Rising from a wealthy tapestry of cultural influences and private evolution, Jeeves is a daring new voice within the singer/songwriter panorama. Drawing from his South Asian heritage and a world musical journey, from Hindustani vocal classes to Nashville studios, he fearlessly blends genres, languages, and feelings right into a singular, timeless sound. Jeeves displays on his inventive evolution, the challenges of navigating the Western music scene as a South Asian artist, and the cathartic energy of songwriting that connects us all.
“The place Did All of the Good Males Go?” – Jeeves
With his coronary heart in his palms and a message that bears repeating, Jeeves has reemerged with a deeply private and long-awaited new single, “The place Did All The Good Males Go?” – the primary style of his upcoming debut album Now or By no means, slated for late 2025.
Written in 2017 through the cultural upheaval of the #MeToo motion, the observe confronts the advanced seek for optimistic male position fashions in immediately’s world. Jeeves’ poignant lyrics and heartfelt supply invite listeners into an intimate reflection on vulnerability, id, and therapeutic.
The artist’s journey is as numerous as his music. Named after the Sanskrit phrase “जीव” (life), Jeeves navigates a world inventive path that spans Los Angeles, New York, Nashville, London, and Stockholm. His debut EP, Dwell at Cove Metropolis, recorded in a single take with legendary saxophonist Richie Cannata, showcased his fearless method to storytelling and musicianship. Now, with Now or By no means, Jeeves continues to discover themes of braveness, hope, and connection, inviting listeners to embrace vulnerability and discover pleasure.
“The place Did All The Good Males Go?” blends the lyrical intimacy of Ed Sheeran with the refined musicianship of John Mayer, seasoned with Jeeves’ distinctive “brown sugar end.” Recorded in Nashville with Grammy-nominated guitarist Charles Myers (Yebba) and that includes drummer Aaron Sterling (John Mayer), the tune is elevated by a cinematic string association from Shaan Ramaprasad, whose spectacular credit span A.R. Rahman to Probability the Rapper. This stellar collaboration ends in a sound that’s each richly textured and emotionally uncooked.
Jeeves shares that this observe was almost shelved attributable to its emotional honesty. “I nearly didn’t launch it as a result of I used to be afraid of its vulnerability and honesty,” he says. “However I healed elements of myself by its writing, and I hope it does the identical for others.”
The tune’s enduring resonance is underscored by its dwell debut at Los Angeles’s iconic Resort Café, a milestone that highlights Jeeves as a part of a vibrant new wave of South Asian voices reworking the American singer-songwriter custom.
As Jeeves prepares to launch his debut album, “The place Did All The Good Males Go?” stands as a stirring anthem of reflection and renewal. It’s a testomony to the facility of music to heal private wounds and spark collective empathy, a timeless query delivered with uncooked emotion and a sound that bridges cultures and generations.
Atwood Journal spoke with Jeeves about his musical journey, the voyage to “The place Did All The Good Males Go?,” his imaginative and prescient for a debut album that blends soulful introspection with cross-cultural influences, and the fearless vulnerability that shapes his music and message.
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:: stream/buy The place Did All of the Good Males Go? right here ::
:: join with Jeeves right here ::
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A CONVERSATION WITH JEEVES
Atwood Journal: Let’s begin at the start. What first drew you to music, and the way did your Indian-American id form your early experiences as a songwriter?
Jeeves: Legend has it, my mother would sing lullabies to assist me sleep – however as an alternative of drifting off, I’d stare wide-eyed in surprise. Music was in every single place rising up. My dad, a part of the founding group at PortalPlayer (the startup behind early MP3 gamers just like the iPod), would jam within the storage after work along with his band. I used to be their three-year-old groupie, grabbing the mic and mimicking songs in English, Tamil, Hindi, and Malayalam.
Our residence was stuffed with prototypes of MP3 gamers loaded with all the things from A.R. Rahman and Yesudas to the Beatles, Inexperienced Day, and Clapton. My grandfather was a skilled Carnatic vocalist, although his goals had been stifled by colonial-era racism. My father selected a special path – tech over music – as a result of again then, an Indian man dreaming of stardom in America felt not possible.
Now, as a first-gen Californian, I really feel deeply lucky. I carry the thread of these generational goals and am free to sing songs that blur genres – songs of freedom, unity, love, and pleasure. That’s the reward of progress, and I don’t take it as a right.
Your title, Jeeves, comes from the Sanskrit phrase “जीव,” that means life. What does that title imply to you artistically and personally?
Jeeves: Glad you requested! Jeeves comes from the Sanskrit phrase “जीव,” that means life, which feels deeply private and significant. Rising up, “Ask Jeeves?” was a enjoyable nod to curiosity, and as a drumline chief, I stored everybody marching to the beat – similar to the title suggests. In London, folks join it to P.G. Wodehouse and name it a “sturdy British title,” which I like. Artistically, Jeeves is plural in English, symbolizing an invite for everybody to see themselves in my music. In the end, my life’s work is about unity – “We’re One,” not simply within the Vedic sense, however as John Lennon meant it.
Rising up in California, who had been the artists or genres that almost all influenced your musical journey?
Jeeves: I’ve two ears, one mouth, and an empathetic soul, so I’m at all times underneath the affect. To shock, there’s this artist from San Diego, Jason Mraz, whose avocado farm added guacamole to each my Chipotle and my songwriting. I started by scatting and imitating “I’m Yours” and the primary live performance I ever noticed was, “Love is a 4 Letter Phrase” in Berkeley CA; I began profitable singing competitions by singing the A-Crew by Ed Sheeran, after which we discovered the way to play all of John Mayer’s songs on guitar. In Jeeves lore, they is perhaps a holy trinity for unknown causes.
I’m at all times open, and I hearken to music in each language, and my good friend Joe at all times jogs my memory with love that genres aren’t actual: Ravel, Invoice Evans, Juanes, BB King, Clapton, SRV, Sinatra, Juan Luis Guerra, Dolly Parton, A.R. Rahman, Elton John, Piccioni, Andrea Bocelli, Daft Punk, Beatles, Joni Mitchell, Bon Iver, Ólafur Arnalds, ABBA, The Mamas and Papas, Fleetwood Mac, Justin Timberlake, Quincy Jones, Pharell, Timbaland, Ben Böhmer, Zedd – off the dome.
You’ve lived and labored in cities like LA, New York, Nashville, London, and Stockholm. How have these locations formed your sound and songwriting?
Jeeves: Every metropolis left its mark on me.
Los Angeles taught me to be visually trustworthy. Amid all of the glitz of Melrose Avenue and Hollywood, I found that songwriting isn’t about looking for approval – it’s about telling the reality. I started writing songs like a director crafting a three-minute movie, seeing scenes unfold in my thoughts. LA made my songwriting cinematic, glamorous when wanted, however at all times rooted in authenticity.
New York introduced grit and magic. After studying Simply Children by Patti Smith, I noticed myself as a NYC songwriter. There’s actual historical past bleeding into my information – particularly with Richie Cannata on sax, who’s performed with Billy Joel and the Seashore Boys. One in all my responsible pleasures is blasting that observe in a cab whereas crossing the Brooklyn Bridge, skyline glowing.
Nashville is the place I reconnected with the soul of songwriting. It’s a spot the place a violin turns right into a fiddle, the place each lyric issues, and the place Charles Myers – my collaborator and catalyst – has pulled me right into a richer, extra country-influenced world. It’s challenged me, humbled me, and expanded my sonic palette in surprising methods.
London drew me in with its magnificence and eccentricity. I stayed in Kensington, ran by Hyde Park, went to the opera, and soaked in tales from cab drivers. But it surely was Cornwall, not town, that formed my album Now or By no means. My producer Alfie Gap welcomed me with apple crumble, a bonfire, and acres of silence. We recorded underneath starlight, with owls (sure, precise owls) making cameo appearances on the tracks. Our mixer, Sam Okell – who labored on Harry Potter, Marvel, Amy Winehouse, and the Beatles – gave the report a cinematic contact. We needed the songs to sound just like the Ministry of Magic.
Stockholm is pop perfection. House to Max Martin, ABBA, and the architects of melody-first songwriting, it modified how I view pop. I discovered Swedish (Hej! Tack så mycket! Skål!), fell for town’s magnificence, and located magnificence in its construction – the place each tune follows a code, but nonetheless feels free. I dream of returning to make information with synths whispering secrets and techniques from ABBA’s golden age. Additionally, Savan Kotecha is one among my largest inspirations – an Indian-American dreamer who made it in world pop. I hope our paths cross in that melodic Nordic wonderland.
You recorded your debut EP Dwell at Cove Metropolis in a daring one-take-per-song format. What impressed that method, and the way did it problem or liberate you as an artist?
Jeeves: It was a mixture of boldness, naiveté, and the need to point out the world precisely what I sound like dwell. After watching Jon Bellion’s Dwell at Cove Metropolis live performance, I assumed – what if we did that? No AutoTune, no post-production security nets, only one shot per tune. Scary? Completely. However I don’t negotiate towards myself, so I went all in – dwell band, string quartet, background singers, two piano gamers, drums, bass, all on video.
The actual turning level was once I picked up the telephone – not an e mail, a name – and Richie Cannata, legendary saxophonist for Billy Joel and the Seashore Boys, answered. I informed him my concept, and he stated, “That’s loopy… however let’s discuss.” After listening to my demo, he stunned me by providing to play a sax solo. Billy Joel’s River of Goals, which was recorded at Cove Metropolis, was one among my dad’s favourite songs, in order that second felt cosmic.
Recording it modified me. I let go of management. I informed Joe on piano to neglect the charts and simply play. I inspired the singers to improvise, smiled when Shaan Ramaprasad mimicked my vocal line on violin, and stood in awe as Richie lit up The Information along with his solo. We hadn’t even rehearsed as a full group earlier than that day – it was pure intuition, vitality, and belief.
That session taught me the great thing about imperfection – Japanese wabi-sabi, child. I used to over-arrange all the things. That day, I killed my ego and let actual music occur. You may hear us feeling our method into one thing trustworthy. It’s a snapshot of a second that can by no means occur once more, and that’s what makes it timeless.
On August 9th, Dwell at Cove Metropolis turns three – and I nonetheless hearken to it with gratitude. It’s a reminder that I’m now not alone on this. I discovered my folks. And I discovered my freedom.
Trying again, how would you describe your evolution from that EP to the place you are actually, with this debut album on the horizon?
Jeeves: Wow, I can’t look forward to the world to catch up! It’s been a non-linear, fairytale-like journey, half memoir, half miracle. I’m extremely happy with myself. In fall 2023, I give up my day job and went all in on my music profession. It was a Now or By no means second – and what adopted felt not possible and inconceivable, like scenes from a film.
Two mothers I met on a NYC playdate one way or the other acquired my music into the boardroom of Common Music Group. I debuted on the Resort Cafe simply three months after transferring to LA. A BTS drummer confirmed up at my studio session by probability. I fell in love with a fearless lady and singer in London who impressed me past phrases. A prepare conductor shared my music with pals on the BBC. I met the very best Hindustani vocalist in India – now my instructor. We lit a bonfire within the UK countryside to mark the beginning of the album recording. A mysterious CEO’s name despatched me to Sweden. I stepped into Charles Myers’ studio in Nashville. I recorded a tune in David Bowie’s producer’s studio. And I sang for Virgin Atlantic flight attendants who gave me precedence boarding and particular care.
Life is completely different now. I’ve blossomed as an artist and absolutely embraced who I’m – now not looking for permission, unapologetically myself, with a sparkle in my eyes. I deliberately improved my bodily well being in LA, shedding 51 kilos and operating a 6:11 mile – I prefer to name it the Benson Boone impact. My coronary heart’s been damaged and healed; I’m single, content material, and paradoxically thriving in solitude. Although I typically really feel misunderstood, it now not weighs on me – I’m stuffed with empathy, love, and a deep connection to humanity. Strangers’ kindness strikes me day by day.
Sonically, this new album blows my EP out of the water. There’s a Spanish observe that blends Opera and Unhealthy Bunny vibes, a Quincy Jones-inspired disco tune, a Nashville rock tune with nation influences, cinematic Scandinavian ballads, and a French-infused pop tune. It’s a globe-spanning journey by how I see the world. Most surprisingly, the album feels cohesive – meant to be listened to begin to end – with the thread that ties all of it collectively being shared humanity and my very own evolving story.
How have you ever navigated the business as a South Asian voice in a predominantly Western singer/songwriter panorama?
Jeeves: Icons like Shah Rukh Khan, Priyanka Chopra, Anjula Acharia, and Savan Kotecha encourage me by exhibiting how artwork can join billions worldwide with out boundaries. A pivotal learn for me was Life Unlocked by Dr. Srini Pillay, which flipped a swap and made me fearless on this profession. I see my id and pores and skin coloration not as liabilities however as my biggest belongings.
I embrace boldness, impressed by Jung’s “Solely boldness can ship us from concern” and Kierkegaard’s “To dare is to lose one’s footing momentarily, to not dare is to lose oneself.” I rewrote my internal narrative: I’m not a mannequin minority or sufferer, however a uncommon gem – an Indian-American boy from California, making music at Hollywood’s Resort Café and including to a vibrant multicultural tapestry.
My music isn’t about becoming right into a field or mixing Indian components simply due to my heritage (although these are coming!). True inclusion means the liberty to create with out race, pores and skin coloration, or gender shaping the dialog. I’m excited to interrupt boundaries – singing in each language doable – and dwell Tolstoy’s concept that “artwork is a way of communion amongst folks.”
This new single is described as eight years within the making. Why did it take so lengthy, and why launch it now?
Jeeves: Did I actually maintain onto this concept for eight years? Not precisely – I in all probability ought to have give up! The refrain got here from a uncooked, emotional place, written whereas crying within the bathe, planting the seed for one thing significant. Lyrically, I explored many views of individuals I like however ultimately determined to put in writing from my very own expertise – my craving for optimistic position fashions and unresolved trauma – whereas leaving house for others to narrate.
Musically, I stored it personal for a very long time as a result of sharing one thing so susceptible – “even with all my family and friends, don’t really feel you’ll perceive me” – is difficult. It takes belief to open up like that, particularly when the danger is being misunderstood or pitied quite than empathized with. The collaborators I introduced in now know my story intimately, and we’re sharing it with the world.
Why now? This query is timeless, however immediately’s division and lack of optimistic position fashions make it extra pressing. I’m not making an attempt to put in writing a topical anthem; I need to create one thing timeless that connects. If this tune can consolation only one particular person, it’s price it. And enjoyable reality – Sabrina Carpenter’s “Manchild” asks the same query – are you able to inform her “I really feel you” for me?
You’ve stated you had been initially afraid to launch the tune due to its vulnerability. What a part of your self did you confront whereas writing or recording it?
Jeeves: Disgrace, guilt, trauma, honesty, interconnectedness, company, and self-acceptance. The variety of instances I cried in entrance of a microphone was ridiculous; btw the poisonous masculinity of “males don’t cry” nonetheless reveals up in my social media feedback and I simply disguise them and snort. Charles and I had a system, although, the place I’d inform him “zone” and we’d simply report with out an expectation of efficiency. He simply understood me, didn’t say a phrase, let me specific my coronary heart, and gave me a hug afterwards! What a person.
Within the West, we maintain disgrace concerning our wrestle, however we by no means heal in isolation. We heal after we share our tales with folks we belief. In my case, I’m doing so publicly with out concern of judgment and unapologetically. I reclaimed my company, energy, and I’m gentle as a feather. We went from personal, to family and friends, public in a small venue, to world. There are 1% of people who find themselves not too sort to me for it, however I’m additionally receiving quite a lot of love 99% of the time. Price it!!!
The tune was written within the wake of the #MeToo motion. How did that cultural second inform the themes of this observe?
Jeeves: Let’s simply say that there are lots of people I like and care about in my group who’ve been affected by the cruelty of males on the earth. The motion amplified what was already in my coronary heart, and the abundance of tales that got here to our public consciousness in all probability elicited the very query, “The place Did All The Good Males Go?” in all of our hearts. The opening strains are certainly, “after all of the violence, after all of the silence, I discovered myself in items on the ground, nobody to speak in confidence to, why am I crying? I stated ‘I’m wonderful,’ I really feel I’m mendacity.” Silence breeds illness, and for individuals who don’t want to converse, I hope the music meets them the place they’re.
There’s a strong line of inquiry within the title itself – are good males the rule or the exception? How do you personally wrestle with that query?
Jeeves: Isn’t it a little bit of a fake pas for an artist to reply that? I’m unusually optimistic, regardless of many males in my life letting me down. Ache adjustments how we see the world, and I don’t consider in labeling folks merely good or unhealthy – everybody has gentle and shadow. As Carl Jung stated, to be entire, we should acknowledge our darkish facet. Marilyn Monroe put it nicely: “I’m good, however not an angel. I do sin, however I’m not the satan.”
There are good males in every single place, and it’s important to consider in and nurture that. I fear that some discussions round masculinity alienate males, creating disgrace or guilt, when actually, the sexes aren’t at conflict. We want good males greater than ever – one thing feminist creator Bell Hooks would possibly agree with.
Within the tune, I ask for one thing to consider in, and I select to consider in good males. Scripting this tune was a part of therapeutic myself and holding religion in humanity – and within the pals and family members who’ve profoundly modified my life for the higher.
You collaborated with some unbelievable musicians like Charles Myers and Aaron Sterling. What was the recording expertise like in Nashville, and the way did they form the ultimate sound?
Jeeves: Strolling into Charles Myers’ studio in Nashville felt like stepping right into a dream I didn’t notice was already unfolding. On the wall was the plaque for My Thoughts by Yebba, launched underneath Ed Sheeran’s Gingerbread Man Data. Charles has toured with Ed, and close by was a setlist from a John Mayer tour – as a result of, after all, he’s performed with John too. What blew my thoughts is that earlier than I ever met Charles, I had unknowingly seen him open for John Mayer on the Chase Middle in San Francisco. I used to be within the viewers, and my future producer was on that stage. I assumed I used to be taking the London Circle Line to get the place I used to be going, however one way or the other, it led me to Nashville.
We’re a inventive match made in heaven. Charles is already the most effective producers on the earth – his ear, his style, his instincts, and even his ardour for analogue movie images inform all the things he creates. He thinks about music in layers – not simply the way it sounds, however the way it feels and appears dwell. One in all our songs started as a piano ballad, after which Charles got here in with a gritty, iconic guitar lick that absolutely reworked it. I wasn’t mad about it.
Then there’s Aaron Sterling. He’s on information with John Mayer, Jason Mraz, Sabrina Carpenter, Dua Lipa – you title it. Watching him work is like watching a world-class athlete within the zone. He’s lightning-fast, however by no means overplays. His genius is in his restraint and intention. He hears the entire panorama, each style, each nuance, after which offers the tune precisely what it wants. His recommendation to me was easy however highly effective: “Maintain going! Don’t cease.”
That’s the spirit of Nashville – it’s the place excellence, generosity, and grit all meet. I confirmed up hoping to make an awesome report. What I acquired was one thing far larger: collaborators who challenged me, championed me, and helped me develop into the artist I’m turning into.
The string association by Shaan Ramaprasad provides a cinematic high quality. Are you able to discuss how that orchestral layer deepened the emotional resonance?
Jeeves: We had been each intentional and intuitive with this association. If you happen to pay attention carefully to the intro, you’ll hear violins and violas panned from left and proper – like voices approaching from completely different instructions. It’s refined, however symbolic: these strings characterize a dialog, a number of views, and even fragments of reminiscence pulling on the edges of the tune.
The bridge is the place the observe takes a flip – it’s the emotional swell, the purpose of overwhelm – and the strings mark that shift with a way of inevitability. After I sing, “however the waves preserve crashing over me,” you’ll hear a synth and Shaan’s strings collide, similar to two waves assembly within the ocean. That sonic conflict was completely intentional – it feels like being submerged.
However my favourite second got here from metaphor, not sheet music. As a substitute of dictating notes or software program notation, I requested Shaan, “Are you able to finish on a hopeful word? Are you able to create a spiraling staircase rising into the heavens?” And with out lacking a beat, he stated, “I gotchu.” What he delivered was greater than I might have imagined: interwoven arpeggios transferring at staggered tempos, cascading upward, shimmering, climbing – an ascent towards one thing divine. It’s one of the crucial stunning issues I’ve ever heard.
When Shaan sends again a completed orchestral half, it appears like heaven arriving in a .wav file.
And right here’s a little bit of lore: Shaan is at all times early. We completed the string association in 2023 – lengthy earlier than the remainder of the manufacturing got here collectively in 2024. It’s now July 2025, and one way or the other all the things is correct on time.
You carried out the tune at Resort Café and recorded a jazz trio model in New York. What do these dwell settings reveal in regards to the tune that’s completely different from the studio recording?
Jeeves: A great tune could be reinterpreted in quite a lot of contexts. I sang this solo whereas enjoying piano with a lit candle for family and friends. I’ve sung it with Joe’s trio, performed it in LA with a full band, loved it solo with an acoustic guitar, and am presently engaged on an a capella association with a males’s octet.
If you’re recording, you haven’t any concept who you’ll contact or have an effect on or transfer, and also you achieve this in isolation or with the corporate you retain. “]
Jeeves: After I performed it dwell, I found our humanity. Most poignant is the pin-drop silence that all of the sudden finds room in our hyper-distracted fashionable period, and a respect that my viewers pays in the direction of me and the second. Maybe there’s a sixth sense when you understand that an artist isn’t performing for applause or consideration, however to talk their fact. Maybe then, you understand you could have one thing particular. What my coronary heart wasn’t ready for, nonetheless, however can now perceive, is the mutual vulnerability that ensues. All of us endure, and there’s a range of people that come and inform me their story, utterly unrelated to something I’ve ever skilled, and I really feel my empathy for the world deepens extra; I discover myself holding extra tales than my very own, one way or the other stronger for it.
How do you stability jazz, soul, and singer-songwriter components in your dwell units? And do you favor stripped-down performances or full-band preparations?
Jeeves: I like the daring and maximalist imaginative and prescient as a lot as I like the honesty and rawness of an acoustic guitar. I used to carry out at open mics very often, beginning out and there’s a magic to a songwriter in a espresso store. By no means underestimate a singer with an acoustic guitar – songs are concepts that cross borders and not using a passport. There may be an magnificence in understanding how little it takes to attain a maximal resonance with the world; an engineer would possibly name that torque.
Your debut album, Now or By no means, drops later this 12 months. What’s the overarching narrative or emotional arc of the report?
Jeeves: What an awesome query! In an infinite universe of potentialities, decisions collapse the sector of possibilities of the place we’re and the place we could possibly be right into a singular now. Time solely marches ahead and grabs us by the wrist. Life is marvelous, but horrendously quick. So what would you like? What do you want to see and really feel in your life? What if immediately had been your final day? Memento mori, so they are saying? Now or By no means is the ultimatum for the paradox of selection – an exploration of remorse, the way to dwell a life with out them, and are available actually alive.
I wrote a poem to pair with the album and introduce it, so I’ll share it for the primary time right here:
Months of boredom, moments of terror.
I don’t like who I’m within the mirror.
And so I stared into my disgrace,
disgrace for staying the identical,
so I vowed to alter.
Packed my issues, left my residence,
stated goodbye to everybody I do know,
not ready for a solution,
performing with the reward of strain,
religion in virtues I’ve but to find,
braveness a good friend, dare I say a lover,
in my pocket, up my sleeve, closed my eyes and opened them to see,
God as my witness … it’s Now or By no means.
What are some sonic or lyrical dangers you took on the album that you simply’re significantly happy with?
Jeeves: By now, I hope it’s clear – I don’t write songs until there’s danger concerned. The world already has a lot nice music; if I’m not including one thing new, what’s the purpose?
Sonically, this album is everywhere in the map – actually and metaphorically. I launched a mandolin into my sound simply because I might. I wrote my first tune in Spanish, Catalina, impressed by my Colombian brother-from-another-mother, Juanes. It’s fiery, unapologetic, and ideal for a wild evening with tequila. There’s additionally a disco-inspired observe, a nod to Quincy Jones, the place I’ll in all probability want a glittery go well with and some JT dance classes.
Lyrically, I pushed myself to ask uncomfortable questions. In Ready to Be Seen, I admit one thing I’m not happy with: “Do I like who you’re, or do I see you as clay?” That line scares me – however that’s how I do know it’s trustworthy.
For Fractions of Your Love, I studied flamenco guitar and sang partly in French. However the actual danger – the crown jewel – is Share a Kiss. That one took all the things. We recorded takes late at evening in London, tracked a 32-piece string part, did vocals in David Bowie’s producer’s studio, blended with Sam Okell from Abbey Highway (who added his Harry Potter magic), and sourced a classic drawing of Royal Albert Corridor from 1889 for the quilt artwork. I even acquired a bespoke go well with made by the tailor who clothes the Kingsman forged – as a result of I performed him the tune and requested, “What do you see?” And he noticed it.
All of this, to inform one lady I like her.
It’s a love letter, a time capsule, a dream – and yeah, perhaps leaking it to the press is my method of manifesting the long run. If this report turns into the factor that lets us tour the world collectively, then each danger was price it. Life can change straight away. It’s Now or By no means – and what we create can final perpetually.
You’ve described your music as an invite “to really feel extra, concern much less, and are available alive.” How do you hope this upcoming physique of labor helps listeners try this?
Jeeves: We dwell in an anxious world – one transferring at breakneck velocity, the place politics divide, rights are stripped, and expertise typically disconnects greater than it connects. In a time like this, even asking what it means to “come alive” feels radical. However that’s precisely why I select to create.
Music is the place I really feel the guts of the world. And although a lot of immediately’s sound leans into “darkish pop,” reflecting our collective uncertainty, I’m providing one thing completely different: an emotional arc rooted in progress, self-compassion, and pleasure. This report traces my very own journey – from self-doubt, concern, and existential dread to stillness, love, heartbreak, therapeutic, and ultimately hope.
To cite Tolstoy, “artwork is a way of communion,” and Rumi, “Yesterday I used to be intelligent, so I needed to alter the world. Right now I’m smart, so I’m altering myself.” That’s the spirit behind this work. My hope is that listeners hear that evolution – my transformation – and acknowledge items of themselves in it. That they really feel much less alone. That they reclaim pleasure. In immediately’s world, even that may be a quiet act of rebel.
You’ve talked about music as a software for therapeutic. What position does catharsis play in your songwriting, particularly on this observe?
Jeeves: In Indian classical music, artwork is a type of devotion – a approach to commune with the divine. I feel my heritage carries that sensibility into all the things I create, whether or not I intend it or not. Now that I’m formally finding out Hindustani vocals, I’m stepping even nearer to these roots, and it’s altering the best way I write. There’s a non secular undertone within the music I make – an acknowledgment that sound can transfer folks, not simply emotionally however energetically.
However I’ll be trustworthy: some days, I don’t need to take into consideration divinity or legacy or therapeutic. Some days, I simply need to be an American, seize a slice of New York pizza, and switch off the loop of my unresolved traumas enjoying in my head. And that’s a part of the therapeutic too – permission to only be.
Nonetheless, once I write from a spot of catharsis, I’m awake to the facility in it. I consider that struggling isn’t wasted when it’s alchemized into artwork. Songs like “The place Did All The Good Males Go?” come from a deeply uncooked place, however the act of sharing them transforms that ache into one thing communal. I feel that’s the key position of the artist: to metabolize the unspeakable and make it singable. Or, to cite Mission: Unattainable, there’s at all times that whispered voice asking, “Must you select to simply accept…”
So sure – therapeutic is at all times the intention behind these extra reflective songs. That’s my raison d’être: to heal myself, to heal the world. But additionally… can I simply rock and roll now? I’ve acquired a pink electrical guitar, my distortion pedal is dialed in, and I feel I’m able to have some enjoyable.
Additionally – I might actually use a cheeseburger and a glass of Barolo proper now.
If somebody discovers Jeeves by this single, what do you hope they stroll away with about you, and about themselves?
Jeeves: If somebody discovers me by this single, I hope they see my deepest wounds and fears laid naked – no disgrace, simply honesty. It’s a courageous option to share your coronary heart so overtly. Trauma is common, however therapeutic means studying to transcend it, not carry it perpetually. With time – and perhaps years – we develop past our scars. This tune reveals part of me, however there’s a lot extra to return. Most significantly, pleasure is on its method.
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Disclosure: The author of this piece additionally serves because the artist’s publicist. All opinions are their very own, and this characteristic was written with the intention of celebrating and supporting the music.
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“The place Did All of the Good Males Go?” – Jeeves
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