African Queens: Dave Ragland (b. 1978), Precatio; Carlos Simon (b.1986), Behold, The Queen; Dave Ragland, The Queen of Sheba; Jessie Nzinga Montgomery (b.1981), The Music of Nzingah; Fred Onovwerosuoke (b.1960), Luwah (Bitter Tears); Shawn Okpebholo (b.1981), A Letter From Queen Ufua, Fred Onovwerosuoke, Duniya (Mystic Universe); Jasmine Arielle Barnes (b.1991), I Am Not Your God; Will Liverman (b.1988), A Prayer; Joel Thompson (b.1988), Queen Nanny’s Lullabye; Damien Geter (1980), Amanirenas. Karen Slack, soprano–John R. Stratton Customer in Music, and Kevin Miller, piano; Walter Corridor, Toronto, March 20, 2025.
Soprano Karen Slack and pianist Kevin Miller’s recital: African Queen, on the Walter Corridor was a real exultation and celebration of Black womanhood and management. Specializing in the historical past and legacy of seven African queen figures, Slack curated this system solely from younger dwelling composers, together with eight commissions written for her — an astounding feat to arrange, and to internalize.
Wielding a deep, heartfelt conviction for this program, Slack was a tremendous storyteller, with wonderful partnership from pianist Kevin Miller.
Ranging from close to darkness, Miller set the temper from the piano as Slack merely started to speak- “…of homage to unlocking of tales, of longing to inform new tales.” Her illustrations of the queens all through this system as “mom of magic and reality,” filled with braveness and weak love, had been rigorously grouped, taking the pin-drop quiet viewers into the lives of those queens by vibrant new works with a lot selection in model and harmonic language, in that particular American songbook model.
Opening this system with the traditional textual content of Solomon: Nigra sum, et formosa (“I’m Black and exquisite”), Slack began the night with a quiet invocation inside Miller’s delicate soundscape, earlier than accelerating with gusto, as she referred to as for Aminata, to “lead your girls to peaceable conflict”. Slack moved seamlessly from speech to singing, driving excessive on Miller’s quick, energetic groove, then sinking low into the depth of 1’s coronary heart, together with the attractive resonance and tranquility from the piano. Her spectacular vocal vary — each excessive and low — was filled with quicksilver color modifications, with ease and generosity.
On the peak of her energy, Slack’s voice, with impeccable diction, took us from music to a different. Such excellent musicianship takes us away from observing — usually obsessing — in regards to the mechanics of the singing, of reworking from one music by to a different. As we reside in a society the place dissociation of issues, and consumption in small random chunks have turn out to be the norm, Slack’s supply of those tales, the weaving collectively of so many feelings, from pleasure to wrath, and the indescribable messiness of life, is really particular.
African Queens
All works had been superbly crafted, with three excellent works particularly. The primary of the three, Jessie Montgomery’s The Music of Nzingha, the place Queen Nzingha’s battle between the 2 gods — of Christianity, and the standard Kongolese beliefs — burned from the sparse ember speckle by a Messiaen-esque development, the place Slack’s finely tuned pacing by this inhumanely lengthy construct up introduced a really dramatic and climactic finish.
A Letter From Queen Ufua, by Shawn Okpebholo, closing the primary half, was fairly particular. Ranging from the traditional blessing from the queen to her progenies with a timeless starry piano soundscape, the magic took us to sphere of pleasure, alive with Miller’s rhythmic and hovering piano enjoying, carrying Slack’s unbelievable phrase portray with all issues between the uncertainty of life and the conviction that we search:
You’re magnificence
Your are life and
We’re mild
(by poet Tsitsi Ella Jaji)
The closing work, Amanirenas by Damien Geter, was substantial in its size and dramatic depth. Regardless of the general demand of this system, each Slack and Miller had loads of fireplace left in them; as soon as once more, seamlessly fusing talking narrative and full-out operatic singing, Slack’s supply of highly effective excessive notes and extremely lengthy phrases saved the night a high-octane affair proper to the top.
Remaining Ideas
Slack sang a compelling, technically and musically excellent recital this night, and Miller’s unbelievable musicianship and partnership stuffed this night with magnificence and beauty. Nevertheless, essentially the most distinctive level is Slack’s intelligence, ardour and management that fueled her to the conception and execution of such an infinite venture.
Her creation of the African Queens, and her embodiment of the tales — as if she’s simply pulling out these legends from her coronary heart as a pure movement from the goals of generations way back — to us, in twenty first century Toronto, by new dwelling voices, is outstanding.
It is vitally thrilling to see the place she would possibly lead us by her lifetime, and past.
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Cecilia tumbled into ‘severe’ music examine when she determined to keep away from attending medical college. At the moment working within the discipline of classical music, recording, and Korean-English interpretation, she tends to get her nostril soiled in many alternative issues within the metropolis. Cecilia holds a DMA in Piano Efficiency from the College of Nebraska-Lincoln.
