Soundstreams 2025/26 season options the same old eclectic mixture of revolutionary and compelling music that Toronto audiences have come to anticipate of the group for greater than 4 many years.
The performer lineup contains ensembles and artists like Quatuor Bozzini, Steven Dann, the Estonian Philharmonic Chamber Choir, and Carla Huhtanen, together with a number of the metropolis’s most in-demand musicians and singers in Ensemble Soundstreams and Soundstreams Choir 21.
The listing of composers contains Canadian and worldwide luminaries: Benjamin Britten, Philip Glass, Arvo Pärt, R. Murray Schafer, and Claude Vivier, together with Subsequent Technology Composers Andrew Balfour, Cassandra Miller, Zosha Di Castri, Nicole Lizée, Anna Pidgorna, Sarah Kirkland Snider, and Ana Sokolović.
LvT spoke to Creative Director Lawrence Cherney, who based Soundstreams again in 1982, about this 12 months’s lineup.
Soundstreams 2025/26 at a Look
Mass For The Endangered (November 22, 2025)
That includes David Fallis, Conductor, Soundstreams Choir 21, and Ensemble Soundstreams
Sarah Kirkland Snider’s Mass for the Endangered has been a lot lauded each for its music and its compelling examination of humanity’s affect on the pure world.
Estonian Philharmonic Chamber Choir: Arvo Pärt At 90 (February 14, 2026)
Tõnu Kaljuste, Creative Director
The world-renowned Estonian Philharmonic Chamber Choir, with founder and conductor Tõnu Kaljuste, make a return to Toronto to have fun Arvo Pärt’s ninetieth birthday. Together with Pärt’s most celebrated works, the live performance contains music by Philip Glass, Luciano Berio, and others, and the world premiere of a brand new Soundstreams fee by Estonian-Canadian composer Riho Esko Maimets.
With Strings Hooked up: Quatuor Bozzini In Three Premieres (March 21, 2026)
That includes Quatuor Bozzini: Clemens Merkel, violin; Alissa Cheung, violin; Stéphanie Bozzini, viola; and Isabelle Bozzini, cello
This system options three world premieres co-commissioned with New York’s Time:Spans Pageant and Montreal’s Le Vivier by Canadian composers Taylor Brook, Zosha Di Castri, and Cassandra
Miller. Additionally on this system: the world premieres of six brief new works by contributors within the Soundstreams Bridges Rising Composers Program, developed below the mentorship of Zosha Di Castri and Cassandra Miller.
Love Songs (April 9. 2026)
With David Fallis, Music Director; Carla Huhtanen, soprano; Gregory Oh, piano; and Noam Bierstone, percussion
Claude Vivier’s Love Songs and Shiraz varieties the guts of this program for seven singers, piano and percussion that explores love, identification, connection, and censorship.
In Terra Pax (Might 9, 2026)
That includes Anna Pidgorna, vocals; Steven Dann, viola; Anna Sagalova, piano; and Ensemble Soundstreams
In Terra Pax (On Earth, Peace) is a program curated by Anna Pidgorna — winner of the New Voices Curator Mentorship Program — that displays on battle and its destruction, and the resilience to go on. Pidgorna performs as composer and vocalist, with displaced Ukrainian pianist Anna Sagalova (now based mostly in Vancouver), and violist Steven Dann.
Creative Director Lawrence Cherney: The Interview
Two bigger themes resonate all through the forty third season: chatting with social points, and analyzing human and religious relationships.
“There’ll at all times be overarching themes in a given season,” Cherney says. “Subsequent 12 months, there’s quite a bit that’s linked to social justice.” Notably, that features the season’s opening live performance that includes Sarah Kirkland Snider’s Mass for the Endangered. “It’s a live performance that’s reflecting on what we’re doing to our surroundings.” It’s not essentially an apocalyptic view. “We don’t at all times have a chance in music to replicate on larger issues.”
A lot later within the season comes In Terra Pax. “It’s about battle and peace, and resilience.”
Whereas the themes revolve across the present state of affairs in Ukraine, it’s a way more widespread theme. “There’s lots of people on the earth who’re dying who shouldn’t be dying.”
It’s not about preaching, although, it’s extra about reflection. “We’re not setting ourselves as much as educate anyone something,” he says. The information is already filled with headlines about battle from so many locations on the earth. “We’re not educating individuals issues, however we hope we are able to forged mild on one thing on issues which have develop into a bit obscured,” he provides.
“What the humanities can do, is we may also help audiences and ourselves to replicate on issues. Artwork for artwork’s sake is great however this season has connections to different points,” he says.
“The opposite theme isn’t actually love, but it surely’s about human relationships, religious relationships.”
Marking a serious milestone is included into that blend.
“We’ve had a really particular relationship with the Estonian Philharmonic Chamber Choir,” Cherney says. Will probably be the eighth time they’ve appeared on a Soundstreams program. Their most up-to-date Toronto live performance, in 2024, was bought out.
Alongside together with his milestone birthday celebration, Arvo Pärt’s work has a religious dimension. “Irrespective of your perception system, someway Arvo Pärt touches us.”
The Love Songs repertoire is much less about spirit, and extra about humanity. “This one is extra right down to earth, about relationships amongst us.”
Claude Vivier’s Love Songs and Shiraz is the guts of this system. “It’s humorous, but it surely’s additionally a profound take a look at what love means.”
Different items embody works by Ana Sokolovic and Nicole Lizée. “Her piece on this system is sort of a distinction,” he says of the latter. “It’s known as the filthy 15.” It refers to an inventory of songs that had been urged for banning in the US, and contains quotes from Frank Zappa opining on censorship, amongst different issues.
“Once more, it’s, like a lot of Nicole’s work, one thing of a parody.”
Canadian Composers
The work of Canadian composers is peppered all year long’s program of 5 concert events.
“That’s what we’re on the earth to do, is to foster Canadian music,” says Cherney.
It’s not solely about together with Canadian works, it’s about placing them into a global context.
“I feel we do the very best for Canadian creators once we put them on a world stage,” he says. “We put them along with the world’s greatest,” he provides. “We’ll program a really well-known worldwide composer, however typically we’ll fee a brand new work that might be carried out on that very same program.”
He factors out that the live performance with Estonian Philharmonic Choir features a newly commissioned work by Estonian-Canadian composer Riho Esko Maimets.
“It’s an awesome alternative, but it surely’s additionally an awesome problem,” Cherney says. “Beneath all of it, we’re saying we now have expertise on this nation that is the same as expertise that’s on the market on the earth. The Soundstreams stage is in a way reflecting the world,” he provides.
New Music
Introducing audiences to new music of any style is a problem.
“We even have a chance to offer context for brand spanking new music,” Lawrence explains “There’s great new music being written in all places.” Many new composers, he factors out, are recognized of their space, however not outdoors, and never abroad.
“Our platform is an oportunity.”
The artwork of programming lies in providing themes that assist audiences make sense of the music and its message.
“We attempt to give a context.”
He mentions Benjamin Britten’s iconic Lachrymae, a part of this system for In Terra Pax. “The theme is bang on for the context,” he says. The piece for viola and string orchestra makes use of the solo instrument’s tonal vary utilizing a wide range of strategies, with colors that lean in direction of Japanese European music. It makes the right accompanying piece to the live performance’s essential work, a fee by Pidgorna for voice, piano and string orchestra that’s influenced by the Ukrainian custom of feminine lamentation singing.
“It’s a chance for us to assist individuals to discover a method in,” he says. Typically, a bit doesn’t join just because it’s not the fitting atmosphere for it. “It’s at all times straightforward guilty audiences,” he says.
“We as live performance producers have an awesome duty to assume laborious about creating an expertise for the viewers to understand each work on a program.” Connecting works by way of themes and concepts provides to the expertise from an viewers perspective. “An exquisite efficiency can have so many ranges of that means.”
Correctly carried out, the viewers ought to merely take pleasure in a seamless, straightforward sort of circulate of sounds and concepts. Later, they may surprise about the way it was all put collectively.
Quatuor Bozzini: Canadians within the Highlight
The live performance that includes Quatuor Bozzini contains works co-commissioned by three artists Cherney calls “three stars of Canadian music” — London-based Cassandra Miller, Zosha Di Castri (a full professor at Columbia in addition to a performer), and Victoria-based Taylor Brook.
“No one in all them seems like the opposite. There’s actual distinction in aesthetic and magnificence.”
Miller and Di Castri have earlier written music for the Bozzinis. “The quartet is sort of adventurous,” Cherney says. “This explicit live performance is attention-grabbing for 2 causes: the music could be very worthwhile. We expect these are three of the actual rising stars of Canadian composers,” he says. “This explicit live performance contains these three works and in addition six brief works by the RBC Bridges Rising Composer program.”
Cassandra and Zosha might be mentoring the six rising composers, three Canadian and three worldwide, through the week main as much as the live performance.
“They present up with brief, 5 minute works,” he says of the method. In the course of the week, the six youthful composers obtain mentoring, get assist with attainable revisions, and extra.
“It’s fairly attention-grabbing. It’s additionally actually essential to Soundstreams.”
- Discover extra data, tickets and subscriptions to the Soundstreams 2025/26 season [HERE].
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Anya Wassenberg is the Toronto Metropolis Editor at Ludwig Van. Beforehand, she was a contract author with a specialty in tradition and journey for 3 many years, and a inventive writing teacher for Ontariolearn.
