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Danny Addison at St Pancras Previous Church, A Evening of Fragility and Energy


There are some venues that do half the be just right for you. St Pancras Previous Church, with lovely acoustics and historical hush, was the right setting for Hitchin’s Danny Addison to launch his debut album ‘Porcelain’. It’s an area the place whispers carry, the place each sound appears amplified, and Addison used that to full impact.

Opening with the delicate tones of the title observe, ‘Porcelain’, he drew the room into silence, his voice a thread that grew stronger with every notice. By the point ‘Tribe’ arrived, the church had been reworked into one thing larger: because the bass rumbling by means of the pews, drums echoing off the stone partitions, and a lovely choir line swelling within the background, filling the area with mild.

The set felt like a journey by means of the album’s contrasts. ‘Sense of Contact’ glowed with delicate heat, the dual violins cradling Addison’s vocal in a cocoon of sound. ‘Woman’ flickered like a candle in a darkish room, intimate and fragile, whereas “Beck and Name” proved the evening’s most intricate feat, sounding huge and cinematic, but by no means dropping its precision.

What’s putting about Addison stay is his capability to make fragility sound highly effective. The songs are felt, pulled from silence and constructed into one thing extraordinary. Within the hushed awe of St Pancras, ‘Porcelain’ was an announcement of arrival.

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