With Outdoors of Me, Vemalo refused to sidestep emotional devastation in favour of economic palatability. They held it of their fingers, inspected each aspect, and layered it right into a monitor that by no means shies away from rawness or restraint. The only bleeds from the beginning line with dusty, distorted, diaphanous guitars that form a center floor between shoegaze haze and desert rock’s parched tone. Because the instrumental moodboard unfurls, Vedantha Kumar’s vocals turn into the non secular tether within the sonic expanse, providing the identical slow-release burn as Jim Morrison’s lucidity laced with the melodic ache of Chris Isaak, with out as soon as dropping his personal voice to reverence.
The haunting sense of soul estrangement is matched by manufacturing selections that lean into cinematic melodicism with out indulgence. After the midpoint, a jazz-licked interlude momentarily stills the chaos earlier than the returning vocal chorus hits tougher with every repetition. Vemalo used this part as a calculated lull; exhibiting their precision with dynamic emotional pacing.
Written by Matthew Davis and Vedantha Kumar, the only isn’t simply autobiographical, it’s anthropological in the best way it dissects the common expertise of watching somebody disappear out of your shared world, leaving you suspended, untethered, watching your personal life transfer outdoors of your self. Matthew, previously signed to EMI and recognized for working with Daisy Chute and Stuart Moxham, brings his narrative precision, whereas Vedantha, drawing from his time in August and After and his Indian heritage, lends the soul. Paris-based producer Jonathan Le Fevre created the right setting to honour that intention.
Outdoors of Me is now accessible on all main streaming platforms, together with Spotify.
Evaluation by Amelia Vandergast
