The Cosmos of Paul Ben-Haim (CPO)
★★★★☆
In case you are on the lookout for uncared for shares in these shaky instances, you would do worse than sink a pair of ears into the music of Paul Ben-Haim. It appears to be heading for revival. Lahav Shani is recording the symphonies for DG and different works are popping up everywhere. This 145-minute compilation below evaluate mingles orchestral and chamber music to optimistic impact, prompting this listener no less than to rethink some facets of a much-misunderstood composer.
A conducting assistant to Bruno Walter in Munich, Paul Frankenburger fled to Palestine when the Nazis seized energy and altered his title to son-of-life. He was a real revivalist, excavating misplaced melodies of Sephardic Jews and educating two generations of native composers, amongst them the eminent and profitable Noam Sherriff.
Ben-Haim was broadly thought of a little bit of a Bartok for his ethnomusicological pursuits however nearer consideration reveals extra of a Korngold, a would-be populist who tempts and teases an viewers with movie quotations and different familiarities. Yizkor, his 1942 ‘poem for violin and orchestra’ is much extra lyrical than its memorial topic suggests, gloriously given wing right here by the violinist Liv Migdal.
Ben-Haim wrote flatteringly properly for stringed devices, much more so for the contralto voice. There’s a quasi-Elgarian ease to the way in which Hagar Sharvit immerses us in Mediterranean songs.
Amongst diverse allusions to the Davidic Psalms, ‘To the Chief Musician’ is an arresting reflection on who’s answerable for an orchestra, touching calmly on Mahler, Bartok, Hindemith and others, simply as Erich Wolfgang Korngold might need achieved. It’s nearly a concerto for orchestra, solely extra authentic.
This set is filled with fascinating discoveries, made in Germany by the effulgent Staatskapelle Weimar. I liked just about each minute and advocate it as a sound funding of anybody’s time.
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