Alt Rock supergroup Sevendials deal with us to the video premiere of Obsession from their debut album A Crash Course In Disaster. I wrote: “Obsession is one other cowl of the unique Michael De Barre tune and kicks in with tribal drums and a trance like dance vibe that builds right into a hypnotic goth pop dance quantity that might grace any dance ground because it did again within the day. The vocals from New York efficiency Ashley Unhealthy simply make all of it click on like my knees when I attempt to dance.” Learn on…
Sevendials return with a brand new EP that includes their digital cowl of the 1984 Prime 20 hit ‘Obsession’ by American synth-pop band Animotion – this time that includes latex burlesque performer, DJ, & solo artist Ashley Unhealthy on visitor vocals. The ‘Obsession’ EP will function two further remixes by legendary producer and Killing Joke bassist YOUTH, in addition to a promo video – the primary to function stay performances from all members of the band. The recordings function Chris Connelly on vocals, Huge Paul Ferguson on drums and Mark Gemini Thwaite on guitars/bass/keys. This time that includes Ashley Unhealthy on visitor vocals on all three variations.
Hailing from the NYC, ASHLEY BAD is a Los Angeles primarily based solo artist & DJ who combines Movie Noir lyrical influences with Goth & Digital soundscapes. Drawing from her expertise performing with cult glam-punk band The Voluptuous Horror of Karen Black, and her years of performing as a world Latex Burlesque Performer in New York, she has turn out to be a featured DJ on the US darkwave & kink scene and launched three singles through established gothic rock file label Cleopatra information.
“I used to be honoured to be requested to contribute vocals to this impressed cowl of ‘Obsession’. The tune has all the time pulsed with an odd, seductive power, and reimagining it with Mark, Paul, and Chris actually gave it new life,” explains Ashley. “As somebody who finds countless inspiration in noir and psychological horror of Nineteen Sixties cinema— like movies akin to ‘The Collector’—this was as dreamy to me as moving into the body of on-screen thriller.”
From the plush neon area of the 80s dance ground, Obsession is resurrected in 2025 by SEVENDIALS right into a monolith of drums and bullet practice melody, made airborne by the unbridled drama of the female and male vocals.
“I can’t say I paid a lot consideration to the tune Obsession again within the day, it wasn’t part of my musical pursuits at the moment, so the thought of doing a canopy was a bit loopy. Nonetheless, Chris Connelly singing it? I needed to listen to that, and I utterly trusted that Mark would deliver the products! Ashley was the icing to a storming rendition of the tune. It rocks,” exclaims Huge Paul Ferguson.
“Taking this electro pop 80s anthem and turning it right into a subterranean and bacchanalian feast for the Goth Rock dance ground… is a stroke of genius. On my remix i’ve turned the sonic compass in the direction of a Darkwave, Industrial Goth, Balearic poolside summer time anthem!” – Martin ‘Youth’ Glover
Discover Sevendials on-line at: www.thesevendials.com
Forewords by Wayne Carey, Critiques Editor for Louder Than Warfare. His writer profile is right here
A Plea From Louder Than Warfare
Louder Than Warfare is run by a small however devoted unbiased group, and we depend on the small sum of money we generate to maintain the location operating easily. Any cash we do get isn’t lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to assume and write, or hungry shareholders. We all know occasions are powerful, and we wish to proceed bringing you information on essentially the most fascinating releases, the newest gigs and the rest that tickles our fancy. We’re not pushed by revenue, simply pure enthusiasm for a scene that every one among us is captivated with.
To us, music and tradition are eveything, with out them, our very souls shrivel and die. We don’t cost artists for the publicity we give them and to many, what we do is totally very important. Subscribing to one among our paid tiers takes only a minute, and every sign-up makes a big impact, serving to to maintain the flame of unbiased music burning! Please click on the button under to assist.
John Robb – Editor in Chief