Contained in the immersive world of Killian Wright and the studio rewriting the foundations of audio post-production
– By Kevin Thomas-Howe
“We don’t simply add sound to image. We construct worlds the place sound breathes with the body.”
— Killian Wright, Composer and Artistic Director, Move Stereo
In an business the place post-production usually appears like an afterthought, Move Stereo is doing one thing completely different—radically completely different. Headquartered simply outdoors of London and quietly constructing a cult following amongst administrators, artistic producers, and sound purists, the studio is crafting sound that doesn’t comply with photos however co-authors them.
On the helm is Killian Wright, a classically educated composer with the intuition of a storyteller and the instruments of a sonic futurist. His studio’s calling card? Move Sound—a signature philosophy that threads music and visuals into one seamless narrative gesture. It’s immersive. It’s architectural. And it’s beginning to make a severe influence.
Move Sound: The place Music Turns into Narrative
What makes Move Stereo’s method distinctive is its refusal to separate sound from story. In Killian Wright’s world, audio is not “added on” within the closing phases of enhancing. It’s composed from the very starting to serve the emotional, psychological, and visible arc of the work.
“Too usually, sound design is seen as wallpaper,” says Wright, sitting in a brightly lit management room of his acoustically handled Move studio. “However once you combine it from the bottom up, it stops being background. It turns into rigidity, texture, emotion.”
Move Stereo excels at pushing the medium’s boundaries, difficult the divide between music and sound design. And certainly, Move Sound doesn’t really feel like anything. Foley and music mix into one stream of sonic storytelling. Percussion patterns develop into character traits. A reverb tail turns into an emotional cue. “We’re attempting to make sound breathe with the digital camera, not simply comply with it,” he explains.
From Classical to Cinematic: Killian Wright’s Sonic DNA
Killian Wright’s credentials are as compelling as his artistic output. Educated in composition at Royal Holloway—as a part of a scholarship—and a piano diploma graduate from Trinity Faculty London, Wright’s basis is steeped in classical rigour. However it’s his capacity to translate that into the language of up to date media that units him aside.
“I grew up on Ravel and Prokofiev,” Wright laughs, “however I used to be additionally obsessive about Hans Zimmer’s modular textures and Johann Johannsson’s minimalist melancholy. Movie music lets me bridge that hole between structure and ambiance.”
Having been mentored by the likes of David Stowell, Nathan James Dearden, and Nina Whiteman, Wright has carried ahead a philosophy of sonic intentionality: each word and sound has a story objective.
His work consists of not solely promoting and branding for names like Vinted, Brit Alliance, and Greenall’s Gin, but additionally long-form initiatives just like the indie sci-fi chiller Darkish Moon, the place Wright’s rating creeps into the viewer’s unconscious, layering dread not with bombast, however with refined, virtually imperceptible shifts in sonic tone.
Signature Initiatives That Show the Concept
Vinted: “Too Many” Marketing campaign
For this kinetic industrial, Move Stereo delivered a hyper-modern collage of rhythm, vogue, and kind. “We fused glitchy pop with the sort of rhythmic foley that mimics the act of scrolling and sorting,” explains Wright. “Each zip, fold, and notification was positioned with musical precision.” The outcome: an audio texture that makes vogue really feel like a dance.
Darkish Moon: Characteristic Movie
This cerebral area thriller was a masterclass in restraint. “We used percussive decay, metallic resonance, and low-frequency synths to convey the psychological descent of the protagonist,” Wright shares. “Each creak and groan was timed to echo a beat of inner unravelling.” It’s sonic storytelling within the truest sense—refined however devastating.
dCS Audio: Model Movie
For this high-end audio tech model, Move Stereo had one aim: readability. The ultimate combine, created utilizing spatial ambisonics and phase-accurate layering, is a lesson in sonic purity. “It was about making certain the viewers feels the innovation that underpins this product” says Wright.
The Composer’s Reduce: How Wright Builds with Administrators
In contrast to conventional audio submit homes, Move Stereo invitations administrators into the sound dialog early—and sometimes.
“We deal with sound like a personality,” says Wright. “In some initiatives, we’ve began composing from the storyboard stage. Which means we’re not simply reacting to cuts—we’re influencing them.”
This collaborative mannequin is especially enticing to filmmakers trying to inject higher cohesion into their productions. And it’s versatile, too: Move’s Service Re-Match providing lets purchasers convey their very own royalty-free or pre-licensed tracks, which the crew then reshapes into bespoke scores totally synchronised with the visuals.
“It’s a superb center floor,” says indie filmmaker Sara Kent, who labored with Move on a latest brief. “We had a restricted finances for authentic scoring, however what Killian’s crew did with our music utterly redefined the emotional tone of the movie. It wasn’t simply scoring—it was sculpting sound.”
Past the Combine: Mentoring and Legacy
Killian Wright isn’t simply composing; he’s cultivating the subsequent technology of sonic storytellers. As knowledgeable member of the Impartial Society of Musicians, he mentors younger expertise at Move Stereo, championing an ethos of experimentation, musical literacy, and emotional precision.
“I share this perception with all of my musical collaborators: don’t simply make issues sound good—make them imply one thing,” says Wright. “That’s the distinction between a combination and a second.”
The Way forward for Sound, Now
With a rising physique of labor throughout codecs and genres, Move Stereo is poised to develop into a staple within the toolkits of administrators and producers who need extra from their post-production sound. In an age the place viewers consideration is fragmented and fleeting, Move Stereo creates audio that lands—that lingers within the reminiscence lengthy after the credit roll.
As Wright places it: “When a viewer says, ‘I don’t know why that scene gave me chills,’ we all know we’ve completed our job.”
Fascinated about taking your subsequent manufacturing from audible to unforgettable?
Move Stereo is at the moment open to commissions, with versatile entry factors for each indie filmmakers and main manufacturing homes.
Go to www.flowstereo.com to listen to their newest work—or higher but, really feel it.
