Bathe Alone’s Bailey Crone takes us track-by-track by her intimately enchanting third album ‘I Don’t Do Humidity,’ a deeply weak report that finds the Atlanta-based artist channeling grief and trauma into dreamy, daring, and achingly lovely indie pop music.
Stream: “Victims” – Bathe Alone
It will possibly take a day generally to wrap your head round a smile. You suppose it’s me, I feel you’re in denial…
Bathe Alone’s Bailey Crone opens her third album I Don’t Do Humidity with a deceptively harmless query.
“Is there anybody round who can dance in your rain?” she sings on “Lake Sympathy,” her comfortable voice shining vivid towards a heat backdrop of acoustic guitar riffs and shimmering keyboard chords. On the floor, her phrases function a provocative, poetic introduction to her newest endeavor; dig slightly deeper, and heaps of emotional turmoil and interior pressure add contemporary depth and shade to that listening expertise, as we acknowledge Crone’s lyrics for what they’re: The start of a much-needed boundary between herself and a poisonous relationship.
Endings – nevertheless necessary they could be to our long-term well being and wellness – are by no means simple, and Bathe Alone’s newest LP is the product of a number of endings that every one culminated across the identical time for the Atlanta, Georgia-based artist. Fueled by grief but vigorous, its songs are poignant, passionate, and potent – crammed to the brim with visceral power, soul-stirring emotion, and an undeniably uncooked humanity that strikes the ears and the center.
First step: flattery
(You two are good, you two are pretty)
And I want I may get Tyler
To be that good to me
Second step: isolation
(Are you simply comfy or are you cheerful?)
‘Trigger I do know what I’m with Tyler
And I wanna plant the seed
I must be saved
You can be my savior
We may misbehave
Whereas she’s in Decatur
You can be my taste of the day
In order for you, babe
You can fill it up, babe
Take a look at what we grew to become
We’re victims, child
– “Victims,” Bathe Alone
Initially launched June 7th, 2024 through Nettwerk Music Group, I Don’t Do Humidity is as heat and wondrous as it’s brutally sincere, achingly lovely, and completely gut-wrenching; a delicate big of dreamy, emotionally turbulent indie pop music channeled by singer/songwriter and multi-instrumentalist Bailey Crone’s singular, stunningly intimate gaze. The album’s deluxe model, which provides two model new songs and an alternate model of “Name Me Again” to the tracklist, is out now as nicely.
For followers of Bathe Alone’s final effort – the pseudo-sophomore album, two-EP assortment Fall With the Lights Down (launched in full final August), the arrival of I Don’t Do Humidity this summer season would have come as a (welcome) shock, given the comparatively quick turnaround between the 2 information.
Atwood Journal beforehand hailed Fall With the Lights Down as a “breathtakingly intimate and spiritually energizing” expertise, praising Bathe Alone for her music’s sense of wonderment and nostalgia and for the way her lyrics delved headfirst into reminiscence and connections previous and current, leading to an “achingly human report plunging into the artist’s very personal historical past.”
Bathe Alone’s third LP sees Crone as soon as once more carefully collaborating with longtime producer Damon Moon (Curtis Harding, Lunar Trip), who’s been together with her since her venture’s debut in 2021. The worlds they’ve created this time round are directly essentially the most cinematic, refined, immersive, and expansive we’ve ever heard from Bathe Alone – a set of qualities that makes for an particularly transferring viewers expertise because the artist wears her fractured coronary heart and heavy soul on her sleeves.
“Wanting again now, the overarching theme of this album is coping with the grief of a failing friendship, and the traumatic ending of a wedding,” Crone tells Atwood Journal. “It was the tip of one thing unhealthy, and the beginning of one thing unhealthy, too, all contained in slightly time capsule of an album. Once I began writing songs for this report, I used to be in a very poisonous friendship with somebody. It was weighing me down, and the songs had been actually flowing in actual time as I used to be processing my resolution to finish the friendship. For me, I feel I internalize a whole lot of feelings. I’m a bottler. However I’ve discovered that writing is such a wholesome launch for me, so externalizing my ideas into songs has at all times felt like a diary entry. It will possibly assist me see readability generally, and it’s simply good to blow steam different occasions.”
“However then unexpectedly, my marriage fell aside, and a divorce got here out of nowhere. My focus sharply shifted on this new heightened state of emergency. So, you’ll be able to wager that from then on, that was the one factor I may write about. Total, that pivot time limit from letting go of somebody, to desperately holding onto another person, is what I consider after I take into consideration this report.”
“There’s a little bit of duality on this album, each within the messaging and the sonics,” she continues. “The songs concerning the friendship kind of really feel like working away, or fading away, and the songs about divorce are usually not passive in any respect. They’re indignant and pointed. I’ve by no means skilled struggle or flight like that earlier than. In the beginning of the writing course of, I used to be very a lot writing from a spot of reflection. I felt like I used to be prepared to maneuver on and to set a boundary, and it was a managed surroundings. It was very a lot my alternative. I believed all the report was going to be about that, to be sincere. However as soon as the divorce occurred, I questioned if that was destiny laughing in my face.”
Crone candidly describes I Don’t Do Humidity as indignant, longing, and pissed off. Not solely is that this report a transparent emotional shift from the matters and themes of her final report (2023’s Fall With the Lights Down), nevertheless it’s additionally a musical evolution for Bathe Alone’s artistry – which, whereas remaining unflinchingly intimate and unapologetically weak, is melodically richer, bolder, and extra cinematic than ever earlier than.
“There was a whole lot of change and development as a songwriter, as I went into survival mode processing my life,” Crone says, reflecting on the house (or the dearth thereof) between the 2 information. “I feel there’s an inherent evolution that occurred. There was positively overlap within the making of those information although. When Fall With the Lights Down was completed, songs like ‘Gemini,’ ‘4ever,’ and ‘Caramelize’ had already been written and demo’d out. I feel you’ll be able to inform they’re virtually transition songs sonically, like they may go on both report. The overlap was inevitable although, as I deal with songwriting like a continuing in my life. It’s like my diary in spite of everything.”
“I feel that artistically, this report has actually stretched into territories I haven’t explored earlier than. I feel that the most important life occasions that formed the writing additionally pushed me into new locations, sonically. My writing has at all times been about issues I’m combating, and I feel it kind of feels like these issues too. Fall With the Lights Down was largely about loss of life, existentialism, and nostalgia, and the songs sonically come from the identical fabric as these feelings to me. There might not be a way of urgency, however slightly a concentrate on temper and settling right into a world with objective. It’s a way more managed surroundings. Nothing is on fireplace, so to say.”
“I Don’t Do Humidity is all anger, frustration, disorientation, and betrayal, and these songs sonically have that undertone too. However extra within the directness of all of it. It’s like somebody gave me a shot of adrenaline. I came upon I used to be capable of push myself as a songwriter in methods I’ve by no means achieved earlier than. I feel you’ll be able to hear a transparent distinction within the urgency of I Don’t Do Humidity in comparison with Fall With the Lights Down, and particularly within the divorce songs.”
The title I Don’t Do Humidity is each a colourful, emotionally-charged metaphor (one among a number of all through these songs) in addition to an earnest statement-of-fact.
“In my writing, I discovered that I saved evaluating this good friend of mine to water, in a adverse manner. It lyrically felt like a fantastic synonym for somebody’s darkness, or their burdens, or fixed want for pity or sympathy and such,” Crone says of the identify. “It was one thing I felt like weighed me down, and it made me really feel uncomfortable and resentful. The factor was, that even after they weren’t round, I nonetheless felt this fashion. It lingered, and I carried it round with me like useless weight.”
“Being born and raised in Georgia, folks at all times speak concerning the humidity right here. It’s one thing I by no means actually understood till I went someplace like Colorado, and unexpectedly, the air was dry, and my hair’s wavy curls straightened, and respiratory was much less… soupy. I had no concept that it felt so liberating to really feel utterly dry, and to really feel lighter, much less sticky, much less weighed down by a dampness you’ll be able to’t escape. I a lot desire it. Within the track ‘Lake Sympathy,’ I say the title of the report. That’s me saying I didn’t need to really feel this fashion anymore. I used to be achieved residing in emotional humidity.”
Is there anybody round
Who can dance in your rain?
‘Trigger I don’t do humidity
Underestimate your wants
Assume I ought to go away it like that
‘Trigger I can’t be unhappy once more
Developing on sorry city
In your left you’ll see Lake Sympathy
It’s an indication that claims “No fishing”
For pity, our honest apologies
Highlights abound on the enchanting, emotional rollercoaster of a journey from album opener “Lake Sympathy” to the unique album’s finale “Dreamboy” and the deluxe version’s nearer, “Name Me Again (Fan Model).” Moody, brooding eruptions like “Archive 81” and “Blame Me” – each of which convey intensely intimate feelings by two deeply distinctive musical tapestries – are instantaneous standouts on the report, as is the softly seductive dance-pop reverie “Victims,” the spellbinding “$35 Copay,” the delicately craving “Name Me Again,” and the deluxe model’s additions “The Avenues” – an particularly painful confrontation together with her now-ex associate that aches inside and outside – and “W/O Your Rain.”
“‘The Avenues’ was written across the identical time as ‘Victims’ and ‘Blame Me,’ so to me it comes from the identical kind of place within the grieving course of – it was a very indignant time,” Crone explains. “The moments I used to be writing about had been those that proved all my suspicions to be true. I felt validated, and scripting this track was positively me attending to that place. Initially this track felt slightly too near me to incorporate on the report, however now it feels prefer it’s time to let this one go free.”
“‘Dreamboy’ might be my favourite track on the report, proper now,” Crone smiles. “This track was a threat in so some ways. It was the one track that was on the entire report that I didn’t demo out at residence earlier than bringing into the studio, both. It was on-the-spot studio magic. Individuals don’t know this, however I’m gonna go forward and say it: The lyrics are a bunch of track titles. Some are launched and a few aren’t. I’m excited to maintain the method going and study extra about what this interval means for me. I really feel like life occasions are solely overlapping and interweaving. Similar with internally processing these occasions afterwards. There isn’t any cease, begin. Life is multitasking. It’s coping with the ending of a wedding, and taking your cat to the vet, and burying a grandparent, and needing to do your laundry.”
“However moments in time are all linked to at least one one other, so you’ll be able to actually see so many various through-lines relying on the place you place your bookmarks. I don’t suppose ‘Dreamboy’ being the final track means that is the tip of something, or that I’ve tied slightly bow on this stage of grief. I’m unsure how lengthy this era in time goes to interweave itself into the subsequent, or if I’ll ever discover a place to mark as the tip of this chapter. However ‘Dreamboy’ isn’t making an attempt to try this, anyhow. It’s not a end line to cross. I want processing grief was that straightforward.”
This album’s lyrics are additionally particularly necessary to Crone, who feels she got here into herself as a lyricist whereas writing these songs.
“Prior to now, my objective was temper first, and I didn’t take into account myself lyrically ahead as an artist,” she admits. “Actually, I hid a whole lot of my feelings behind the paradox of my early writing. I cherished the sensation of being hidden in plain sight. Quite a bit has modified, and on this album, lyrics are not secondary to temper. There’s a lot to say, and I virtually need to scream it from a mountaintop. I need to lay all of it on the market and get it off my chest. I need to unburden myself, I don’t need the emotional humidity anymore. I need to make artwork out of this and are available out stronger and empowered.”
“So far as favourite lyrics, I really feel like ‘Victims’ pulls off one thing that was actually difficult, songwriting-wise. That was essentially the most clear I had ever been too. It was scary. However once more, I felt lighter. After writing these lyrics, it was proof of idea to myself that the extra weak I’m, and the extra uncomfortable I’m when telling my story, the higher.”
Third step: the crying
(I’m within the car parking zone, can you discover me)
And I don’t suppose I really like Tyler
Trigger it feels routine
And I’ve been by loads
And you might be all I’ve acquired
You’re making it really easy
Fourth step: you and me
I must be saved
You can be my savior
We may misbehave
Whereas she’s in Decatur
You can be my taste of the day
In order for you babe
You can fill it up babe
Take a look at what we grew to become
We’re the victims child
Finally, I Don’t Do Humidity stands to remind all of us – Crone included – that grief, nevertheless painful, can nonetheless trigger moments of magnificence, catharsis, and connection.
Bathe Alone’s newest album aches relentlessly and unapologetically the entire manner by, all of the whereas lighting a fireplace in its listeners that’s positive to burn daring and vivid as we take inspiration, power, uncooked emotion, motion, and extra from these songs.
“It’s actually for listeners to take nevertheless they need, as a result of that’s absolutely the level of artwork,” Crone shares. “My a part of all of it solely goes up to now. The magic of listening to music is what occurs subsequent. And that’s out of my management, and I adore it. You’d suppose that I’d take away a way of closure after making this album. In any case, I preserve calling it ‘my divorce report.’ That makes it sound prefer it’s all there for the taking – I squeezed all of the juice from that lemon and left nothing left on the desk, and now I get to compartmentalize it and put all of it in a field and transfer on.”
“It’s actually not like that. I used to be kinda hoping it’d be like that to start with, however I’ve realized that is going to be a for much longer journey than I anticipated. However songwriting is a good instrument by my facet to assist me get these emotions out, and I’m solely feeling increasingly more nourished the extra I do it.”
Expertise the complete report through our beneath stream, and peek inside Bathe Alone’s I Don’t Do Humidity with Atwood Journal as Bailey Crone takes us track-by-track by the music and lyrics of her deluxe album!
— —
:: stream/buy I Don’t Do Humidity (Deluxe) right here ::
:: join with Bathe Alone right here ::
— —
Stream: ‘I Don’t Do Humidity (Deluxe)’ – Bathe Alone
:: Inside I Don’t Do Humidity (Deluxe) ::
— —
Lake Sympathy
Enjoyable Reality: This one was impressed by Bombay Bicycle Membership’s “Rinse Me Down,” who we simply performed a present with and performed this as our opening track… so we acquired to play our Bombay track at a Bombay present? How cool is that!? My first tattoo ever was a Bombay tattoo as nicely, devoted to their track “Lights Out, Phrases Gone.” So, “Lake Sympathy” will eternally maintain a particular place in my coronary heart due to how full circle it’s come for me as a musician. This track was one of many first items I wrote for the report that used water as a metaphor for a poisonous friendship. Each can really feel heavy and weigh you down. The identify of the entire report comes from a lyric on this track, too. Additionally, there is no such thing as a Lake Sympathy in actual life. I checked on Google Earth.
$35 Copay
I went by a part the place I used to be shopping for child synths on-line. Like, for precise toddlers. One of many ones I purchased was a Casio SA76, which like all child synths, is filled with these rinky-dinky tones. However I really like how unconventional it’s to construct one thing grand out of one thing slightly minimalist. In any case, this track sounds huge to me. Damon and I at all times joke that that is the track we’d play at Coachella. But it surely’s loopy to me that the track itself is only a bunch of cute little boops and bops from a toy piano often within the fingers of a 4 yr outdated. This track is a testomony to myself that gear doesn’t matter, songwriting does.
Caramelize
The factor I consider everytime I hear this track is that snare. I’m taken again to after I was residing with my ex in a home the place household associates had been staying over, they usually had a child. I actually wished to trace this new snare I acquired, so I used brushes as an alternative of a stick. That’s me making an attempt to not get up a child. The track has this delicateness to me that not one of the others have. It maintains a kind of quietness all through till the tip. I really like that you may’t actually inform when it will get massive both. Impulsively you sorta understand that you just’re simply surrounded. However the journey to get there was so refined and brewing. To me, no less than. Perhaps the infant didn’t suppose so.
Gemini
This one was written earlier than my divorce was even a thought. It might even be the oldest track on the report. This or “4ever” is. I can’t bear in mind. It seems like so way back, and it actually was a distinct “me” that wrote this track. I had a complete completely different life with a complete completely different set of issues earlier than the divorce. I used to be writing about psychological well being and existential matters again then. I bear in mind discovering this actually attention-grabbing voicing within the bass, the place I maintain out a flat three within the refrain. The entire time that word occurs, I simply really feel “off.” It’s out of key. It’s technically “improper.” It desperately asks to go someplace, to be resolved. Which, I do resolve it up again to a traditional three. This tangent has some extent, I promise. I saved imagining in my head, holding out that flat three for eternally. Like, think about being trapped in a world the place that word by no means will get resolved. To me, that’s what despair seems like. One thing is simply improper. One thing is simply “off.” And despair may be laborious as a result of it doesn’t really feel like there’s a manner out generally. I feel music finds methods to elucidate emotions higher than phrases. That flat three is so tactile to me. Anyhow, the opposite cool factor that occurred on this track is the truth that, after my divorce, all the narrative flipped for me. I used to be completely singing about my very own despair again then, however now I can’t assist however see that I’m singing about my associate’s despair, the Gemini I used to be strolling hand in hand with.
Worry Every thing
That is truly the primary track on the tracklist that addresses the divorce. Which, I had a tough time deciding the best way to unveil all of it inside the context of an album. In any case, there have been so many feelings occurring , some exact opposite of others, that it grew to become unattainable to determine which one I used to be truly feeling. I’m not even satisfied that that is the precise track to be listening to right here, to start out altering the topic from poisonous friendships to BAM, a divorce. That’s what this feels prefer to me in context of the earlier songs. It comes out of nowhere. However, that’s truly what it was like in actual life, too. Life imitates artwork, I suppose. Or is it the opposite manner round? The track itself, although, is a sister-song to “Name Me Again.” They had been written in all probability days aside. I used to be having enjoyable with this squiggly acoustic tone and minimalist drum machines. The 2 songs come from the identical second in time to me. However that’s precisely what I imply about not having the ability to work out how I’m feeling. “Name Me Again” is so longing. And this one is so blaming, pushing away, and resentful.
Archive 81
I had simply separated. I needed to discover new normals and face the truth that this was truly occurring. You’d suppose that I’d be ruminating on the drama and the trauma, however truly, within the stillness of my new surroundings, I discovered myself lacking the mundane issues. There’s a sense of security that comes with familiarity and routines. The final TV present we had been watching collectively was Archive 81. I wished to return to the best way issues had been earlier than and do the issues the best way I did them earlier than, together with ending this silly TV present. It’s not silly, however I do suppose eager for ending a TV present with my associate over addressing the basis drawback with my associate is foolish. Or possibly, it’s simply human.
Blame Me
This one is a doozy. A part of me wished to save lots of face and write extra songs like Archive 81, the place it’s introspective and hardly airs soiled laundry. However some issues had been revealed shortly after the separation that I truly knew had been true all alongside. It had me reflecting on an evening in my marriage the place I confronted my associate about my suspicions of infidelity. I felt gaslit into believing in any other case. The confrontation escalated, and my associate stormed out and drove off. I reached out for assist from his step-mom. I had by no means been extra scared to inform somebody my story, however she knew him, she was a mutual celebration, I knew it was a protected house. So I spilled the beans. I instructed her all the things. And he or she utterly validated my emotions. She instructed me, “There’s no room for 3 in a wedding.” Which, she was referencing a Princess Diana quote. It was so potent, it caught with me. Once I subconsciously sang the primary lyric of the track, “Ain’t no room for 3” got here proper out. I believed, “I suppose we’re writing about this then.”
Victims
In the identical vein as “Blame Me,” I used to be discovering assist in my associates through the chaos, and after explaining the state of affairs of my associate and this different lady to them, it was truly Damon who stated the subsequent factor that basically caught with me. He stated, “That’s manipulation 101.” It was so blatantly apparent to him, and I hadn’t seen it in any respect. I used to be so used to giving folks the good thing about the doubt and making up excuses for his or her actions, that it didn’t even cross my thoughts that somebody may simply have unhealthy intentions. One other factor that my associate’s step-mom instructed me on the evening of the “Blame Me” incident was, “That lady is aware of precisely what she’s doing.” It was the mix of that, and what Damon stated that lit the lightbulb in my head — I used to be going to jot down a track as the opposite lady. However make it virtually comically apparent that she’s simply acquired a step-by-step information on the best way to steal your man. There are actual steps to manipulation. After wanting them up I used to be dumbfounded by how precisely it mirrored my very own expertise again at me. The entire auto-tuned vocals within the track are actual issues she stated. It’s all embarrassingly actual. Scripting this track was such remedy for me, as I used to be capable of see the way it all occurred so simply.
Contemporary Begin
So a lot of my associates seen one thing about me whereas I used to be going by my divorce. Somebody stated “you’re so stoic.” Another person stated “you’re dealing with it very nicely, I might have by no means been capable of inform.” In a manner, I used to be stunned to listen to I got here off this fashion, primarily based on how I felt on the within. I attempted to explain the best way I felt to them like this: Think about you’re in a horrible automobile accident. You look over within the passenger seat and see your husband is useless. What are you going to do? Are you going to cry and grieve? Or are you going to look within the again seat to ensure your youngsters are okay… That’s what this all felt like: survival. There was no time to close down due to all of the logistics I wanted to type out first. Coping mechanisms can provide you actual superpowers… This track begins off with me not having the ability to inform if I felt any ache. Nonetheless, I contradict myself in later lyrics by acknowledging the ache. So, in contrast to my associates, I didn’t fairly idiot myself. I used to be capable of see some cracks in my superpower.
4ever
Like I stated, I don’t bear in mind if this or “Gemini” was the true firstborn of the report. This track is so existential, and kinda darkish. I had no concept on the time of writing it that it’d be a beautiful palate cleanser from my very own tumultuous story.
Name Me Again
I discussed earlier I used to be having a tough time determining the best way to unveil my divorce story inside the context of my very own album. I didn’t put them in chronological order of how the occasions unfolded. Or chronological order of the dates I wrote them, or something like that. In any case, a whole lot of this occurred so rapidly it seems like a blur. And I didn’t expertise one feeling and recover from it and expertise the subsequent. The levels of grief weren’t linear for me. I’d bounce from despair, to anger, to denial, again to anger. Who is aware of what emotion actually got here first. However I do know that discovering out my suspicions, after the very fact, had been proper, performed a definite position in beginning the journey to acceptance. Which can be a stage of grief and I didn’t imply to try this. We didn’t fairly get there to that stage on this album. Really not even shut. However “Name Me Again” seems like a greater method to go away issues off. Taking it again to the sensation of longing, as an alternative of anger. I wasn’t making an attempt to shut doorways with this album. This was the unique final track of the album too. Oh what a beautiful ending it may have had…
Dreamboy
Damon instructed me to jot down yet another track and “make it brutal.” That is my favourite track on all the report. It’s blunt and unambiguous. This is without doubt one of the ones the place I feel music may be extra descriptive in a sense than phrases can proper now. The screaming guitars on the finish are so emotive to me, it feels like a disaster. This track is like being curled up within the fetal place, in the midst of a room, crying your eyes out in essentially the most visceral manner. However not even that, it doesn’t really feel just like the act of doing that itself. It feels just like the second you cease crying, and the room round you is… silent. No matter that second is, no matter that disconnect is from the emotive human within the center, to the stark stillness of the room, that’s what the track seems like because it cuts out on the finish. Is it loneliness? Vulnerability? I can’t determine it out, I’m not good at determining my emotions.
The Avenues
“The Avenues” was written across the identical time as “Victims” and “Blame Me,” so to me it comes from the identical kind of place within the grieving course of – it was a very indignant time. The moments I used to be writing about had been those that proved all my suspicions to be true. I felt validated, and scripting this track was positively me attending to that place. Initially this track felt slightly too near me to incorporate on the report, however now it feels prefer it’s time to let this one go free.
W/O Your Rain
“W/O Your Rain” was alleged to go on I Don’t Do Humidity, nevertheless it at all times felt like an outlier. Initially the association was a lot completely different, and the extra the album took form, the additional away this track felt. For the reason that album has been out, I made a decision to reapproach this one so I can put this in a field and compartmentalize it, together with all the opposite divorce songs, the place it belongs. This track was the primary one which I wrote that used the concept of water or humidity as a adverse factor – the album was named by actually having this track included, so it solely felt proper to tie the bow on it. Generally grief can really feel endless, and as advanced as it’s, coming to phrases with it could really feel empowering, however hopeless on the identical time. This track is me taking again management over my very own grief.
Name Me Again (Fan Model)
Once I launched this track as a single, I believed it might be enjoyable to arrange a hotline for folks to name in and go away voicemails for folks of their lives that they by no means acquired closure from. It was initially only a cool method to interact with our followers, however as soon as we began listening to the voicemails, we had been blown away by how heartfelt and private the messages had been – and by the sheer variety of those that participated. It felt just like the track meant so many various issues to completely different folks, so I wished to make a brand new model utilizing a few of the voicemails (with everybody’s consent, after all). All of the messages had been so particular, and I’ll always remember how connecting on this manner with everybody felt.
— —
:: stream/buy I Don’t Do Humidity (Deluxe) right here ::
:: join with Bathe Alone right here ::
— — — —
Connect with Bathe Alone on
Fb, Twitter, TikTok, Instagram
Uncover new music on Atwood Journal
© Lindsay Thomaston
:: Stream Bathe Alone ::
