‘on this second for days’, from Daniel Liam Glyn’s newest LP ‘WHEN THE DEVIL DRIVES’, is a slice of indie dream pop reverie that lifts the tones of retro-futurism to a plateau of pure euphonic bliss. Downtempo electronica, trip-hop, and synth-pop coalesce in distinctive flux, providing tranquillity as you’ve by no means skilled, but a dreamy palette you’ll compel your self to acquaint your self with, time and time once more.
Ethereal dream-pop vocals echo tenderness into the discharge, wrapping delicately round the great thing about preserving good moments. The only grasps these ephemeral instants tightly, praying the romance discovered inside small particulars stays clear from reminiscence’s obscurity. It’s a soundtrack to bliss in each true sense, mild but unshakably memorable.
Daniel Liam Glyn, a Manchester-born composer famend for sinking synaesthesia into his compositions, channels his distinctive visible notion of color and sound immediately into ‘on this second for days’. Influenced by the modern minimalist types of composers like Erik Satie and Steve Reich, Glyn transforms summary psychological hues into tangible sonic landscapes. His newest album navigates themes of psychological well being, hazy recollections, and fleeting serenity, and nowhere is that this steadiness clearer than on this dreamy soundscape—an invite to pause, replicate, and stay in emotional suspension.
‘on this second for days’ is now out there to stream on all main platforms, together with Spotify.
Overview by Amelia Vandergast