Theatre veterans would kill for the evaluations that Charlotte Dennis has acquired for her position as Jane within the Coal Mine Theatre manufacturing of Max Wolf Friedlich’s 2023 psychological thriller JOB.
About Charlotte Dennis
The actor, 29, comes from Canadian theatre royalty. Her dad and mom are esteemed actors Oliver Dennis and Deborah Drakeford, and she or he actually grew up in Toronto’s theatre scene. Dennis noticed her first play when she was three, and acted on stage for the primary time when she was 9.
Nevertheless, since graduating from the Nationwide Theatre Faculty, Dennis has carved her personal pathway and takes immense satisfaction in the truth that each position she has undertaken has been laborious gained by audition. The fiercely unbiased actor is decided that her profession will occur due to her personal expertise and never her household connections.
To say the position of Jane is difficult is an understatement. JOB closes on Might 18, however Dennis emerges from the manufacturing a universally acclaimed main expertise.
Dennis’ Character Jane in JOB
Friedlich himself was simply 29 when JOB was first produced Off-Broadway earlier than transferring for an prolonged run on the Helen Hayes Theatre. A product of the anxieties of the digital age himself, Friedlich intentionally wrote a chilling confrontation of cultural and generational battle.
Jane is a content material moderator for a giant tech firm, however as a result of she has had a significant meltdown at work that went viral, she will be able to’t get her job again till she will get an okay from therapist Loyd (performed by Diego Matamoras) — and Jane desperately desires her job again.
When the play opens Jane is holding a gun geared toward Loyd.
What turned very obvious throughout my zoom dialog with Dennis was her eager intelligence and considerate method to each her craft and world view.
What follows are excerpts from that frank dialogue.
The Interview
What was your first impression of JOB?
The play really is such an unbelievable piece of writing, very sophisticated, very dense, very clever, very thrilling.
What was your first response to the character of Jane?
I believed it was sensible. I felt instantly linked to her, the feel of her language, the way in which she talks, her sense of humour. And, I understood the way in which she moved, which is thrilling as a result of if you, as an actor, really feel at residence within the language of an individual, it’s simpler to place that pores and skin on and off daily. [E]specifically in an audition room the place you might have 10 minutes to indicate folks what you make of the character. It’s so thrilling to really feel that connection.
Once I was watching the play, I believed, this author has crammed in each attainable meme of current day society. There isn’t one subject both from the left or the precise that he unnoticed. Did you’re feeling that?
I’m the youngest Millennial so I’m a cuspy Gen Z. It feels very straightforward to entry these memes as a result of it’s what I’ve grown up with. It’s the world that I’ve engaged with from my younger life into maturity. Instagram turned a factor after I was within the eleventh or twelfth grade. Fb was eighth and ninth grade. I’ve grown up with on-line entry.
And, I bear in mind when social media turned pervasive and the way it shifted our social dynamic so utterly. So, the issues talked about within the play really feel very acquainted to me, the discomfort, the isolation, the ache. And so does the ability of it too.
It’s a really up to date play and I’m a recent younger lady, and it feels very thrilling to have the ability to say Jane’s phrases out loud each night time to audiences that each perceive and in addition don’t perceive. , we are able to really feel when audiences have a familiarity with the ideas.
Admittedly, Coal Mine’s audiences are on the elder aspect.
Sure, the Boomers. The wonderful factor about this play is that the Boomers have their character too. Loyd makes some actually wonderful factors as properly. I believe it’s actually good for audiences to have the ability to hear either side of the argument with out having a singular perspective.
To me, the play is an actual commentary on the digital age and the divide, the strain between generations. And, that’s the inescapable nature of human beings and what it means to be dwelling in an age that’s so tethered to an internet life.
In doing my analysis for this present, it’s fairly terrifying what I discovered about how our brains have developed, and the habit we really feel to units, and the way capitalism has unfold to the self. I believe the potential is there for one thing very dangerous to occur.
Jane is the leftist of the left. She doesn’t have a shred of sympathy for the Boomers as a result of she blames them for the whole lot. Do you sympathize the place she is coming from?
I’m a leftist, completely leftist. It’s not that Jane has no empathy. It’s that she is on the aspect of human rights, which is the aspect that I’m on. That’s the core of Jane’s perception system.
Look what she takes on. She witnesses the true atrocities of human nature. And, to me, she’s a superhero, and I imply that with all readability and empathy. She is extremely courageous and extremely sensible and extremely good at her job. And he or she is defending the remainder of us on the web.
Jane is a content material moderator. I didn’t know such a job existed, that somebody appears for the worst barbarities on the web and removes the movies.
I believe what she does is horrific, however it’s her mission in life. I additionally suppose the factors she makes to Loyd about being a younger lady in a digital age are very sensible, very clear, very true. I’ve all of the sympathy and love for her.
What do you’re feeling about Loyd?
I believe he’s excellent at his job, and it’s laborious to be excellent at your job when your job is to work with younger girls who’re, quote unquote, hopeless, who’ve had probably the most epic breakdowns. And that makes him listener, that makes him curious, that makes him considerate. So, I’ve a whole lot of sympathy for him — up to some extent.
We don’t wish to give something away, however close to the tip, the playwright pulls a 180 and takes the play off into a brand new horrifying path.
Which provides one other degree to the play.
On one hand, you’ve obtained this troubled younger lady and the psychiatrist. She desires her job again as a result of she thinks she should do it. I discovered that actually attention-grabbing, that you simply return and do one thing horrible as a result of it’s vital.
After which, there’s this stunning plot twist.
What does this tangent add to the play?
What the playwright has accomplished is so sensible, and we actually don’t get a whole lot of actually good thrillers anymore. It’s so thrilling to have a shock like this in a play the place you simply don’t see it coming. You suppose he’s writing an attention-grabbing factor about this stress between the generations, and everyone is ready to say what they give thought to one another, after which growth, you get this shock.
Does one thing like this have an effect on your performing?
It utterly adjustments the dynamic. You’ve obtained a play after which you might have one other play. When it comes to vitality, it’s a very distinctive problem to hold Jane’s discovery of the plot twist. It’s been such enjoyable and a whole lot of work to determine the right way to play her in these moments.
Did you ever suppose for one minute that after Jane’s unbelievable outburst, why would they even give her an opportunity to get her job again?
In fact we did take into consideration that, and it does add a layer of complication, however Jane simply had a breakdown. It’s not like she did something flawed, so she was placed on indefinite go away.
Can we discuss that epic scream? The psychiatrist performs the tape to remind Jane what her breakdown seemed like, and the viewers will get to listen to it too. Did you ever in your thoughts act out what occurred within the workplace?
I did act it, so to talk, as a result of it’s recorded. I didn’t essentially return and work out the small print of the breakdown, however the sense reminiscence lives in my physique. I used to be standing there whereas everyone was watching, and I used to be screaming, and it was a reasonably epic expertise bodily that exists in my physique.
What’s the significance of this play?
The writer says originally of JOB that it’s a interval piece. It takes place in 2020, earlier than the election, earlier than COVID. It’s a really particular second in our actuality that we lived and skilled. He’s accomplished a very sensible job in making a recent interval piece.
I believe it’s going to be an absolute time capsule of what the expertise is correct now. It speaks to a really, very particular second in our political and psychological panorama. My hope is that this play will dwell a protracted, lengthy, lengthy life, and as we transfer via cycles on this earth, will probably be one thing that stays related and thought frightening.
Properly, as I mentioned earlier than, Friedlich crammed in each attainable meme like Me Too, and Black Lives Matter, and local weather change. There isn’t something that he unnoticed.
That’s as a result of these actions are vital they usually’re what we must be speaking about. What we must be transferring in the direction of is a kinder, extra beneficiant, extra linked world that has empathy for everybody, it doesn’t matter what. I don’t suppose he’s attempting to cram issues in. Slightly, I believe he’s speaking in regards to the issues which are on the forefront of our minds, particularly on the web. So sure, the play is totally of the now.
So, folks will sooner or later take a look at JOB the way in which we take a look at O’Neill, Chekhov and Shakespeare?
Sure, I believe that’s completely proper. The play is a particular second in time, and I believe the specificity is what is going to make the understanding of the emotional expertise felt extra later down the road, when this play will get produced in 2042 or what have you ever.
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Paula Citron is a Toronto-based freelance arts journalist and broadcaster who hosts her personal web site, paulacitron.ca. For over 25 years, she was senior dance author for The Globe and Mail, affiliate editor of Opera Canada journal, arts reviewer for Classical 96.3 FM, and dance previews contributor to Toronto Life journal. She has been a visitor lecturer for varied cultural teams and universities, significantly on the position of the critic/reviewer, and has been a panellist on COC podcasts. Earlier than assuming a full-time journalism profession, Ms. Citron was a member of the drama division of the Claude Watson Faculty for the Arts.
