The late Jimmy Bain performed with everybody from Rainbow and Dio to Kate Bush and Roy Harper. In 2016, shortly after his demise, Basic Rock appeared again of the lifetime of a bassist whose taking part in was matched by his character.
When the MSC Divina set sail from Miami for Def Leppard’s Hysteria On The Excessive Seas Rock Cruise on January 21, nobody might have recognized how ill-fated its five-day journey would turn into.
The omens didn’t look good from the beginning. Leppard had been compelled to cancel one of many units they had been as a result of play when Joe Elliott was struck down by laryngitis, leaving bandmates Viv Campbell and Phil Collen to cowl for him.
However that wasn’t the worst factor that occurred on the ship. On January 23 Jimmy Bain, veteran bassist with Final In Line, was discovered useless in his cabin by the ship’s workers. Nobody noticed it coming. The 68-year-old Scot had been receiving therapy for pneumonia, however he’d performed a pre-sail gig and soundchecked with the band he’d shaped with fellow former Dio members Viv Campbell and Vinny Appice. What no person – together with Bain himself – knew was that the bassist was additionally affected by lung most cancers.
“Jimmy performed nice and even sang that evening whereas holding a heavy bass guitar,” Appice stated in a press release. “By no means complaining, by no means asking for assist. He didn’t need to let anybody down.”
Ronnie Dio used to say proudly that he had sung on three of probably the most influential arduous rock albums in historical past: Rainbow’s Rising, Black Sabbath’s Heaven And Hell and Dio’s debut album, Holy Diver. Jimmy Bain additionally performed on two of them, though the notion of him as a sideman means his contributions have been missed.
“Jimmy didn’t crave superstardom,” says Viv Campbell. “ He might be a frontman however was simply as snug as a supporting participant. He was a really inventive man, however the issue was that he’d by no means observe via. He’d write a gem of a tune after which put it away in a field someplace.”
If Jimmy Bain had been only a nice musician and songwriter, that may have been sufficient. However he was a much more vibrant character than that. There was boozing and drugging, arrests and 24-hour events. He even married into aristocracy within the 80s, tying the knot with the daughter of the Marquis of Bute (it led to divorce). Like his good friend Phil Lynott, he was an unrepentant rogue devoted to the romance of rock’n’roll.
“I used to be well-known for being lit up, falling over and nonetheless having the ability to play,” he as soon as stated. “It nearly grew to become a part of the present.”
Bain was born in Newtonmore, Scotland in December 1947. He minimize his enamel with such bands as Nick And The Sinners, The Embers and, after his household emigrated to Canada, Road Noise. In 1974 he returned to the UK and based Harlot. Basic Rock photographer Ross Halfin, then a young person, grew to become pleasant with Bain on the the time.
“Jimmy would sneak me and my pals into the Marquee or purchase us pints up the street within the Ship as a result of we had been too younger,” Halfin recollects. “He was a genuinely good man. Even in a while, you all the time felt welcome with him wherever you had been. It was in all probability a Scottish factor.”
Bain’s break got here when Ritchie Blackmore noticed Harlot on the Marquee in the summertime of 1975. Whereas the band had been a shambles that evening, the ex-Deep Purple guitarist was impressed sufficient with Bain to supply him a job along with his post-Purple band Rainbow. It was in Rainbow that he met keyboardist Tony Carey.
“Jimmy and I grew to become the horrible twosome and acquired into all kinds of scrapes,” Carey says of his bandmate, who later served as finest man at his marriage ceremony. “My first lesson in rock’n’roll economics got here after we visited a lawyer’s workplace to promote our souls for the subsequent million years. My contract stated merely that the phrases and situations of my employment had been the identical as these of Jimmy Bain, and Jimmy’s doc repeated it in reverse. We had been paid peanuts, however we didn’t care.”
Bain’s tenure in Rainbow lasted simply two years and one studio album, the groundbreaking Rising. In 1977, following a Japanese tour, he and Carey got their marching orders.
“Possibly they thought I used to be consuming an excessive amount of,” Bain instructed Basic Rock in 2011. “It by no means affected my taking part in. I do know it acquired wild and wacky in Japan, however we had been working our asses off for a yr. We had been winding down. I used to be sort of pissed off that I didn’t get to remain longer, however I can by no means say something unhealthy about Rainbow. I used to be solely in it for 2 years, nevertheless it’s performed me a whole lot of favours.”
Bain’s time in Rainbow marked him as a straight-down-the-line arduous rock bassist. In reality he was much more versatile than that, although it could take his demise to remind folks of the actual fact. He labored with ex-Velvet Underground bassist John Cale within the late 70s, performed on folk-rock maverick Roy Harper’s Unknown Soldier album in 1980 and appeared on a number of tracks on Kate Bush’s 1982 album The Dreaming.
However he was most at house when he was surrounded by like-minded folks. He was pals with Skinny Lizzy’s Phil Lynott, with whom he shared a passion for prescription drugs. Lynott had Bain play bass on the observe With Love on Lizzy’s Black Rose album. After Rainbow, he teamed up with guitarist and fellow Scot Brian ‘Robbo’ Robertson in Wild Horses. Robbo had simply been ejected from Lizzy, and he shared the identical cavalier perspective in the direction of life as Bain. The brand new band allowed the bassist to indulge his two favorite passions: music and partying. It’s no coincidence that their self-titled 1980 debut album featured a tune known as Supplier.
“We had been very a lot into substance abuse,” Bain instructed Basic Rock in 2008. “Again then, if any person provided me one thing I’d take it first and ask afterwards what it was. Even within the Dio days, I’d swallow a capsule, wind up unconscious within the limo and should be carried again to my room. I’m much less loopy now, nevertheless it’s superb I nonetheless have a mind.”
Life in Wild Horses was by no means uninteresting. When Ross Halfin, by now working as a photographer, shot the band in London’s Ladbroke Grove, he was given cocaine for the primary time, by Bain. “At house I couldn’t eat my tea,” Halfin says with amusing. “My mum was livid.”
If Bain was a livewire, he was by no means malevolent. “The factor about Jimmy is that he all the time had a twinkle in his eye, he was somewhat imp,” says drummer Clive Edwards, who performed in Wild Horses. “A wind-up was by no means too distant. You’d by no means settle for a cup of tea from him, as a result of he thought it hilarious to piss into the kettle.”
Sadly, the friendship between Bain and Robertson unravelled over the course of two albums, and the guitarist give up following 1981’s Stand Your Floor. Robbo all the time regretted the choice to permit Bain to sing. “Steve Perry from Journey phoned us up out of the blue and stated he needed to affix however we turned him down,” stated Robertson (who declined to be interviewed for this piece). “What idiots!”
Bain tried to revamp Wild Horses after Robertson’s departure, however with no success. He was subsequently approached by the Scorpions to play on their Love At First Sting album when the German band had been having issues with their bassist, Francis Bucholz. Bain’s title didn’t seem on the album, however the pay cheque made up for it. Bain was credited for his work with Phil Lynott on his solo albums, Solo In Soho and The Philip Lynott Album (a tune he co-wrote for the latter, Previous City, was later lined by The Corrs).
If Bain was sad with life as a jobbing sideman, he didn’t present it. And as soon as Ronnie Dio re-entered his life, it didn’t matter.
Bain was simply winding up Wild Horses when he acquired a name from Ronnie in 1982 asking if the bassist knew any good guitarists for a brand new band he was placing collectively. Dio later steered that Bain had misunderstood him – that he was searching for a guitarist, not a bassist. “Jimmy took it on himself to deliver his bass and sort of made the belief he was in too,” he later stated.
Regardless of the way it took place, Bain proved to be an integral a part of Dio the band for seven years, from 1982 to his departure in 1989 (he was with them once more between 1999 and 2004). In addition to contributing to a few of their most pivotal songs, together with Stand Up And Shout and Rainbow In The Darkish, he made good on Ronnie’s request about guitarists. Jimmy remembered a younger Irish hotshot named Viv Campbell, whose band Candy Savage had supported Wild Horses.
“At three a.m. one morning the cellphone rang, and my father answered,” Campbell recollects now. “He stated: ‘A drunken Scotsman desires you.’ Jimmy was with Ronnie and Vinny, and requested whether or not I might go to London for an audition the next day.”
Campbell is talking to Basic Rock from Miami, simply three days after Bain’s demise. He’s understandably emotional, although the heat in his voice conveys a passion for his outdated good friend.
“Jimmy was a beneficiant man who’d provide the shirt off his again,” says Campbell. “He might be the clown, the drunk, the drug addict, however he had a really variety and mild spirit. You may see how he would stumble upon Roy Harper or Kate Bush and the next day be within the studio with them. His persona made folks need to hang around with him.”
![Dio - Rainbow In The Dark (Official Music Video) [HD] - YouTube](https://img.youtube.com/vi/PrBUjXaRSUQ/maxresdefault.jpg)
Bain and Campbell’s respective unique runs in Dio ended acrimoniously amid disputes over cash. However there have been good instances too. The guitarist’s favorite reminiscence dates again to periods for the band’s debut album, 1983’s Holy Diver.
“We had been listening to a playback of the tune Rainbow In The Darkish, nevertheless it lacked that ultimate aspect to fulfil its potential,” says Campbell. “So Jimmy wanders over to a Yahama DX7 keyboard within the nook of the room, a drink in his left hand and a cigarette in the suitable, and, nonetheless holding the drink – and the cigarette between his lips – proceeds to play that lick everybody now is aware of. An actual keyboard participant would’ve put down the drink and cigarette to create one thing overly elaborate, however what Jimmy performed was excellent.”
After Dio, Bain resurfaced in LA band World Conflict III alongside Dio bandmate Vinny Appice and singer Mandy Lion. However the halcyon days of 80s heavy steel had been fading. Bain discovered himself swimming towards the tide.
“WW III was a fairly excessive band, and the assumption of somebody of Jimmy’s stature introduced a lot further energy,” Mandy Lion says at present. “He partied more durable than us all, he had extra intercourse than anybody – one evening it could be a mannequin, twenty-four hours later the lovable grandmother that drove the limo. Jimmy was each rock-star cliché made flesh. He lived each second prefer it was his final.”
In reality, the 90s and 00s weren’t straightforward for Bain. After leaving World Conflict III, he tried to get a brand new band, 3 Legged Dogg, off the bottom, and performed with the Hollywood All Starz alongside members of Lynch Mob and Quiet Riot. Motörhead guitarist Phil Campbell grew to become near Bain after his personal band relocated to LA within the 90s.
“We’d go to 1 one other’s homes and drink, and naturally we performed music along with our bands,” Campbell recollects. “Once I first knew Jimmy he had an enormous home with a swimming pool. After which he acquired divorced and, sadly, all the things modified.”
His private life could have been a multitude, however Bain retained his sense of humour. “Jimmy’s canine went lacking, and he requested to borrow my automotive for an hour and a half to drive round and search for him,” says Campbell. “He then dropped off the radar. Three days later I nonetheless couldn’t pay money for him. I left an indignant answerphone message demanding we meet on the Cat & Fiddle, an English pub on Sundown Boulevard. Finally he is available in, screaming at me – they are saying assault is the very best type of defence. I came upon the canine was on the home all alongside; he’d simply wanted a automotive. It was typical Jimmy.”
It was an altogether much less humorous automobile-related incident that put Bain again within the headlines in 2012, when the bassist was arrested for DUI (drink-driving) twice in sooner or later in LA. He was driving a 1995 Toyota Camry, a wreck of a automotive, which solely underlined the state of affairs he was in.
“The unhappy fact is that Jimmy actually couldn’t maintain himself,” says Viv Campbell. “He didn’t pay a lot heed to the calls for of actual life. By the top he was nearly residing in poverty. That’s why he was so enthusiastic about Final In Line.
Bain had reunited with Campbell and Appice as Final In Line in 2012. Initially taking part in songs they’d recorded with Dio within the 80s, by 2014 that they had sufficient unique materials for an album.
“Even throughout these later days, which you may describe as his wilderness years, Jimmy by no means gave up hope and would all the time have a bass or a guitar with him,” says Campbell. “He nonetheless wrote songs. Somebody much less decided might need stated bollocks to it, however he lived and breathed for music and was by no means various ft away from an instrument.”

“Fairly just lately Jimmy wrote a tune known as Victims. It was one thing that George Michael might have recorded,” provides Clive Edwards. “Jimmy had extra to say than ‘I need to rip your knickers off’. His pure writing model had extra in frequent with the work he did with Phil Lynott. He wasn’t only a horns-up steel man. He wasn’t even a steel man in any respect.”
Everybody who knew Bain says that he had turned issues round earlier than he died. “Jimmy actually was sober for round eighteen months,” Viv Campbell stresses. “Whereas we labored on the Final In Line file, he was in a midway home the place you might be examined for medication and alcohol after his DUI incident. We needed to schedule a few of our exercise round him, as a result of he was solely allowed out after 4 p.m.”
Based on pals, Bain was being handled for pneumonia, however he didn’t know he had lung most cancers. “Jimmy known as me two days earlier than he died,” says Mandy Lion. “He needed to console me after my canine died. Not a phrase was talked about about his sickness.”
Whereas he was clearly unwell when he boarded the MSC Divina, nobody knew how severe issues had been. “I feel Jimmy simply wore out,” Tony Carey says. “My dad went at sixty-eight, too, and he wasn’t notably rock’n’roll.”
The final time Basic Rock spoke to Bain was on the finish of 2015, for a tribute to mark the thirtieth anniversary of Phil Lynott’s demise. He remembered a “very poignant dialogue” he and Lynott had in a pub over Christmas 1985, just a few days earlier than Lynott handed away.
“We had been nonetheless in our thirties, and neither of us might imagine that we had been nonetheless doing rock’n’roll,” stated Bain “Whenever you begin out, you assume that it’ll all finish in your twenties. So we had this dialog about how lucky we had been, and the way the 2 of us had been nonetheless engaged on our musicianship – making an attempt to get higher. After which only a week or two later Phil was gone.”
And now Jimmy Bain has gone too. Wherever he’s, we hope that he’s blissful.
Initially printed in Basic Rock difficulty 221, February 2016