Singer/songwriter Jillian Jacqueline finds her method again to herself on the stunningly lovely ‘MotherDaughterSisterWife,’ a cathartic exhale that sees her absolutely realizing her imaginative and prescient and finally creating the document she’s all the time dreamed of creating.
Stream: ‘MotherDaughterSisterWife’ – Jillian Jacqueline
“This is the album that I’ve all the time needed to make, however by no means thought that I may make,” Jillian Jacqueline tells me one September afternoon.
It’s a strong, emotionally charged assertion – and one which’s a very long time coming for the singer/songwriter. Jacqueline has been making music since she was 12 years outdated, when Kenny Rogers signed her to his personal label after listening to her singing in espresso outlets in New York Metropolis. Jacqueline has had many musical lives since. Forming the band Little Girls Band together with her three sisters, transferring to Nashville to develop into a songwriter, launching her solo profession with Huge Loud, and at last turning into an unbiased artist together with her debut document Actually in 2022.
This previous Friday, October 17, Jacqueline launched her eagerly anticipated sophomore album, MotherDaughterSisterWife (through Virgin Music Group). “This document simply looks like the within of my coronary heart, my mind and my soul in music kind,” she advised me once we spoke in September. If you recognize Jacqueline’s discography, then once you hear the brand new document, you’ll perceive what she means. MotherDaughterSisterWife is 100% Jacqueline. The songwriting, the preparations, the vocal manufacturing and the music are intertwined utterly with Jacqueline the individual.
Produced by Ian Walsh, Andy Skib, and Jacqueline’s husband, Bryan Brown, MotherDaughterSisterWife is an immersive expertise. On one hand, you are feeling like Alice getting misplaced in your individual Wonderland, however on the opposite, there are some very darkish themes to grapple with – despair, melancholy, self-worth, motherhood, creativity, being a girl on this present interval, heartbreak and abusive relationships.
You throw round your emotions
And I dodge them like grenades
You make the room so heavy
And anticipate me to not break
And I do know that it’s not your fault
I do know that it’s not your fault
So that you may be the bull
However I gained’t be your china store
– “China Store,” Jillian Jacqueline

The songs “China Store” and “Extra” discover the darker realms of romantic relationships. With every track, the narrator grows in self-love and energy, who finally shakes off the shackles of both having to tip-toe spherical another person’s emotional outbursts, within the case of “China Store,” or on “Extra” the place the character has stayed far too lengthy in an unloving and emotionally abusive relationship as a result of they didn’t know they may need extra. An emotion we have now all needed to confront.
Or possibly there’s a superb rationalization
For why you watched me cry within the bathe
And the way you all the time knew to show over in mattress
Proper after I was about to maneuver nearer
Individuals say hey, why did you keep
If it was so unhealthy you actually didn’t should
However I didn’t know I may need extra
I didn’t know I may have extra
– “Extra,” Jillian Jacqueline
Jacqueline spoke about “nearly reverting again to childhood optimism” on this album, which you hear actually clearly on “Cult Traditional,” an ode to the romances of traditional Hollywood movies. Jacqueline has even included a snippet from the movie ‘Penny Serenade’ starring Cary Grant and Irene Dunne. The track feels cozy and heat, like watching an outdated movie on a crisp autumn night. The optimism and magic are palpable with the gentle instrumentation and Jacqueline’s silky clean vocals.
Typically it could really feel like
Wanna hit the rewind
Forgetting methods to romance
Grocery store gradual dance
You and I are a cult traditional
Kinda die onerous cinematic
Preserve you coming again via the static
Responsible pleasure within the attic
– “Cult Traditional,” Jillian Jacqueline
The lyricism on MotherDaughterSisterWife is exact in its execution but dreamy in the way it makes you are feeling once you shut your eyes. “Stroke Of Genius” sees Jacqueline chasing a muse even when she proves to be inconsistent and harmful. The quickening of the strings and Jacqueline’s vocals create a spot the place you’ll be able to disappear into the track.
Working down the halls of my thoughts
Scissors in my hand looking for
One thing left to say that’s worthy of my tongue
Solitary combat with a canvas
Solo flight trying to land it
Married to a muse I can’t stand however
She’s all I ever need
The title observe “MotherDaughterSisterWife” is the centerpiece of this document that pulls the opposite songs in. With out the title track, you wouldn’t have “Fantasy Woman” or “Extra” and even “Eyelashes.” “MotherDaughterSisterWife” is the place all of it started. In Jacqueline’s personal phrases, “I believe it’s so extremely unsettling once you begin to take a look at what all these labels make you are feeling and the way you’re supposed to maneuver into these labels.”

As a girl, these labels are thrust upon us and we’re anticipated to know instinctively what is predicted of us, and if we don’t, we’re “unhealthy moms, daughters, sisters, or wives.”
How I’m seen on this world is in relation to which label I occupy at anybody time. I’m by no means Emily. Jacqueline is rarely simply Jillian. Our id is all the time wound as much as how we may be of service to others. Jacqueline says this quiet half out loud. Listening and mouthing the lyrics typically looks like a catharsis of types, an exhale after being submerged beneath the load of expectations for too lengthy.
A fish out of water
The third of 4 daughters
Once I grew to become a mom
I nonetheless felt like a woman
From nowhere Pennsylvania
Straight into the vein of
The silent expectations
That I ought to maintain the world
Once I interview an artist, there’s all the time a component of the unknown. How receptive will they be, how snug can I make them, will they be open to my questions. Once I met Jacqueline on an early September balmy afternoon in her residence in Nashville, I instantly felt like I’d met a long-lost good friend. We spoke for over an hour about her sophomore album, creativity, self-worth, love and what we’d inform our youthful selves. The next interview has been refined for size and readability. Learn our intimate dialog beneath, and stream MotherDaughterSisterWife, out now!
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:: stream/buy MotherDaughterSisterWife right here ::
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A CONVERSATION WITH JILLIAN JACQUELINE
Atwood Journal: Firstly, thanks for agreeing to talk to Atwood Journal about your new document. It’s an honour. Listening to MotherDaughterSisterWife the overarching theme is what it means to be a woman and a girl. You additionally grapple with darkish themes – despair, self-worth, motherhood, being a girl on this present interval, heartbreak and abusive relationships. How did this effectively of inspiration develop into the album?
Jillian Jacqueline: This document got here from a really intense interval of development. MotherDaughterSisterWife is the document I’ve all the time needed to make, however by no means thought I may make. This document is kind of this reckoning of just like the dying of self, the self that I assumed I had constructed. For the primary 30 years of my life, I used to be projecting this model of me of who I used to be going to be to the world. I believe lots of people undergo this of their late 20s into their early 30s, the place you’ve got this bizarre sort of shift, ‘whoa, am I nonetheless that individual or am I purported to be doing one thing totally different?’ I had a number of private {and professional} issues that culminated on the identical time. My final document, Actually, I used to be actually in the course of all of that. I couldn’t fairly even course of what was taking place. I used to be making an attempt to create a bridge from my youthful self to the place I used to be on the time, however actually I felt like my eyes had been nonetheless closed slightly bit.
I used to be truly going to say this album sounds essentially the most such as you. It’s not a departure out of your earlier discography by way of sound however far more you, in a soulful sort of method.
Jillian Jacqueline: It looks like an exhale. It simply feels, actually, just like the nine-year outdated me assembly the 36-year-old me and being, “oh, did we discover one another once more?” It simply looks like the within of my coronary heart and my mind and my soul in music kind. This document was my quiet, peaceable nook of creativity. It’s so me, it’s so private. It was very cathartic and intimate, so in that method, even placing it out into the world feels totally different from any document I’ve ever launched.
As I’ve been going again and listening to the document, I can see little touch-points to your different data, however I stored considering, ‘this looks like Jacqueline.’ From what I do know of you, clearly, via what I’ve learn or watched or listened to. I felt like your final document Actually, felt such as you however you possibly hitting the suitable markers you had been advised to hit?
Jillian Jacqueline: Completely. I like what you stated concerning the theme of womanhood earlier. Motherhood significantly sort of threw me into reassessing my relationship with my physique. I believe I ignored my nervous system and my feminine anatomy and the way all of that’s tied into your nervous system. If you get pregnant and have a child, you simply don’t function the identical method anymore. It was the primary time I actually needed to get in tune with my physique and take note of what my physique was telling me and why I used to be feeling a sure method at a sure time. I felt it introduced me this deeper knowledge of how the whole lot is synergetic and tied into one another. Should you don’t take note of that, that’s once you get nervousness and despair, all this stuff I’ve struggled with for a really very long time as a result of I believe I simply suppressed a number of what my physique was making an attempt to inform me.
This document is such an embrace of my womanhood in a way of, you may be all of your self now and also you don’t should neglect elements of your self to outlive, which, “Vibrant Eyed Child” touches on. I went into the music business very trusting and considering folks would deal with me and folks would say issues about how they had been going to do X for my profession or what they believed about me. I actually used these as pillars of my very own self-worth. I didn’t spend money on ‘what do I consider about myself’ So when somebody’s you as when you’ve got all of the solutions and also you’re robust and also you’re assured, and also you’re not that for your self, how will you be that for any individual else? It was all this stuff compounding and hitting me without delay. This document to me is, like I stated, a reckoning.
It nearly looks like a mild awakening too. I don’t really feel like I’ve stepped into ‘I’m a girl hear me roar.’ Perhaps that’s like the following document. I believe I’m like determining that I don’t need to be the individual I used to be anymore and I need to be any individual new, and I don’t actually know who she is but, however I’m actually excited to fulfill her.
When did you begin writing for the document? Do you bear in mind what the primary track was?
Jillian Jacqueline: I technically began writing for what would develop into the document within the Fall of 2023. “Vibrant Eyed Child” was the track I wrote that felt just like the catapult second into the mindset of making the album, in September 2023. Nevertheless, there are songs from way back to 2021 on the document as effectively, like “Extra.”
I believe I’m a few years older than you and I do really feel like I’ve reached a sure level in my life the place I’ve began to face up a bit straighter. I can hear that within the songwriting and the vocals on this document. There’s a quiet confidence there that I don’t hear in your earlier data.
Jillian Jacqueline: It’s truly bizarre you say what you stated, as a result of yesterday I used to be fascinated about what would I say to my 29 12 months outdated self? Or what would I say to my 19 12 months outdated self?
I wasn’t essentially taught or modelled what confidence regarded like in myself. I don’t suppose my mother and father knew they had been doing this, however it was very very like, when you do this stuff, folks will love you. All of us, I believe, come to this consciousness as we grow old, we begin going to remedy and fascinated about our childhoods and our mother and father. We’re like, ‘oh, yeah, that was an fascinating strategy to do it,’ you recognize? I’m getting extra conscious and assured of who I need to be on this planet, however not at all do I’ve the solutions but. I believe with that curiosity and that lifelong studying, I’m nearly reverting again to love childhood optimism. There’s positively a number of uncomfortable messiness too, the place I’m like, ‘oh man, I actually thought I had it found out and I had nothing found out.’
Can you share what the recording course of regarded like?
Jillian Jacqueline: The recording course of for this document was very totally different from some other document I’ve made. As a result of my producer lived in LA once we began working collectively, we did a number of correspondence over the telephone/ face-time/ work tapes/ voice memos, the place we constructed the sonic references for the album. I shared songs and musical influences, and he would take these references and mock up these tough concepts of every observe that we’d then hash out and construct piece by piece collectively.
Hiring our gamers who did a number of these classes remotely gave the document this kind of puzzle piece feeling, however I liked how deliberate every selection was as a result of we took a number of time speaking about what we had been doing.
I made a visit out to LA in March of 2024 and that was then we began monitoring vocals on the primary 3 songs at my brother-in-law’s, Tofer Brown’s, residence studio. We paid a number of consideration to which microphones we had been utilizing as I used to be actually wanting to listen to my voice in a extra intimate and uncooked seize than I had on earlier albums. We used an AEA R44 ribbon mic on a number of the document which has heat and depth I actually liked on my voice. We additionally closely used cello, fiddle, upright bass and mandolin on a number of these songs which is instrumentation I hadn’t beforehand explored in my music.
I needed the mattress of this document to really feel acquainted but cinematic. A lot of this music looks like one thing I’ve been listening to in my head for a few years and at last gave concrete form to it.
The title of the album is ‘MotherDaughterSisterWife’ (mom, daughter, sister, spouse); there is no areas between every phrase. I do know that will not be misplaced on a number of ladies and women as a result of these are the descriptors which are given to us, or imposed on us, relying on the way you need to see it.
Jillian Jacqueline: I believe it’s so extremely unsettling too once you begin to take a look at what all these labels make you are feeling and the way you’re supposed to maneuver into these labels. Girls are born with disgrace of their veins. The track “Fantasy Woman” touches on a number of these themes. I can admit that after I obtained married a lot of the way in which I operated in my relationship was like slightly child. It wasn’t like a girl who was positive of herself and positive of what she deserved. It was very a lot, ‘do you want me? Do you continue to like me now? Am I okay now?’
I used to be like working out of those very stunted emotional capacities and also you realise like, okay, I’m an grownup now and if that is going to be a wholesome, long-term relationship, I have to personal my very own flaws, my very own errors. I have to cease operating.
It’s such an inside wiring situation, after which there’s additionally very unhealthy companions who make the most of that insecurity, which is what the track “Extra” is about. “Extra” is, was, actually the ultimate nail within the coffin of closure for me with this very, very damaging relationship that I needed to work years to essentially uncover the darkness of it of why this individual made me really feel like I used to be so disposable, so unworthy of their love.
Sound sensible, the document is actually textured. It feels very ethereal and dreamy and nostalgic, but in addition darkish and scary at occasions. For some cause, after I was listening to the title observe, “MotherDaughterSisterWife,” it felt like I used to be listening to it underwater. Not that your music has ever been like one sort of style, however the entire document feels such as you had been pushing the style.
Jillian Jacqueline: Wow. I like that you simply felt that. This document is what I’ve desired and heard in my head musically for myself without end. This document is really like the within of my head, into music kind. My producer Ian Walsh and my husband, Bryan Brown, helped me make my imaginative and prescient a actuality. They had been actually like… we had been in a submarine. I like the underwater scene. We had been all in a submarine, and we had been driving it collectively, however I used to be the one determining the place we had been going to go.
I felt very free to try this as a result of my label Virgin is the one distribution. They’re not concerned in something inventive. I don’t also have a supervisor proper now. I don’t have anyone telling me what the targets are to hit or what we’re making an attempt to do. I didn’t even ask for suggestions. Even my finest pals had been asking if they may hear the brand new music, and I stated no. As a result of I simply didn’t need any voices in my head. I solely needed to personal.
And so the whole lot, “MotherDaughterSisterWife,” “Cherry Blossom,” these had been the songs that after I sat down with my guitar and all people, had gone away and I felt very alone and I felt like, ‘okay, I’d by no means make one other document.’ I might simply sit on this room in my home and I might simply be like, ‘what’s popping out? What do I hear that I need to say?’
I hadn’t written alone in years, and I completed “Fantasy Woman” on my own and I used to be like, ‘oh, there I’m. Okay, this looks like me.’ I lastly discovered the sound that I’ve all the time been listening to in my head and couldn’t fairly work out methods to make it work. This has been a very long time coming for me due to the whole lot I like musically that I’ve listened to my entire life and all of the data that actually impressed me whereas I used to be making this document, I simply really feel prefer it all culminated into what this document feels like.
I really feel like with this document, there is a particular story line all through. If you get to the final observe, “Gravity” which lyrically I believe could be very, very cool and sonically like a dirge, after which it sort of turns off with the strings. It is like a fast swap and then you definately return round to trace one, I believe that is actually cool.
Jillian Jacqueline: Thanks a lot. I like that you simply seen that. We haven’t even actually talked about this, however my voice, I really feel like my voice modified with having a child and so lots of my artist pals which have had youngsters, we’ve all talked about this. My voice is deeper and my breath management is totally different and a number of the melodies that I used to be writing after I had my son, I used to be exploring with my head voice extra and simply doing softer issues as a result of I may inform my physique needed to sort of do this extra. My voice didn’t need to push as a lot and pressure notes.
I spoke to Christina Perri, I believe you each have an identical greater vocal vary, and she or he stated till she made her final document, nobody had ever produced or engineered her voice proper till she labored with a girl producer and engineer.
Jillian Jacqueline: Oh wow. How wonderful is that? Any individual having the instinct to know methods to make you are feeling secure in that and draw you out in that. I believe that’s wonderful. I’ve truly by no means labored with a feminine vocal producer or producer in any respect, however I’ve to say the 2 males that I did work with on this document are delicate souls and really inventive.

How has turning into a mom affected your artwork?
Jillian Jacqueline: It’s actually fascinating how motherhood tells its personal story via the way in which that you’ll be able to talk after the very fact. You’re by no means the identical. I used to be simply speaking about this with the artist and songwriter Luci Silvas as we placed on the MOTHER present, and she or he’s actually struggled after having her twins together with her vocal chords. There’s little or no medical understanding of how carrying a toddler impacts your vocal chords. By way of my very own analysis, I’ve discovered that your vocal chords are instantly tied to your pelvic ground, so when you’ve got a child, all of that adjustments.
I need to begin advocating for this too, as a result of with the MOTHER present, we’re making an attempt to make clear the dearth of assets for artists who’re moms. But in addition, when your livelihood will get instantly affected and also you don’t know the place to show to get solutions, that may be actually scary and debilitating. Your financial price is tied as much as your voice, actually.
Then there’s additionally how your price is seen by the business. You begin to really feel the business slowly backing away from you since you’re not a workhorse anymore and you’ll’t get on the market and soar within the van and play a present six hours away for 500 bucks. I need to discover methods for all of us to nonetheless have the ability to present up in no matter capability that we have now to share our music and make our artwork.
As a result of that’s part of us that might die. That makes me so indignant. I’ve had so many younger artists who’ve reached out to me which are newly pregnant or simply had their child, and so they’re terrified they may lose all of it.
How do you are taking a really distinctive expertise, that can also be very common however make it particular to you and your listener, with out watering it down or shedding the track’s essence to wanting it carry out effectively for radio or streaming?
Jillian Jacqueline: Should you cease writing songs only for that feeling of expression, you’ll lose your instinct as a author of what truly strikes you. I simply misplaced my voice for a very long time in that worry. I might sit down to jot down songs and all I may take into consideration was, ‘are they going to love that? Is that going to imply one thing to them?’ It was similar to I misplaced the plot on why I even began writing songs, so “Stroke of Genius” was like my return to that instinct, the author’s voice within me.
A good friend of mine who’s one other artist, she stated just a few months in the past once we had been speaking and she or he stated, “you recognize, we have now to recollect artists are like blue-collar staff. We’re seeing the 1% which are on the award exhibits, however most of us, traditionally, the artists enjoying the present on the bar or on the venue, they’re not within the tour bus. They had been doing blue- collar work.” You get into this since you felt compelled to show your experiences into music and write lyrics.
I believe that when you’ll be able to see how a lot a track is streamed or what number of listeners folks have, it creates a body of reference stepping into that actually negatively impacts the artists themselves as a result of I don’t have to understand how many individuals have listened to the track earlier than I hear it. I simply need to hear the track.
I used to be considering, given the political backdrop of what is going on on in your nation, I really feel prefer it’s such a strong factor that you simply’re all standing there and asking why there isn’t assist for moms who make music? Why is not there the assist to allow them to provide artwork?
Jillian Jacqueline: Honestly, one of many largest issues that everyone knows is, intercourse sells, proper? Like, particularly for feminine artists, particularly in nation music, there’s nonetheless this undercurrent of if you’re not bodily interesting to a person or to anybody, when you’re not sexually by-product in a roundabout way, you’re not in all probability going to get on these larger phases and get the radio play. When you’ve got a child and develop into a mother, it’s the most unsexy factor you might probably do, based on the business. I do suppose there’s an enormous hole within the system the place that model of a girl will get to exist. Being a mom is a really badass, highly effective factor to be.

You stated there’s 4 extra songs coming sooner or later, probably on a deluxe model of the document, are you able to go into element about that but?
Jillian Jacqueline: Not but! I’ll share extra quickly…
What do you hope listeners, significantly ladies and women, take away from this album?
Jillian Jacqueline: Oh, effectively… one of many issues I’ve begun to grasp is that the older I get, the extra I’m not afraid to confess what I don’t know. I believe knowledge comes from staying curious… so I hope that anybody that listens to this, particularly ladies and women, will discover solace in the truth that my very own development isn’t linear…it’s messy, fragmented, and doesn’t all the time appear to be development.
These songs really feel like I lastly let the little woman in me throw paint on the wall in no matter method she needed. So there’s a freedom in letting go of who you’ve been advised you might be, and embracing who you actually need to be.
The roles we step into as ladies include a number of preconceived notions, social expectations, pressures, and poisonous messages. We’ve to seek out our personal definitions of what these roles imply and the way we are able to actually thrive in these areas. That’s what a number of my journey with motherhood and artistry has helped me to outline, and this document displays a number of the nuances of these private experiences.
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