Despite a nondescript title that seems like a price range wine, this twisty thriller actually seemed promising. Its screenplay was written by Brad Ingelsby, the writer-creator of HBO’s sensible crime miniseries Mare Of Easttown, and the casting screams status – Julianne Moore and Sydney Sweeney taking part in a mom and daughter whose fraught relationship is examined even additional when small-time drug supplier Jackie (Domhnall Gleeson) reveals up demanding cash. Sure please.
Once we meet Kate Garrett (Moore), she’s struggling to maneuver on after the demise of her spouse Patty (Kristina Valada-Viars), with whom she ran an equine farm in rural Pennsylvania. In a low second, she tells previous pal Jessie (Killing Eve‘s Fiona Shaw) that she wouldn’t get away from bed if it weren’t for the horses. A scene by which the 2 girls get drunk on wine and dance to Robyn‘s ‘Dancing On My Personal’ hints at a movie with richer characterisation and somewhat extra levity that sadly by no means materialises.
Kate is land-rich however cash-poor, so she has to ask her exasperated ex-husband Richard (Kyle McLachlan) for cash to repair her barn. Richard nonetheless has emotions for Kate although she broke up their household, but additionally blames her for enabling their daughter Claire (Sydney Sweeney), a troubled junkie who’s out and in of rehab. In equity, he has some extent. When Claire will get dwelling after a significant bender and says she’s by accident killed her sketchy boyfriend Ryan (Edmund Donovan), Kate steps in to scrub up her mess.
In actual fact, she takes it upon herself to search out the lifeless physique and dump it within the native lake. She additionally provides Jackie, who is aware of about Claire’s affiliation with Ryan, her final $10,000 to get him off their backs. At this level, Echo Valley actually piles on the plot twists and requires a reasonably hefty suspension of disbelief to get to the tip.
Director Michael Pearce, who beforehand made 2021’s respectable crime thriller Encounter starring Riz Ahmed, retains the tempo brisk however by no means actually punches up the supply materials. An artless shot of Kate looking at a ceiling crack – one Patty was promising to repair earlier than her demise – is a slipshod reminder of her unresolved grief. Moore and Sweeney each flip in stable performances, but it surely appears a disgrace to pair these firecracker actresses with out letting them produce actual emotional sparks.
The ultimate twist is intelligent and sudden sufficient to really feel satisfying, even for those who’ve suspected all alongside that Moore’s character should be wilier than she lets on. However as a result of this workmanlike film by no means actually makes you care about its characters, a few of the shock worth is misplaced. Like a discount bottle of plonk, Echo Valley has a few of the proper prime notes, however is let down by its lack of depth. It’s actually not adequate to share with a pal.
Particulars
- Director: Michael Pearce
- Starring: Julianne Moore, Sydney Sweeney, Domhnall Gleeson
- Launch date: June 13 (Apple TV+)