“I Noticed the Mountains” by Noah Cyrus is a spellbound, slow-burning marvel from a songwriter who’s not chasing stardom, she’s channeling one thing older, and infinitely more true.
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Stream: “I Noticed the Mountains” – Noah Cyrus
Noah Cyrus’ new single “I Noticed the Mountains” is an ethereal benediction and a hymn for the quiet, the haunted, and the therapeutic
Singing within the first verse, “I noticed the mountains, they usually noticed me,” that’s not only a lyric. It’s a communion. A quiet resurrection. A line that crashes like velvet thunder in Noah Cyrus’ newest providing is a tune that feels much less like a single and extra like a ceremony.
With “I Noticed the Mountains,” the 25-year-old Nashville-born artist doesn’t merely return; she ascends. She conjures. She turns into.
Noah Cyrus, GRAMMY®-nominated and genre-transcendent, steps into a brand new realm of her artistry with this monitor, drifting between alt-country roots and atmospheric, cinematic people. It’s a tune that doesn’t ask to be heard. It waits, in a clearing, below shadowed limbs and the breath of wind, to be felt.
There’s a poetry to this piece that calls for stillness. It opens not with fanfare, however with reverence. A tender guitar reverberates like footfalls in dew, and her voice – half apparition, half lullaby – threads by the hush like daylight slicing by fog.
“The deer and the coyote slept at my ft.”
That is songwriting as spellcasting. Cyrus invitations the listener right into a deeply private, mythic wilderness, a spot the place grief turns into sacred, the place reminiscence and nature are indistinguishable, and the place therapeutic is a river that runs backwards and ahead in time.
I noticed the mountains they usually noticed me
I stood within the floor with the redwood bushes
The deer and the coyote slept at my ft
Yeah, I noticed the mountains they usually noticed me
Mm-mm, mm-mm
I swam the river and the river swam me
We carried one another and again out to the ocean
Again to the mom that I’ve longed to see
Yeah, I swam the river and the river swam me
The tune is wrapped in sonic silk, ghostly harmonies, echoing drums, and a restrained crescendo that finally swells like nightfall lighting fireplace to the sky. There’s one thing unhurried, unforced, and holy about its development, a rarity in an period of streaming-speed storytelling. Cyrus dares you to pause. She dares you to ache.
Oh, once you really feel alone at the hours of darkness
Yeah, I’m wherever you arе
Circling across the similar star
Yeah, I’m whеrever you might be
Mm, mm, mm, mm
The Rudy Grazziani-directed music video visually furthers the mysticism. Wearing funereal black, Cyrus rides a white horse throughout barren fields like a revenant from some historical elegy. There’s water. Bushes. A river that doesn’t simply carry her however remembers her. The video doesn’t clarify. It echoes.
When she sings, “Circling across the similar star / Yeah, I’m wherever you might be,” she’s not merely talking to somebody misplaced or longed for and he or she’s grow to be one thing omnipresent. A non secular satellite tv for pc. An emotional frequency.
I held to hope and the hope held me
I appeared into the eyes of eternity
Seen too many issues that I simply can’t unsee
However I maintain the hope and the hope holds me
Oh, once you really feel alone at the hours of darkness
Yeah, I’m wherever you might be
Circling across the similar star
Yeah, I’m wherever you might be
While you really feel alone at the hours of darkness
Yeah, I’m wherever you might be
Circling across the similar star
Yeah, I’m wherever you might be
There’s ache on this monitor, sure. Nevertheless it’s the form of ache that has matured into gentleness. That is grief distilled into grace. The form of sound that finds you in the midst of the night time and lays beside you quietly. It doesn’t ask what’s mistaken. It simply stays.
Cyrus stands at a uncommon confluence of stylistic influences; think about if Emmylou Harris wandered by a dream scored by Seashore Home. Her sound is nation at its marrow, but drenched in reverb, clouded in alt-folk mysticism. She sings not from a stage, however from a forest clearing, or the attention of a reminiscence.
It’s no surprise that her latest work with Fleet Foxes’ Robin Pecknold on “Don’t Put It All On Me” has drawn important applause. She’s orbiting the identical melancholic planet, a sphere the place heartbreak and hope share a heartbeat.
However with “I Noticed the Mountains,” she’s not simply visiting. She’s constructing a cathedral.
And right here lies the quiet miracle of Noah Cyrus: Her refusal to hurry.
Her dedication to artwork that doesn’t chase consideration however cultivates intimacy. As streaming numbers climb and digital noise crescendos, she stays a nonetheless level in a spinning world, rooted, reaching, actual.
This tune is a balm. A benediction. It’s a hand in your again when your head is bowed. And simply when the swell of sound suggests you would possibly lastly weep, she provides you one thing gentler than closure, she provides you firm.
So mild a candle. Go outdoors. Play it in a spot the place your coronary heart can stretch. Let the mountains see you, too.
As a result of Noah Cyrus isn’t simply making music. She’s crafting moments for souls that forgot they have been sacred.
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Stream: “I Noticed the Mountains” – Noah Cyrus
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© Jason Renaud
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