an ideal mix of nostalgia and modernity. Produced by Jim Wallis (Nonetheless Corners, Fashionable Nature) at London’s legendary Strongroom Studios, “Bounce the Gun” transports listeners right into a dreamlike haze, with layers of reverb enveloping Wild’s hauntingly stunning vocals. It feels as if the tune is being performed from a distant previous, with Wild’s confessional lyrics echoing by a neon-lit, empty room.
The tune invitations introspection, exploring the fragile stability between self-awareness and the nervousness of ready for issues to go flawed. At its core, “Bounce the Gun” is a candid exploration of Wild’s inside dialogue, capturing each her insecurities and the implications of performing on impulse. With its thought-provoking themes and infectious vitality, the one is an ideal introduction to Lola Wild’s upcoming EP, showcasing her uncommon skill to mix timeless influences along with her uniquely charming voice and imaginative and prescient.
:: “Guts” – Ellie Dixon ::
Mitch Mosk, Beacon, New York
English singer/songwriter Ellie Dixon has confirmed herself a singular, stunningly inventive presence in recent times, and she or he continues to reaffirm this reality in her newest single. Launched January 23rd, “Guts” marries the dramatic with the dreamy as Dixon reckons with previous and current identities, delving into herself with the energy of a ten-tonne wrecking ball.
I used to be by no means a lot enjoyable
An excessive amount of and I’m executed
Operating house late
I’m leaping the gun
Was by no means a lot enjoyable
An excessive amount of and I’m
Da da da da executed
Want I had the heart
Want I had the gall
Want that I used to be large sturdy
Did all of it
However I’m a bit of scared
I’m a bit of small
Want I had the heart
Want I had the heart
Guess I’m empty that sucks
“‘Guts’ was born from a dialog I had with some buddies who have been sharing tales from their teenage years,” she tells Atwood Journal. “As everybody informed tales of events and dates and rebellions I had nothing to contribute. As a nervous child I wasn’t going out, wasn’t courting, wasn’t having the identical types of adventures.”
“In that second, I noticed all of those experiences I had missed due to my nervousness, and I felt a welling of anger. ‘Guts’ is a therapeutic outlet for that anger. A celebration tune for the individuals who weren’t on the events. A tune to shout out loud for the individuals who didn’t shout.”
Cuz I used to be by no means a lot enjoyable
An excessive amount of and I’m executed
Operating house late
I’m leaping the gun
Was by no means a lot enjoyable
An excessive amount of and I’m
Da da da da executed
Any tune that begins with the road, “I used to be by no means a lot enjoyable,” is bound to hit exhausting, and “Guts” is an particularly unstable sonic and emotional upheaval. Dixon’s confession opens right into a feverish sonic eruption, her delicate voice remodeling right into a singular, seductive volcano – a wellspring of internal warmth and uncooked, raucous fervor. Heavy drums churn, guitars roar, Dixon’s voice rages, and the entire tune rushes with the burden and limitless vitality of a mighty waterfall: Relentless, wild, and unstoppable.
Intimate although it might be (with highly effective notes to self like, ‘I’m courageous for simply being right here’), “Guts” is really magnificent.
So I puff my chest out
Breathe the remaining out
Received’t maintain my head down
That’s sufficient now
Adrenaline simply to take the bins out
Deafening
Overthink and spin out
So I’m not gonna try this any extra
Go well with of armour after I go away the entrance door
I can do that, I do that
Heal bruises, really feel rooted
I’m transferring
I’m not crammed with guts
Made of various stuff
I’m not crammed with guts
(I’m crammed with creativeness)
Made of various stuff
(Please excuse my hesitation)
I’m courageous for simply being right here
:: “Not Every thing Ends” – Lilly Bedard ::
Danielle Holian, Galway, Eire
Lilly Bedard’s newest single “Not Every thing Ends” seems like a heat hug for anybody who’s ever feared love was fleeting. With a dreamy mix of folk-pop melodies and her signature poetic lyricism, Bedard delivers a observe that’s as comforting as it’s cathartic. Her voice, wealthy with emotion, glides over delicate acoustic strumming, constructing right into a hovering realization: generally, love actually does final. The tune’s heartfelt storytelling transforms doubt into hope, making it the right anthem for anybody who’s discovered gentle after heartbreak.
What makes “Not Every thing Ends” so particular is its quiet energy. It doesn’t depend on flashy manufacturing or over-the-top declarations – as an alternative, it attracts you in with uncooked honesty and an intimacy that lingers lengthy after the final word fades. Bedard’s lyrics, like a whispered promise, remind us that love isn’t all the time about grand gestures; generally, it’s about merely being there. Whether or not you’re a hopeless romantic or a cautious optimist, this tune is certain to hit you proper within the coronary heart.
:: “i like women” – younger buddy ::
Mitch Mosk, Beacon, New York
The catharsis tastes particularly candy and triumphant on younger buddy’s “i like women.” The most recent single off the artist’s upcoming debut album motorbike sound results, out April 4th through CLUBB/Nettwerk, finds singer/songwriter and producer Drew Tarves relishing in an area of self-confidence and self-knowing. It’s not each day we discover we’re precisely the place we wish to be in our lives; typically, we’re reaching in a single course or one other, craving or longing or wishing for this and that, to be on this or that place. The goalpost is all the time transferring and ever-shifting, however in “i like women,” the narrator is happy – pleased with their lot in life, full in who they’re and what they’ve.
I’ve been
Purposely seekin’ out dangerous buddies
That gained’t be round when my life ends
They by no means stick up for me
And she or he’s been
Sleepin’ at my condominium
Askin’ what the road about stars meant
Honey I don’t f*ing know
“I’ve all the time considered ‘i like women’ because the sequel to ‘boyfriend materials,’ each thematically and sonically,” Tarves tells Atwood Journal. “It’s imagined to be an anthem for these which are simply having fun with their single lives. This character that I’m writing about is type of celebrating the truth that he’s found out what he desires. He’s not prepared for a relationship, and ‘i like women’ is his second of discovery for this realization.”
She’s acquired don’t disturb on
I believe it’s turning me on
She appears so good on my plate
Perhaps I simply want a style
Few issues are extra stunning, on this author’s opinion, than the form of particular, smile-inducing self-discovery mirrored in younger buddy’s music and lyrics. Extra will come – it all the time does – however “i like women” is a second of serenity and calm within the ever-churning storm. It’s a stepping-back; a recognition that that is good, and we could be pleased with who we’re and the way far we’ve come. Even when issues aren’t excellent, we’re allowed to provide ourselves grace; to smile, to benefit from the trip, and to really feel genuinely joyful about ourselves.
Props to Drew Tarves for taking that singular, typically fleeting feeling, and bringing it to life in tune.
Intimacy at your own home
Freaking me all the way in which out
Obtained dangerous nervousness
I like women who suppose identical to me
Used to love when life was straightforward
Now it sucks trigger somebody wants me
Caught up with the individuals leasing
Cried wolf now she gained’t imagine me
No options for the shit that I did
No excuse for the shit that I stated
Fairly charmed life as a Canadian child
So I don’t know the way the voices
ever discovered their method in
She’s acquired don’t disturb on
I believe it’s turning me on
She appears so good on my plate
Perhaps I simply want a style
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